Sixteen Years of Sound & Music Computing
A Look Into the History and Trends of the Conference and Community

D.A. Mauro, F. Avanzini, A. Baratè, L.A. Ludovico, S. Ntalampiras, S. Dimitrov, S. Serafin
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Porto (affiliation place)

Charts
Number of papers per year from Porto, Portugal
Number of authors per year with (at least) an affiliation from Porto, Portugal
Percentage of authors with (at least) an affiliation from Porto, Portugal

Country
Portugal

Affiliations
Catholic University of Portugal, Research Centre for Science and Technology of the Arts (CITAR); Porto, Portugal
Catholic University of Portugal, Research Centre for Science and Technology of the Arts (CITAR); Porto, Portugal
Catholic University of Portugal, Research Centre in Science and Technology of the Arts; Porto, Portugal
Catholic University of Portugal, Research Centre in Science and Technology of the Arts (CITAR); Porto, Portugal
Catholic University of Portugal, School of Arts, CITAR; Porto, Portugal
INESC TEC, TEC; Porto, Portugal
INESC TEC; Porto, Portugal
INESC TEC; Porto, Portugal
INESC TEC; Porto, Portugal
INESC TEC; Porto, Portugal
INESC TEC; Porto, Portugal
INESC TEC; Porto, Portugal
INESC TEC / Universidade do Porto, Faculdade de Engenharia da Universidade do Porto (FEUP); Porto, Portugal
Portuguese Catholic University, Research Center for Science and Technology of the Arts (CITAR); Porto, Portugal
P.Porto (Instituto Politécnico do Porto), School of Music and Performing Arts; Porto, Portugal
P.Porto (Instituto Politécnico do Porto), School of Music and Performing Arts (ESMAE); Porto, Portugal
P.Porto (Instituto Politécnico do Porto), School of Music and Performing Arts (ESMAE); Porto, Portugal
Universidade do Porto, Faculdade de Engenharia; Porto, Portugal
Universidade do Porto, Faculdade de Engenharia da Universidade do Porto (FEUP); Porto, Portugal
University of Porto, Faculty of Engineering; Porto, Portugal
University of Porto / INESC; Porto, Portugal

Authors from Porto, Portugal (affiliation)
Aly, Luis
Bernardes, Gilberto
Brásio, Manuel
Caetano, Marcelo
Cocharro, Diogo
Davies, Matthew E. P.
Dias, Rui
Ferreira-Lopes, Paulo
Gomes, José Alberto
Gouyon, Fabien
Guedes, Carlos
Lopes, Filipe Cunha Monteiro
Lopes, Miguel
Magalhaes, Eduardo
Marques, Telmo
Martins, Luis Gustavo
Miron, Marius
Patrício, Pedro
Penha, Rui
Perrotta, André V.
Sioros, George
Tudela, Diogo

Papers by authors from Porto, Portugal (affiliation)

SMC Conference 2006
Extracting Musically-relevant Rhythmic Information From Dance Movement by Applying Pitch Tracking Techniques to a Video Signal
Carlos Guedes

SMC Conference 2007
Controlling Aural and Visual Particle Systems Through Human Movement
Carlos Guedes, Kirk Woolford

SMC Conference 2008
Traditional and Digital Music Instruments: A Relationship Based on a Interactive Model
Paulo Ferreira-Lopes

SMC Conference 2009
Musical Groove Is Correlated With Properties of the Audio Signal as Revealed by Computational Modelling, Depending on Musical Style
Guy Madison, Fabien Gouyon, Fredrik Ullén

SMC Conference 2009
New Tendencies in the Digital Music Instrument Design: Progress Report
Paulo Ferreira-Lopes, Florian Vitez, Daniel Dominguez, Vincent Wikström

SMC Conference 2010
Additional Evidence That Common Low-level Features of Individual Audio Frames Are Not Representative of Music Genre
Gonçalo Marques, Miguel Lopes, Mohamed Sordo, Thibault Langlois, Fabien Gouyon

SMC Conference 2010
Õdaiko: A Real Time Score Generator Based on Rhythm
Filipe Cunha Monteiro Lopes

SMC Conference 2010
STYLE EMULATION OF DRUM PATTERNS BY MEANS OF EVOLUTIONARY METHODS AND STATISTICAL ANALYSIS
Gilberto Bernardes, Carlos Guedes, Bruce Pennycook

SMC Conference 2012
From the Shepard Tone to the Perpetual Melody Auditory Illusion
Pedro Patrício

SMC Conference 2013
A Contour-based Jazz Walking Bass Generator
Rui Dias, Carlos Guedes

SMC Conference 2013
Beat-station: A Real-time Rhythm Annotation Software
Marius Miron, Fabien Gouyon, Matthew E. P. Davies, André Holzapfel

SMC Conference 2013
Improving the Real-time Performance of a Causal Audio Drum Transcription System
Marius Miron, Matthew E. P. Davies, Fabien Gouyon

SMC Conference 2013
Urb: Urban Sound Analysis and Storage Project
José Alberto Gomes, Diogo Tudela

SMC Conference 2014
A Computer-mediated Interface for Jazz Piano Comping
Rui Dias, Carlos Guedes, Telmo Marques

SMC Conference 2014
Considering Roughness to Describe and Generate Vertical Musical Structure in Content-based Algorithmic-assisted Audio Composition
Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes, Bruce Pennycook

SMC Conference 2014
Modelling the Live-electronics in Electroacoustic Music Using Particle Systems
André V. Perrotta, Flo Menezes, Luis Gustavo Martins

SMC Conference 2014
POLISphone: Creating and Performing With a Flexible Soundmap
Filipe Cunha Monteiro Lopes, Paulo Rodriguez

SMC Conference 2014
Real-time Manipulation of Syncopation in Audio Loops
Diogo Cocharro, George Sioros, Marcelo Caetano, Matthew E. P. Davies

SMC Conference 2014
Symmetrical and Geometrical Cycles in Twelve-tone Composition: Developments Toward a New Model
Telmo Marques, Paulo Ferreira-Lopes

SMC Conference 2016
Beatings: a web application to foster the renaissance of the art of musical temperaments
Rui Penha, Gilberto Bernardes

SMC Conference 2016
SEED: Resynthesizing Environmental Sounds from Examples
Gilberto Bernardes, Luis Aly, Matthew E. P. Davies

SMC Conference 2017
QUALIA: A Software for Guided Meta-Improvisation Performance
Manuel Brásio, Filipe Cunha Monteiro Lopes, Gilberto Bernardes, Rui Penha

SMC Conference 2019
Combining Texture-Derived Vibrotactile Feedback, Concatenative Synthesis and Photogrammetry for Virtual Reality Rendering
Eduardo Magalhaes, Gilberto Bernardes, Emil Høeg, Jon Pedersen, Stefania Serafin, Rolf Nordahl

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