A Report on SMC Conferences

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Conferences

Affiliations

Affiliation Places

Affiliation Countries

Authors

Papers

Tables and Charts

United Kingdom (affiliation country)

Charts
Number of papers per year from United Kingdom
Number of authors per year with (at least) an affiliation from United Kingdom
Percentage of authors with (at least) an affiliation from United Kingdom

Places
Aberystwyth
Bath
Belfast
Birmingham
Bournemouth
Brighton
Bristol
Cambridge
Canterbury
Cardiff
Coleraine
Derby
Devon
Durham
Edinburgh
Glasgow
Guildford
Huddersfield
Ipswich
Lancaster
Leeds
Leicester
London
Luton
Manchester
Milton Keynes
Newcastle upon Tyne
Norwich
Oxford
Plymouth
Portsmouth
Reading
Salford
Sheffield
Southampton
St Andrews
Wrexham
York

Authors from United Kingdom (affiliation)
Abdallah, Samer A.
Abou-Zleikha, Mohamed
Adhitya, Sara
Alon, Eyal
Altavilla, Alessandro
Anders, Torsten
Anglade, Amélie
Armitage, Joanne
Armstrong, Newton
Arvind, DK
Aslan, Jessica
Aspromallis, Christodoulos
Athwal, Cham
Bailey, Nicholas
Baracskai, Zlatko
Barahona, Adrián
Barlow, Christopher
Barthet, Mathieu
Belly, Paul
Benetos, Emmanouil
Berezan, David
Bergeron, Mathieu
Bevan, Ann
Bianchi-Berthouze, Nadia
Bilbao, Stefan
Black, Dawn
Blackmore, Simon
Bluglass, Amanda
Bonet, Nuria
Boskamp, Bram
Bowles, Tristan
Braund, Edward
Britton, Sam
Brown, Dom
Bryan-Kinns, Nick
Bullock, Jamie
Burgarth, Daniel
Buys, Kurijn
Chapman, Dominik
Chapman, Duncan
Chew, Elaine
Chourdakis, Emmanouil Theofanis
Clarke, Michael
Clifford, Raphaël
Climent, Ricardo
Collins, Nick
Conklin, Darrell
Cunningham, Stuart
Dack, John
Dalton, Nick
Dalton, Sheep
Daly, Ian
Davis, Tom
Davison, Andrew
De Man, Brecht
Demirel, Emir
Didakis, Stavros
Dixon, Simon
Dobbyn, Chris
Dufeu, Frédéric
Duffy, Sam
Dykiert, Mateusz
Eaton, Joel
Eccleston, Andrew
Ekeus, Henrik
Emmerson, Simon
Enderby, Sean
Eniu, Mihai
Erichsen, Matthias
Exarchos, Dimitris
Fazekas, György
Fazenda, Bruno
Fencott, Robin
Fitch, John
Fitzgerald, Rosemary A.
Franceschini, Andrea
Furniss, Pete
Garavaglia, Javier Alejandro
Garland, Ellen
Gibson, Darrell
Gibson, Ian
Gillian, Nicholas
Gimenes, Marcelo
Goddard, Chris
Gold, Nicolas E.
Goodwin, Simon
Gounaropoulos, Alex
Graham, Paul
Grierson, Mick
Griffiths, Darryl
Hamilton, Brian
Hapipis, Athanasios
Harte, Christopher
Harvey, Jonathan
Hawkins, Robin
Healey, Patrick
Hedges, Thomas W.
Heinrichs, Christian
Hill, Patrick
Hoadley, Richard
Hockman, Jason
Holland, David
Holland, Simon
Honingh, Aline
Howard, David M.
Hughes, Craig
Hurban, Hedy
Iliopoulos, Costas S.
Ingram, Simon
Jillings, Nicholas
Johnson, Chris
Johnson, Colin G.
Jones, Andrew
Jones, Daniel
Kaimi, Irene
Kalodiki, Georgia
Karamanlis, Orestis
Keenan, Fiona
Kegel, Ian
Kiefer, Chris
Kirkbride, Ryan
Kirke, Alexis
Klapuri, Anssi
Knapp, R. Benjamin
Koepke, A. Sophia
Kontogeorgakopoulos, Alexandros
Kotsifa, Olivia
Lambert, Andrew
Lamoni, Luca
Landy, Leigh
Laney, Robin Charles
Larkin, Oliver
Lennox, Peter
Leplâtre, Grégory
Li, Ming
Li, Shengchen
Lindsay, Adam T.
Littleton, Karen
Lympouridis, Vangelis
Lyon, Eric
Madgwick, Sebastian
Maguire, Liam P.
Manning, Peter
Marsden, Alan
Marshall, David
Martins, João M.
Mauch, Matthias
Mcginnity, Thomas M.
McKenzie, Ian
Mckinney, Curtis
McKinney, Chad
McLean, Alex
Mcleod, Andrew
Mcloughlin, Michael
McOwan, Peter W.
McPherson, Andrew P.
Mearns, Lesley
Meenakshisundaram, Sivaramakrishnan
Mehes, Sandor
Michailidis, Tychonas
Michalakopoulos, Spiros
Miell, Dorothy
Miranda, Eduardo Reck
Mitchell, Tom
Moffat, David
Mohamed, Manal
Mohanaraj, Velumailum
Mooney, James
Moore, David
Morreale, Fabio
Mudd, Tom
Mulholland, Paul
Murphy, Damian
Myatt, Tony
Mycroft, Josh
Nash, Chris
Nasuto, Slawomir J.
Negrão, Miguel Cerdeira Marreiros
Nelson, Peter
Newbold, Joseph
Ng, Kia
Okuno, Takatoshi
O'Modhrain, Sile
Palliyaguru, Praneeth N.
Pardue, Laurel
Parker, Martin
Parkinson, Adam
Pauletto, Sandra
Pauwels, Johan
Pearce, Marcus
Pearse, Stephen
Pecino Rodriguez, Jose Ignacio
Percival, Graham
Perry, James
Pierson, Daniel
Plumbley, Mark D.
Polfreman, Richard
Popp, Constantin
Pruthi, Rishi
Rahman, Mohammad Sohel
Reiss, Joshua Daniel
Renaud, Alain
Rendell, Luke
Robertson, Andrew
Roesch, Etienne B.
Rogers, Andrew
Rohrmeier, Martin
Rutter, Edward Kingsley
Rutz, Hanns Holger
Sandler, Mark
Sandu, Octav-Emilian
Sanfilippo, Dario
Savva, Dimitrios
Selfridge, Rod
Shelley, Simon
Sidorov, Kirill
Sleep, Ronan
Smaill, Alan
Smith, Stephen
Smyth, Michael
Song, Chunyang
Song, Yading
Soraghan, Sean
Soria Luz, Rosalía
Spowage, Neal
Stapleton, Paul
Stark, Adam
Stavropoulos, Nikos
Steedman, Mark
Stevens, Francis
Stevens, Tim
Stockman, Tony
Stowell, Dan
Tanaka, Atau
Thalmann, Florian
Torin, Alberto
Truman, Sylvia
Tsiros, Augoustinos
Vallati, Mauro
van Walstijn, Maarten
Velardo, Valerio
Visi, Federico
Wang, Changhong
Weaver, James C. E.
Weinel, Jonathan
Wermelinger, Michel
Weyde, Tillman
Whyte, Craig
Wiggins, Geraint
Wiles, Olivia
Williams, Amanda
Williams, Doug
Williams, Duncan
Wilson, Alex
Wissmann, Jens
Wolff, Daniel
Woolford, Kirk
Xambó, Anna
Young, Alex
Zisserman, Andrew

Papers by authors from United Kingdom (affiliation)

SMC Conference 2004
Applying Aspect Oriented Programming to Music Computing
Patrick Hill, Simon Holland, Robin Charles Laney

SMC Conference 2004
Control Search Using Rules, Tests and Measures (its Applications in the Harmonisation of Bach's Chorales)
Somnuk Phon-Amnuaisuk, Alan Smaill

SMC Conference 2004
Extending a Network-of-elaborations Representation to Polyphonic Music: Schenker and Species Counterpoint
Alan Marsden

SMC Conference 2004
Melody Classification Using a Similarity Metric Based on Kolmogorov Complexity
Ming Li, Ronan Sleep

SMC Conference 2004
Music Retrieval Algorithms for the Lead Sheet Problem
Raphaël Clifford, Richard Groult, Costas S. Iliopoulos, Donald Byrd

SMC Conference 2004
On Onsets On-the-fly: Real-time Event Segmentation and Categorisation as a Compositional Effect
Nick Collins

SMC Conference 2004
Tying Semantic Labels to Computational Descriptors of Similar Timbres
Rosemary A. Fitzgerald, Adam T. Lindsay

SMC Conference 2005
Artificial Singing With a Webcam Mouth-controller
Athanasios Hapipis, Eduardo Reck Miranda

SMC Conference 2005
Extended Waveform Segment Synthesis, a Nonstandard Synthesis Model for Microsound Composition
Nikolas Valsamakis, Eduardo Reck Miranda

SMC Conference 2005
On the Learning Stages of an Intelligent Rhythmic Generator
Marcelo Gimenes, Eduardo Reck Miranda, Chris Johnson

SMC Conference 2005
Steering Generative Rules With the EEG: An Approach to Brain-computer Music Interfacing
Eduardo Reck Miranda, Bram Boskamp

SMC Conference 2007
The Cube: An Audiovisual Interactive Installation
Stavros Didakis

SMC Conference 2007
Injecting Periodicities: Sieves as Timbres
Dimitris Exarchos

SMC Conference 2007
Pitch Spelling: Investigating Reductions of the Search Space
Aline Honingh

SMC Conference 2007
Modelling Dynamics of Key Induction in Harmony Progressions
Martin Rohrmeier

SMC Conference 2007
Automatic Semantic Annotation of Music With Harmonic Structure
Tillman Weyde, Jens Wissmann

SMC Conference 2007
A Generative Grammar Approach to Diatonic Harmonic Structure
Martin Rohrmeier

SMC Conference 2007
Measured Characteristics of Development in Adolescent Singers
Christopher Barlow, David M. Howard

SMC Conference 2007
Implementation of Algorithms to Classify Musical Texts According to Rhythms
Arbee L. P. Chen, Costas S. Iliopoulos, Spiros Michalakopoulos, Mohammad Sohel Rahman

SMC Conference 2007
Experimental (δ, γ)-Pattern-Matching with Don't Cares
Costas S. Iliopoulos, Manal Mohamed, Velumailum Mohanaraj

SMC Conference 2007
Discovery of Generalized Interval Patterns
Darrell Conklin, Mathieu Bergeron

SMC Conference 2007
Gestural Control of Sonic Swarms: Composing With Grouped Sound Objects
Tom Davis, Orestis Karamanlis

SMC Conference 2007
Controlling Aural and Visual Particle Systems Through Human Movement
Carlos Guedes, Kirk Woolford

SMC Conference 2007
Multi-channel Formats in Electroacoustic Composition: Acoustic Space as a Carrier of Musical Structure
Nikos Stavropoulos

SMC Conference 2007
A Neural Network Approach for Synthesising Timbres From Adjectives
Alex Gounaropoulos, Colin G. Johnson

SMC Conference 2007
Image Features Based on Two-dimensional FFT for Gesture Analysis and Recognition
Paul Modler, Tony Myatt

SMC Conference 2007
Haptic Feedback for Improved Positioning of the Hand for Empty Handed Gestural Control
Paul Modler, Tony Myatt

SMC Conference 2007
Sonification of Gestures Using Specknets
Vangelis Lympouridis, Martin Parker, Alex Young, DK Arvind

SMC Conference 2008
An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems
Marcelo Gimenes, Eduardo Reck Miranda

SMC Conference 2008
Applications of Typomorphology in Acute; Scoring the Ideal and Its Mirror
Ricardo Climent

SMC Conference 2008
Breeding Rhythms With Artificial Life
João M. Martins, Eduardo Reck Miranda

SMC Conference 2008
Memory Space
Simon Emmerson

SMC Conference 2008
NOVARS Research Centre, University of Manchester, UK. Studio Report
Ricardo Climent, David Berezan, Andrew Davison

SMC Conference 2008
Sound Spatialisation, Free Improvisation and Ambiguity
James Mooney, Paul Belly, Adam Parkinson

SMC Conference 2008
Spatial Orchestration
Eric Lyon

SMC Conference 2008
Speaker-Herd: A Multi-channel Loudspeaker Project for Miscellaneous Spaces, Loudspeaker Architectures and Compositional Approaches
Frank Bierlein, Elmar Farchmin, Lukas Fütterer, Anja Kerschkewicz, David Loscher, Paul Modler, Thorsten Möhrmann, Tony Myatt, Adam Rafinski, René Räpple, Stefan Rosinski, Lorenz Schwarz, Amos Unger, Markus Zielke

SMC Conference 2009
A Computational Model That Generalises Schoenberg's Guidelines for Favourable Chord Progressions
Torsten Anders, Eduardo Reck Miranda

SMC Conference 2009
First-order Logic Classification Models of Musical Genres Based on Harmony
Amélie Anglade, Rafael Ramirez, Simon Dixon

SMC Conference 2009
Making an Orchestra Speak
Gilbert Nouno, Arshia Cont, Grégoire Carpentier, Jonathan Harvey

SMC Conference 2009
Sensory Threads: Sonifying Imperceptible Phenomena in the Wild
Robin Fencott, Nick Bryan-Kinns

SMC Conference 2010
Timbre remapping through a regression-tree technique
Dan Stowell, Mark D. Plumbley

SMC Conference 2010
On the Traceability of the Compositional Process
Hanns Holger Rutz, Eduardo Reck Miranda, Gerhard Eckel

SMC Conference 2010
Dynamic Cues for Network Music Interactions
Alain Renaud

SMC Conference 2010
Tidal - Pattern Language for Live Coding of Music
Alex McLean, Geraint Wiggins

SMC Conference 2010
ISSUES AND TECHNIQUES FOR COLLABORATIVE MUSIC MAKING ON MULTI-TOUCH SURFACES
Robin Charles Laney, Chris Dobbyn, Anna Xambó, Mattia Schirosa, Dorothy Miell, Karen Littleton, Sheep Dalton

SMC Conference 2010
Exploring Timbre Spaces With Two Multiparametric Controllers
Chris Kiefer

SMC Conference 2010
Emotions in the Voice: Humanising a Robotic Voice
Tristan Bowles, Sandra Pauletto

SMC Conference 2010
Chord Sequence Patterns in OWL
Jens Wissmann, Tillman Weyde, Darrell Conklin

SMC Conference 2010
CONSTANT-Q TRANSFORM TOOLBOX FOR MUSIC PROCESSING
Christian Schörkhuber, Anssi Klapuri

SMC Conference 2011
An Interactive Surface Realisation of Henri Pousseur's 'Scambi'
Robin Fencott, John Dack

SMC Conference 2011
Multiple-Instrument Polyphonic Music Transcription using a Convolutive Probabilistic Model
Emmanouil Benetos, Simon Dixon

SMC Conference 2011
PHYSICAL MODELING MEETS MACHINE LEARNING: TEACHING BOW CONTROL TO A VIRTUAL VIOLINIST
Graham Percival, Nicholas Bailey, George Tzanetakis

SMC Conference 2011
An Adaptive Classification Algorithm For Semiotic Musical Gestures
Nicholas Gillian, R. Benjamin Knapp, Sile O'Modhrain

SMC Conference 2011
Sound Spheres: A Design Study of the Articulacy of a Non-contact Finger Tracking Virtual Musical Instrument
Craig Hughes, Michel Wermelinger, Simon Holland

SMC Conference 2011
Limits of Control
Hanns Holger Rutz

SMC Conference 2011
SoundScape: A music composition environment designed to facilitate collaborative creativity in the classroom
Sylvia Truman

SMC Conference 2011
Automatically detecting key modulations in J.S. Bach chorale recordings
Lesley Mearns, Emmanouil Benetos, Simon Dixon

SMC Conference 2011
Extraction of sound localization cue utilizing pitch cue for modelling auditory system
Takatoshi Okuno, Thomas M. Mcginnity, Liam P. Maguire

SMC Conference 2011
Support for Learning Synthesiser Programming
Mateusz Dykiert, Nicolas E. Gold

SMC Conference 2011
Leech: BitTorrent and Music Piracy Sonification
Curtis Mckinney, Alain Renaud

SMC Conference 2011
IMPROVING PERFORMERS’ MUSICALITY THROUGH LIVE INTERACTION WITH HAPTIC FEEDBACK: A CASE STUDY
Tychonas Michailidis, Jamie Bullock

SMC Conference 2011
The plurality of melodic similarity
Alan Marsden

SMC Conference 2011
from snow [to space to movement] to sound
Alexandros Kontogeorgakopoulos, Olivia Kotsifa, Matthias Erichsen

SMC Conference 2011
A Bayesian Approach to Drum Tracking
Andrew Robertson

SMC Conference 2012
Enumeration of Chord Sequences
Nick Collins

SMC Conference 2012
Even More Errant Sound Synthesis
Nick Collins

SMC Conference 2012
Remote Music Tuition
Sam Duffy, Doug Williams, Ian Kegel, Tim Stevens, Jack Jansen, Pablo Cesar, Patrick Healey

SMC Conference 2012
A Framework to Evaluate the Adoption Potential of Interactive Performance Systems for Popular Music
Nicolas E. Gold

SMC Conference 2012
Surface as Structure: The multi-touch controller as map of musical state space
Oliver Bown, Daniel Jones, Sam Britton

SMC Conference 2012
A REACTIVE, CONFLUENTLY PERSISTENT FRAMEWORK FOR THE DESIGN OF COMPUTER MUSIC SYSTEMS
Hanns Holger Rutz

SMC Conference 2012
A Hybrid Keyboard-Guitar Interface using Capacitive Touch Sensing and Physical Modeling
Christian Heinrichs, Andrew P. McPherson

SMC Conference 2012
Factors in human recognition of timbre lexicons generated by data clustering
Gerard Roma, Anna Xambó, Perfecto Herrera, Robin Charles Laney

SMC Conference 2012
The Quiet Walk: Sonic Memories and Mobile Cartography
Alessandro Altavilla, Atau Tanaka

SMC Conference 2012
Yig, the Father of Serpents: A Real-Time Network Music Performance Environment
Chad McKinney, Nick Collins

SMC Conference 2012
Gestural Musical Affordances
Atau Tanaka, Alessandro Altavilla, Neal Spowage

SMC Conference 2012
SKETCHING CONCATENATIVE SYNTHESIS: SEARCHING FOR AUDIOVISUAL ISOMORPHISM IN REDUCED MODES
Augoustinos Tsiros, Grégory Leplâtre, Michael Smyth

SMC Conference 2012
The FireFader Design: Simple, Open-source, and Reconfigurable Haptics for Musicians
Edgar Berdahl, Alexandros Kontogeorgakopoulos

SMC Conference 2013
3D Gestural Interaction With Harmonic Pitch Space
Thomas W. Hedges, Andrew P. McPherson

SMC Conference 2013
A Social Network Integrated Game Experiment to Relate Tapping to Speed Perception and Explore Rhythm Reproduction
Guillaume Bellec, Anders Elowsson, Anders Friberg, Daniel Wolff, Tillman Weyde

SMC Conference 2013
An Energy Conserving Finite Difference Scheme for Simulation of Collisions
Vasileios Chatziioannou, Maarten van Walstijn

SMC Conference 2013
Artificial Affective Listening Towards a Machine Learning Tool for Sound-based Emotion Therapy and Control
Alexis Kirke, Eduardo Reck Miranda, Slawomir J. Nasuto

SMC Conference 2013
Composing for Cars
Adam Parkinson, Atau Tanaka

SMC Conference 2013
Composing Social Interactions for an Interactive-spatial Performance System
Adam Parkinson, Koray Tahiroğlu

SMC Conference 2013
Full Automation of Real-time Processes in Interactive Compositions: Two Related Examples
Javier Alejandro Garavaglia

SMC Conference 2013
How Predictable Do We Like Our Music? Eliciting Aesthetic Preferences With the Melody Triangle Mobile App
Henrik Ekeus, Samer A. Abdallah, Peter W. McOwan, Mark D. Plumbley

SMC Conference 2013
Human-computer Music Performance: From Synchronized Accompaniment to Musical Partner
Roger B. Dannenberg, Zeyu Jin, Nicolas E. Gold, Octav-Emilian Sandu, Praneeth N. Palliyaguru, Andrew Robertson, Adam Stark, Rebecca Kleinberger

SMC Conference 2013
Impulse Response Estimation for the Auralisation of Vehicle Engine Sounds Using Dual Channel FFT Analysis
Simon Shelley, Damian Murphy, Simon Goodwin

SMC Conference 2013
Methods for Real Time Harmonic Excitation of Acoustic Signals
Sean Enderby, Zlatko Baracskai, Cham Athwal

SMC Conference 2013
On Finite Difference Schemes for the 3-D Wave Equation Using Non-cartesian Grids
Brian Hamilton, Stefan Bilbao

SMC Conference 2013
Real-time Hallucatination Sonification and Simulation Through User-led Development of an iPad Augmented Reality Performance
Alexis Kirke, Joel Eaton, Eduardo Reck Miranda

SMC Conference 2013
Real-time Notation Using Brainwave Control
Joel Eaton, Eduardo Reck Miranda

SMC Conference 2013
Technical Report on a Short Live-action Film Whose Story With Soundtrack Is Selected in Real-time Based on Audience Arousal During Performance
Alexis Kirke, Duncan Williams, Eduardo Reck Miranda, Amanda Bluglass, Craig Whyte, Rishi Pruthi, Andrew Eccleston

SMC Conference 2013
The Influence of Graphical User Interface Design on Critical Listening Skills
Josh Mycroft, Joshua Daniel Reiss, Tony Stockman

SMC Conference 2013
Towards Computable Procedures for Deriving Tree Structures in Music: Context Dependency in GTTM and Schenkerian Theory
Alan Marsden, Keiji Hirata, Satoshi Tojo

SMC Conference 2013
Using Semantic Layer Projection for Enhancing Music Mood Prediction With Audio Features
Pasi Saari, Tuomas Eerola, György Fazekas, Mark Sandler

SMC Conference 2013
x-OSC: A Versatile Wireless I/O Device for Creative/Music Applications
Sebastian Madgwick, Tom Mitchell

SMC Conference 2014
What Is Sound?
Peter Nelson

SMC Conference 2014
Echoes in Plato's Cave: Ontology of Sound Objects in Computer Music and Analysis
Alan Marsden

SMC Conference 2014
December Variations (on a Theme by Earle Brown)
Richard Hoadley

SMC Conference 2014
Degrees of Interpretation in Computer Aided Algorithmic Composition
Jessica Aslan

SMC Conference 2014
Easter Eggs: Hidden Tracks and Messages in Musical Mediums
Jonathan Weinel, Darryl Griffiths, Stuart Cunningham

SMC Conference 2014
Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation
Oliver Hödl, Geraldine Fitzpatrick, Simon Holland

SMC Conference 2014
From Technological Investigation and Software Emulation to Music Analysis: An Integrated Approach to Barry Truax's Riverrun
Michael Clarke, Frédéric Dufeu, Peter Manning

SMC Conference 2014
Interactive Performance Systems: Conceptual Interacting Strategies in Forming Electroacoustic Sound Identities
Georgia Kalodiki

SMC Conference 2014
Transcription, Adaptation and Maintenance in Live Electronic Performance With Acoustic Instruments
Pete Furniss, Richard Dudas

SMC Conference 2014
Bassline Pitch Prediction for Real-time Performance Systems
Andrew Robertson

SMC Conference 2014
Beyond the Beat: Towards Metre, Rhythm and Melody Modelling With Hybrid Oscillator Networks
Andrew Lambert, Tillman Weyde, Newton Armstrong

SMC Conference 2014
Tactile Composition: Configurations and Communications for a Musical Haptic Chair
Joanne Armitage, Kia Ng

SMC Conference 2014
Affective Jukebox: A Confirmatory Study of EEG Emotional Correlates in Esponse to Musical Stimuli
Joel Eaton, Duncan Williams, Eduardo Reck Miranda

SMC Conference 2014
Animating Timbre - A User Study
Sean Soraghan

SMC Conference 2014
Tangibility, Presence, Materiality, Reality in Artistic Creation With Digital Technology
Claude Cadoz, Annie Luciani, Jérôme Villeneuve, Alexandros Kontogeorgakopoulos, Ioannis Zannos

SMC Conference 2014
Turnector: Tangible Control Widgets for Capacitive Touchscreen Devices
Edward Kingsley Rutter, Tom Mitchell, Chris Nash

SMC Conference 2014
An Agent Based Approach to Interaction and Composition
Stephen Pearse, David Moore

SMC Conference 2014
ImmLib - a New Library for Immersive Spatial Composition
Miguel Cerdeira Marreiros Negrão

SMC Conference 2014
Spatial and Kinematic Models for Procedural Audio in 3D Virtual Environments
Jose Ignacio Pecino Rodriguez

SMC Conference 2014
Evaluating Perceptual Separation in a Pilot System for Affective Composition
Duncan Williams, Alexis Kirke, Eduardo Reck Miranda, Ian Daly, Etienne B. Roesch, James C. E. Weaver, Slawomir J. Nasuto

SMC Conference 2014
muTunes: A Study of Musicality Perception in an Evolutionary Context
Kirill Sidorov, Robin Hawkins, Andrew Jones, David Marshall

SMC Conference 2014
Algorithmic Cross-mixing and Rhythmic Derangement
Zlatko Baracskai

SMC Conference 2014
Modality
Marije Baalman, Till Bovermann, Alberto de Campo, Miguel Cerdeira Marreiros Negrão

SMC Conference 2014
Audio Signal Visualisation and Measurement
Robin Gareus, Chris Goddard

SMC Conference 2014
Effects of Different Bow Stroke Styles on Body Movements of a Viola Player: An Exploratory Study
Federico Visi, Esther Coorevits, Eduardo Reck Miranda, Marc Leman

SMC Conference 2014
Modular Physical Modeling Synthesis Environments on GPU
Stefan Bilbao, Alberto Torin, Paul Graham, James Perry, Gordon Delap

SMC Conference 2014
Sonification of Controlled Quantum Dynamics
Alexandros Kontogeorgakopoulos, Daniel Burgarth

SMC Conference 2014
Timbre-invariant Audio Features for Style Analysis of Classical Music
Christof Weiß, Matthias Mauch, Simon Dixon

SMC Conference 2014
Comparing Models of Symbolic Music Using Probabilistic Grammars and Probabilistic Programming
Samer A. Abdallah, Nicolas E. Gold

SMC Conference 2014
Connecting SUM With Computer-assisted Composition in PWGL: Recreating the Graphic Scores of Anestis Logothetis
Sara Adhitya, Mika Kuuskankare

SMC Conference 2014
Extending Aura With Csound Opcodes
Steven Yi, Roger B. Dannenberg, Victor Lazzarini, John Fitch

SMC Conference 2014
GenoMeMeMusic: A Memetic-based Framework for Discovering the Musical Genome
Valerio Velardo, Mauro Vallati

SMC Conference 2014
N-gon Waves - Audio Applications of the Geometry of Regular Polygons in the Time Domain
Dominik Chapman, Mick Grierson

SMC Conference 2014
Learning Musical Contour on a Tabletop
Andrea Franceschini, Robin Charles Laney, Chris Dobbyn

SMC Conference 2014
Making People Move: Dynamic Musical Notations
Richard Hoadley

SMC Conference 2014
Transient Analysis for Music and Moving Images: Considerations for Television Advertising
Ian Gibson, Andrew Rogers

SMC Conference 2015
INVESTIGATING THE EFFECTS OF INTRODUCING NONLINEAR DYNAMICAL PROCESSES INTO DIGITAL MUSICAL INTERFACES
Tom Mudd, Simon Holland, Paul Mulholland, Nick Dalton

SMC Conference 2015
How Well Can a Music Emotion Recognition System Predict the Emotional Responses of Participants?
Yading Song, Simon Dixon

SMC Conference 2015
Perceiving and Predicting Expressive Rhythm with Recurrent Neural Networks
Andrew Lambert, Tillman Weyde, Newton Armstrong

SMC Conference 2015
Developing Mixer-style Controllers Based on Arduino/Teensy Microcontrollers
Constantin Popp, Rosalía Soria Luz

SMC Conference 2015
MUSICALLY INFORMED SONIFICATION FOR SELF-DIRECTED CHRONIC PAIN PHYSICAL REHABILITATION
Joseph Newbold, Nadia Bianchi-Berthouze, Nicolas E. Gold, Amanda Williams

SMC Conference 2015
Navigating the Mix-space: Theoretical and Practical Level-balancing Technique in Multitrack Music Mixtures
Alex Wilson, Bruno Fazenda

SMC Conference 2015
Multichannel Composition Using State-space Models and Sonification
Rosalía Soria Luz

SMC Conference 2015
Web Audio Modules
Jari Kleimola, Oliver Larkin

SMC Conference 2015
Analysis and Resynthesis of the Handpan Sound
Eyal Alon, Damian Murphy

SMC Conference 2015
Web Audio Evaluation Tool: A Browser-Based Listening Test Environment
Nicholas Jillings, Brecht De Man, David Moffat, Joshua Daniel Reiss

SMC Conference 2015
SynPy: a Python Toolkit for Syncopation Modelling
Chunyang Song, Marcus Pearce, Christopher Harte

SMC Conference 2015
Harmony of the Spheres: A Physics-Based Android Synthesizer and Controller with Gestural Objects and Physical Transformations
Florian Thalmann

SMC Conference 2016
Soundscape Preference Rating Using Semantic Differential Pairs and the Self-assessment Manikin
Francis Stevens, Damian Murphy, Stephen Smith

SMC Conference 2016
A Model Selection Test for Factors Affecting the Choice of Expressive Timing Clusters for a Phrase
Shengchen Li, Simon Dixon, Dawn Black, Mark D. Plumbley

SMC Conference 2016
GestureChords: Transparency in Gesturally Controlled Digital Musical Instruments through Iconicity and Conceptual Metaphor
Dom Brown, Chris Nash, Tom Mitchell

SMC Conference 2016
Visually Representing and Interpreting Multivariate Data for Audio Mixing
Josh Mycroft, Joshua Daniel Reiss, Tony Stockman

SMC Conference 2016
Towards a Virtual-Acoustic String Instrument
Sandor Mehes, Maarten van Walstijn, Paul Stapleton

SMC Conference 2016
SOUND FOREST/LJUDSKOGEN: A LARGE-SCALE STRING-BASED INTERACTIVE MUSICAL INSTRUMENT
Roberto Bresin, Ludvig Elblaus, Emma Frid, Federico Favero, Lars Annersten, David Berner, Fabio Morreale

SMC Conference 2016
Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition
Michael Mcloughlin, Luca Lamoni, Ellen Garland, Simon Ingram, Alexis Kirke, Michael Noad, Luke Rendell, Eduardo Reck Miranda

SMC Conference 2016
Factors Influencing Vocal Pitch in Articulatory Speech Synthesis: A Study Using PRAAT
Sivaramakrishnan Meenakshisundaram, Eduardo Reck Miranda, Irene Kaimi

SMC Conference 2016
Smart Instruments: Towards an Ecosystem of Interoperable Devices Connecting Performers and Audiences
Luca Turchet, Andrew P. McPherson, Carlo Fischione

SMC Conference 2016
Sonification of Dark Matter: Challenges and Opportunities
Nuria Bonet, Alexis Kirke, Eduardo Reck Miranda

SMC Conference 2016
FORM-AWARE, REAL-TIME ADAPTIVE MUSIC GENERATION FOR INTERACTIVE EXPERIENCES
Christodoulos Aspromallis, Nicolas E. Gold

SMC Conference 2017
Towards the Internet of Musical Things
Luca Turchet, Carlo Fischione, Mathieu Barthet

SMC Conference 2017
REAL-TIME PHYSICAL MODEL FOR SYNTHESIS OF SWORD SWING SOUNDS
Rod Selfridge, David Moffat, Joshua Daniel Reiss

SMC Conference 2017
Design Implications for Technology-Mediated Audience Participation in Live Music
Oliver Hödl, Fares Kayali, Geraldine Fitzpatrick, Simon Holland

SMC Conference 2017
Environment-Mediated Coupling of Autonomous Sound-Generating Systems in Live Performance: An Overview of the Machine Milieu Project
Dario Sanfilippo, Agostino Di Scipio

SMC Conference 2017
Meter Detection in Symbolic Music Using a Lexicalized PCFG
Andrew Mcleod, Mark Steedman

SMC Conference 2017
A Constraint-Based Framework to Model Harmony for Music Composition
Torsten Anders

SMC Conference 2017
The Effectiveness of Two Audiovisual Mappings to Control a Concatenative Synthesiser
Augoustinos Tsiros, Grégory Leplâtre

SMC Conference 2017
Troop: A Collaborative Tool for Live Coding
Ryan Kirkbride

SMC Conference 2017
Robinflock: a polyphonic algorithmic composer for interactive scenarios with children
Raul Masu, Andrea Conci, Cristina Core, Antonella De Angeli, Fabio Morreale

SMC Conference 2017
Virtual Analog Model of the Lockhart Wavefolder
Fabián Esqueda, Henri Pöntynen, Julian Parker, Stefan Bilbao

SMC Conference 2017
Investigating Spatial Music Qualia through Tissue Conduction
Peter Lennox, Ian McKenzie

SMC Conference 2018
Inside the intimate zone: The case of aural micro-space in multichannel compositional practice
Nikos Stavropoulos

SMC Conference 2018
Electroacoustic music composition in the Music School of Nicosia
Nasia Therapontos, Dimitrios Savva

SMC Conference 2018
From my Pen to your Ears: Automatic Production of Radio Plays from Unstructured Story Text
Emmanouil Theofanis Chourdakis, Joshua Daniel Reiss

SMC Conference 2018
Improving the Instrumental Learning Experience through Complexity Management
Laurel Pardue, Andrew P. McPherson, Daniel Overholt

SMC Conference 2018
Interactive Exploration of Musical Space with Parametric t-SNE
Matteo Lionello, Hendrik Purwins, Luca Pietrogrande, Mohamed Abou-Zleikha

SMC Conference 2018
Real-time Bowed String Feature Extraction for Performance Applications
Kurijn Buys, Andrew P. McPherson

SMC Conference 2018
Dervish Sound Dress; a Development of a Musical Interface Garment which explores Wearable Technology using Sound and Haptic Feedback for Performance and Interaction
Eduardo Reck Miranda, Hedy Hurban, Edward Braund

SMC Conference 2018
Affordances of Vibrational Excitation for Music Composition and Performance
Tychonas Michailidis, Jason Hockman

SMC Conference 2018
Data Transmission as Musical Performance
Simon Blackmore

SMC Conference 2018
Sonic Crossings with Audience Participation: The Embodied iSound Performance
Marcelo Gimenes

SMC Conference 2019
Mechanical Entanglement: A Collaborative Haptic-Music Performance
Alexandros Kontogeorgakopoulos, George Sioros, Odysseas Klissouras

SMC Conference 2019
Real-time Control of Large-scale Modular Physical Models using the Sensel Morph
Silvin Willemsen, Nikolaj Andersson, Stefania Serafin, Stefan Bilbao

SMC Conference 2019
Perceptual Evaluation of Modal Synthesis for Impact-Based Sounds
Adrián Barahona, Sandra Pauletto

SMC Conference 2019
A Framework for the Development and Evaluation of Graphical Interpolation for Synthesizer Parameter Mappings
Darrell Gibson, Richard Polfreman

SMC Conference 2019
COMPOSING WITH SOUNDS: DESIGNING AN OBJECT ORIENTED DAW FOR THE TEACHING OF SOUND-BASED COMPOSITION
Stephen Pearse, Leigh Landy, Duncan Chapman, David Holland, Mihai Eniu

SMC Conference 2019
EVALUATING A CONTINUOUS SONIC INTERACTION: COMPARING A PERFORMABLE ACOUSTIC AND DIGITAL EVERYDAY SOUND
Fiona Keenan, Sandra Pauletto

SMC Conference 2019
Automatic Chord-Scale Recognition using Harmonic Pitch Class Profiles
Emir Demirel, Barıs Bozkurt, Xavier Serra

SMC Conference 2019
HMM-BASED GLISSANDO DETECTION FOR RECORDINGS OF CHINESE BAMBOO FLUTE
Changhong Wang, Emmanouil Benetos, Xiaojie Meng, Elaine Chew

SMC Conference 2019
Increasing Access to Music in SEN Settings
Tom Davis, Daniel Pierson, Ann Bevan

SMC Conference 2019
Visual Pitch Estimation
A. Sophia Koepke, Olivia Wiles, Andrew Zisserman

SMC Conference 2019
Copying clave - a Turing test
Simon Blackmore

SMC Conference 2019
Finding new practice material through chord-based exploration of a large music catalogue
Johan Pauwels, Mark Sandler