Charts
Number of papers per year from London, United Kingdom
Number of authors per year with (at least) an affiliation from London, United Kingdom
Percentage of authors with (at least) an affiliation from London, United Kingdom

Country
United Kingdom

Affiliations
Brunel University London; London, United Kingdom
City University London, Department of Computer Science; London, United Kingdom
City University London, Department of Computing, Music Informatics Research Group; London, United Kingdom
City University London; London, United Kingdom
City University London; London, United Kingdom
Entrepreneur First; London, United Kingdom
Factum Radioscape; London, United Kingdom
Goldsmiths, University of London, Department of Computing, Intelligent Sound and Music Systems (ISMS); London, United Kingdom
Goldsmiths, University of London, Department of Computing; London, United Kingdom
Goldsmiths, University of London, Department of Computing; London, United Kingdom
Goldsmiths, University of London, Department of Music; London, United Kingdom
Goldsmiths, University of London, Department of Music; London, United Kingdom
Goldsmiths, University of London, Goldsmiths Digital Studios; London, United Kingdom
Goldsmiths, University of London, Goldsmiths Digital Studios; London, United Kingdom
Goldsmiths, University of London; London, United Kingdom
Goldsmiths, University of London; London, United Kingdom
King's College London, Department of Computer Science, Algorithm Design Group; London, United Kingdom
King's College London, Department of Computer Science, Algorithm Design Group; London, United Kingdom
King's College London, Department of Computer Science, Algorithm Design Group; London, United Kingdom
London Metropolitan University, Faculty of Art, Architecture and Design; London, United Kingdom
Middlesex University London; London, United Kingdom
Queen Mary University of London, Center for Digital Music; London, United Kingdom
Queen Mary University of London, Centre for Digital Music (C4DM); London, United Kingdom
Queen Mary University of London, Centre for Digital Music (C4DM); London, United Kingdom
Queen Mary University of London, Interaction, Media, and Communication Group; London, United Kingdom
Queen Mary University of London, School of Electronic Engineering and Computer Science, Centre for Digital Music; London, United Kingdom
Queen Mary University of London; London, United Kingdom
Queen Mary University of London; London, United Kingdom
Queen Mary University of London; London, United Kingdom
Queen Mary University of London; London, United Kingdom
Queen Mary University of London; London, United Kingdom
Queen Mary University of London; London, United Kingdom
Queen Mary University of London; London, United Kingdom
Regent's College; London, United Kingdom
ROLI, Centre for Digital Entertainment; London, United Kingdom
University College London, Department of Computer Science; London, United Kingdom
University College London, Universal Composition Laboratory; London, United Kingdom
University College London; London, United Kingdom
University College London; London, United Kingdom
University College London; London, United Kingdom

Authors from London, United Kingdom (affiliation)
Abdallah, Samer A.
Abou-Zleikha, Mohamed
Adhitya, Sara
Anglade, Amélie
Armstrong, Newton
Aspromallis, Christodoulos
Barthet, Mathieu
Benetos, Emmanouil
Bergeron, Mathieu
Bianchi-Berthouze, Nadia
Black, Dawn
Britton, Sam
Bryan-Kinns, Nick
Buys, Kurijn
Chapman, Dominik
Chew, Elaine
Chourdakis, Emmanouil Theofanis
Clifford, Raphaël
Conklin, Darrell
Dack, John
De Man, Brecht
Demirel, Emir
Dixon, Simon
Duffy, Sam
Dykiert, Mateusz
Ekeus, Henrik
Exarchos, Dimitris
Fazekas, György
Fencott, Robin
Garavaglia, Javier Alejandro
Gold, Nicolas E.
Grierson, Mick
Healey, Patrick
Hedges, Thomas W.
Heinrichs, Christian
Honingh, Aline
Iliopoulos, Costas S.
Jillings, Nicholas
Jones, Daniel
Kalodiki, Georgia
Klapuri, Anssi
Lambert, Andrew
Li, Shengchen
Mauch, Matthias
McLean, Alex
McOwan, Peter W.
McPherson, Andrew P.
Mearns, Lesley
Michalakopoulos, Spiros
Moffat, David
Mohamed, Manal
Mohanaraj, Velumailum
Morreale, Fabio
Mycroft, Josh
Newbold, Joseph
Palliyaguru, Praneeth N.
Pardue, Laurel
Parkinson, Adam
Pauwels, Johan
Pearce, Marcus
Plumbley, Mark D.
Rahman, Mohammad Sohel
Reiss, Joshua Daniel
Robertson, Andrew
Sandler, Mark
Sandu, Octav-Emilian
Selfridge, Rod
Song, Chunyang
Song, Yading
Soraghan, Sean
Stark, Adam
Stockman, Tony
Stowell, Dan
Tanaka, Atau
Thalmann, Florian
Truman, Sylvia
Wang, Changhong
Weyde, Tillman
Wiggins, Geraint
Williams, Amanda
Wissmann, Jens
Wolff, Daniel

Papers by authors from London, United Kingdom (affiliation)

SMC Conference 2004
Music Retrieval Algorithms for the Lead Sheet Problem
Raphaël Clifford, Richard Groult, Costas S. Iliopoulos, Donald Byrd

SMC Conference 2007
Automatic Semantic Annotation of Music With Harmonic Structure
Tillman Weyde, Jens Wissmann

SMC Conference 2007
Discovery of Generalized Interval Patterns
Darrell Conklin, Mathieu Bergeron

SMC Conference 2007
Experimental (δ, γ)-Pattern-Matching with Don't Cares
Costas S. Iliopoulos, Manal Mohamed, Velumailum Mohanaraj

SMC Conference 2007
Implementation of Algorithms to Classify Musical Texts According to Rhythms
Arbee L. P. Chen, Costas S. Iliopoulos, Spiros Michalakopoulos, Mohammad Sohel Rahman

SMC Conference 2007
Injecting Periodicities: Sieves as Timbres
Dimitris Exarchos

SMC Conference 2007
Pitch Spelling: Investigating Reductions of the Search Space
Aline Honingh

SMC Conference 2009
First-order Logic Classification Models of Musical Genres Based on Harmony
Amélie Anglade, Rafael Ramirez, Simon Dixon

SMC Conference 2009
Sensory Threads: Sonifying Imperceptible Phenomena in the Wild
Robin Fencott, Nick Bryan-Kinns

SMC Conference 2010
Chord Sequence Patterns in OWL
Jens Wissmann, Tillman Weyde, Darrell Conklin

SMC Conference 2010
CONSTANT-Q TRANSFORM TOOLBOX FOR MUSIC PROCESSING
Christian Schörkhuber, Anssi Klapuri

SMC Conference 2010
Tidal - Pattern Language for Live Coding of Music
Alex McLean, Geraint Wiggins

SMC Conference 2010
Timbre remapping through a regression-tree technique
Dan Stowell, Mark D. Plumbley

SMC Conference 2011
A Bayesian Approach to Drum Tracking
Andrew Robertson

SMC Conference 2011
An Interactive Surface Realisation of Henri Pousseur's 'Scambi'
Robin Fencott, John Dack

SMC Conference 2011
Automatically detecting key modulations in J.S. Bach chorale recordings
Lesley Mearns, Emmanouil Benetos, Simon Dixon

SMC Conference 2011
Multiple-Instrument Polyphonic Music Transcription using a Convolutive Probabilistic Model
Emmanouil Benetos, Simon Dixon

SMC Conference 2011
SoundScape: A music composition environment designed to facilitate collaborative creativity in the classroom
Sylvia Truman

SMC Conference 2011
Support for Learning Synthesiser Programming
Mateusz Dykiert, Nicolas E. Gold

SMC Conference 2012
A Framework to Evaluate the Adoption Potential of Interactive Performance Systems for Popular Music
Nicolas E. Gold

SMC Conference 2012
A Hybrid Keyboard-Guitar Interface using Capacitive Touch Sensing and Physical Modeling
Christian Heinrichs, Andrew P. McPherson

SMC Conference 2012
Gestural Musical Affordances
Atau Tanaka, Alessandro Altavilla, Neal Spowage

SMC Conference 2012
Remote Music Tuition
Sam Duffy, Doug Williams, Ian Kegel, Tim Stevens, Jack Jansen, Pablo Cesar, Patrick Healey

SMC Conference 2012
Surface as Structure: The multi-touch controller as map of musical state space
Oliver Bown, Daniel Jones, Sam Britton

SMC Conference 2012
The Quiet Walk: Sonic Memories and Mobile Cartography
Alessandro Altavilla, Atau Tanaka

SMC Conference 2013
3D Gestural Interaction With Harmonic Pitch Space
Thomas W. Hedges, Andrew P. McPherson

SMC Conference 2013
A Social Network Integrated Game Experiment to Relate Tapping to Speed Perception and Explore Rhythm Reproduction
Guillaume Bellec, Anders Elowsson, Anders Friberg, Daniel Wolff, Tillman Weyde

SMC Conference 2013
Composing for Cars
Adam Parkinson, Atau Tanaka

SMC Conference 2013
Composing Social Interactions for an Interactive-spatial Performance System
Adam Parkinson, Koray Tahiroğlu

SMC Conference 2013
Full Automation of Real-time Processes in Interactive Compositions: Two Related Examples
Javier Alejandro Garavaglia

SMC Conference 2013
How Predictable Do We Like Our Music? Eliciting Aesthetic Preferences With the Melody Triangle Mobile App
Henrik Ekeus, Samer A. Abdallah, Peter W. McOwan, Mark D. Plumbley

SMC Conference 2013
Human-computer Music Performance: From Synchronized Accompaniment to Musical Partner
Roger B. Dannenberg, Zeyu Jin, Nicolas E. Gold, Octav-Emilian Sandu, Praneeth N. Palliyaguru, Andrew Robertson, Adam Stark, Rebecca Kleinberger

SMC Conference 2013
The Influence of Graphical User Interface Design on Critical Listening Skills
Josh Mycroft, Joshua Daniel Reiss, Tony Stockman

SMC Conference 2013
Using Semantic Layer Projection for Enhancing Music Mood Prediction With Audio Features
Pasi Saari, Tuomas Eerola, György Fazekas, Mark Sandler

SMC Conference 2014
Animating Timbre - A User Study
Sean Soraghan

SMC Conference 2014
Bassline Pitch Prediction for Real-time Performance Systems
Andrew Robertson

SMC Conference 2014
Beyond the Beat: Towards Metre, Rhythm and Melody Modelling With Hybrid Oscillator Networks
Andrew Lambert, Tillman Weyde, Newton Armstrong

SMC Conference 2014
Comparing Models of Symbolic Music Using Probabilistic Grammars and Probabilistic Programming
Samer A. Abdallah, Nicolas E. Gold

SMC Conference 2014
Connecting SUM With Computer-assisted Composition in PWGL: Recreating the Graphic Scores of Anestis Logothetis
Sara Adhitya, Mika Kuuskankare

SMC Conference 2014
Interactive Performance Systems: Conceptual Interacting Strategies in Forming Electroacoustic Sound Identities
Georgia Kalodiki

SMC Conference 2014
N-gon Waves - Audio Applications of the Geometry of Regular Polygons in the Time Domain
Dominik Chapman, Mick Grierson

SMC Conference 2014
Timbre-invariant Audio Features for Style Analysis of Classical Music
Christof Weiß, Matthias Mauch, Simon Dixon

SMC Conference 2015
Harmony of the Spheres: A Physics-Based Android Synthesizer and Controller with Gestural Objects and Physical Transformations
Florian Thalmann

SMC Conference 2015
How Well Can a Music Emotion Recognition System Predict the Emotional Responses of Participants?
Yading Song, Simon Dixon

SMC Conference 2015
MUSICALLY INFORMED SONIFICATION FOR SELF-DIRECTED CHRONIC PAIN PHYSICAL REHABILITATION
Joseph Newbold, Nadia Bianchi-Berthouze, Nicolas E. Gold, Amanda Williams

SMC Conference 2015
Perceiving and Predicting Expressive Rhythm with Recurrent Neural Networks
Andrew Lambert, Tillman Weyde, Newton Armstrong

SMC Conference 2015
SynPy: a Python Toolkit for Syncopation Modelling
Chunyang Song, Marcus Pearce, Christopher Harte

SMC Conference 2015
Web Audio Evaluation Tool: A Browser-Based Listening Test Environment
Nicholas Jillings, Brecht De Man, David Moffat, Joshua Daniel Reiss

SMC Conference 2016
A Model Selection Test for Factors Affecting the Choice of Expressive Timing Clusters for a Phrase
Shengchen Li, Simon Dixon, Dawn Black, Mark D. Plumbley

SMC Conference 2016
FORM-AWARE, REAL-TIME ADAPTIVE MUSIC GENERATION FOR INTERACTIVE EXPERIENCES
Christodoulos Aspromallis, Nicolas E. Gold

SMC Conference 2016
Smart Instruments: Towards an Ecosystem of Interoperable Devices Connecting Performers and Audiences
Luca Turchet, Andrew P. McPherson, Carlo Fischione

SMC Conference 2016
SOUND FOREST/LJUDSKOGEN: A LARGE-SCALE STRING-BASED INTERACTIVE MUSICAL INSTRUMENT
Roberto Bresin, Ludvig Elblaus, Emma Frid, Federico Favero, Lars Annersten, David Berner, Fabio Morreale

SMC Conference 2016
Visually Representing and Interpreting Multivariate Data for Audio Mixing
Josh Mycroft, Joshua Daniel Reiss, Tony Stockman

SMC Conference 2017
REAL-TIME PHYSICAL MODEL FOR SYNTHESIS OF SWORD SWING SOUNDS
Rod Selfridge, David Moffat, Joshua Daniel Reiss

SMC Conference 2017
Robinflock: a polyphonic algorithmic composer for interactive scenarios with children
Raul Masu, Andrea Conci, Cristina Core, Antonella De Angeli, Fabio Morreale

SMC Conference 2017
Towards the Internet of Musical Things
Luca Turchet, Carlo Fischione, Mathieu Barthet

SMC Conference 2018
From my Pen to your Ears: Automatic Production of Radio Plays from Unstructured Story Text
Emmanouil Theofanis Chourdakis, Joshua Daniel Reiss

SMC Conference 2018
Improving the Instrumental Learning Experience through Complexity Management
Laurel Pardue, Andrew P. McPherson, Daniel Overholt

SMC Conference 2018
Interactive Exploration of Musical Space with Parametric t-SNE
Matteo Lionello, Hendrik Purwins, Luca Pietrogrande, Mohamed Abou-Zleikha

SMC Conference 2018
Real-time Bowed String Feature Extraction for Performance Applications
Kurijn Buys, Andrew P. McPherson

SMC Conference 2019
Automatic Chord-Scale Recognition using Harmonic Pitch Class Profiles
Emir Demirel, Barıs Bozkurt, Xavier Serra

SMC Conference 2019
Finding new practice material through chord-based exploration of a large music catalogue
Johan Pauwels, Mark Sandler

SMC Conference 2019
HMM-BASED GLISSANDO DETECTION FOR RECORDINGS OF CHINESE BAMBOO FLUTE
Changhong Wang, Emmanouil Benetos, Xiaojie Meng, Elaine Chew