Charts
Number of papers per year from Portugal
Number of authors per year with (at least) an affiliation from Portugal
Percentage of authors with (at least) an affiliation from Portugal

Places
Aveiro
Castelo Branco
Coimbra
Lisbon
Porto

Affiliations
Departamento de Comunicação e Arte, Universidade de Aveiro; Aveiro, Portugal
Centre for Research in Psychology of Music and Music Education (CIPEM), University of Aveiro; Aveiro, Portugal
INET-MD, University of Aveiro; Aveiro, Portugal
INET-md (Instituto de Etnomusicologia - Centro de Estudos em Música e Dança), University of Aveiro; Aveiro, Portugal
University of Aveiro; Aveiro, Portugal
Escola Superior de Artes Aplicadas, Instituto Politécnico de Castelo Branco; Castelo Branco, Portugal
School of Applied Arts, Polytechnic Institute of Castelo Branco; Castelo Branco, Portugal
Centre for Informatics and Systems, University of Coimbra; Coimbra, Portugal
University of Coimbra; Coimbra, Portugal
Department of Electronics, Telecommunications and Computers Engineering (ADEETC), Instituto Superior de Engenharia de Lisboa (ISEL); Lisbon, Portugal
Department of Informatics (DI), Universidade de Lisboa; Lisbon, Portugal
Universidade NOVA de Lisboa; Lisbon, Portugal
Research Centre for Science and Technology of the Arts (CITAR), Catholic University of Portugal; Porto, Portugal
Research Centre for Science and Technology of the Arts (CITAR), Catholic University of Portugal; Porto, Portugal
Research Centre in Science and Technology of the Arts, Catholic University of Portugal; Porto, Portugal
Research Centre in Science and Technology of the Arts (CITAR), Catholic University of Portugal; Porto, Portugal
CITAR, School of Arts, Catholic University of Portugal; Porto, Portugal
TEC, INESC TEC; Porto, Portugal
INESC TEC; Porto, Portugal
INESC TEC; Porto, Portugal
INESC TEC; Porto, Portugal
INESC TEC; Porto, Portugal
INESC TEC; Porto, Portugal
INESC TEC; Porto, Portugal
Faculdade de Engenharia da Universidade do Porto (FEUP), INESC TEC / Universidade do Porto; Porto, Portugal
Research Center for Science and Technology of the Arts (CITAR), Portuguese Catholic University; Porto, Portugal
School of Music and Performing Arts, P.Porto (Instituto Politécnico do Porto); Porto, Portugal
School of Music and Performing Arts (ESMAE), P.Porto (Instituto Politécnico do Porto); Porto, Portugal
School of Music and Performing Arts (ESMAE), P.Porto (Instituto Politécnico do Porto); Porto, Portugal
Faculdade de Engenharia, Universidade do Porto; Porto, Portugal
Faculdade de Engenharia da Universidade do Porto (FEUP), Universidade do Porto; Porto, Portugal
Faculty of Engineering, University of Porto; Porto, Portugal
University of Porto / INESC; Porto, Portugal

Authors from Portugal (affiliation)
Aly, Luis
Bernardes, Gilberto
Brásio, Manuel
Caetano, Marcelo
Cardoso, Amílcar
Cavaco, Sofia
Cocharro, Diogo
Davies, Matthew E. P.
Dias, Rui
Ferreira-Lopes, Paulo
Gomes, José Alberto
Gouyon, Fabien
Guedes, Carlos
Langlois, Thibault
Lopes, Filipe Cunha Monteiro
Lopes, Miguel
Magalhaes, Eduardo
Marques, Gonçalo
Marques, Telmo
Martins, Luis Gustavo
Miron, Marius
Oliveira, António Pedro
Paiva, Rui Pedro
Panda, Renato
Patrício, Pedro
Penha, Rui
Perrotta, André V.
Rodriguez, Paulo
Sioros, George
Tudela, Diogo

Papers by authors from Portugal (affiliation)

SMC Conference 2006
Extracting Musically-relevant Rhythmic Information From Dance Movement by Applying Pitch Tracking Techniques to a Video Signal
Carlos Guedes

SMC Conference 2007
Controlling Aural and Visual Particle Systems Through Human Movement
Carlos Guedes, Kirk Woolford

SMC Conference 2007
The Program in Electronic Music Composition and Musical Production at the School of the Arts of the Polytechnic Institute of Castelo Branco
Carlos Guedes, Rui Dias

SMC Conference 2008
Distance Encoding in Ambisonics Using Three Angular Coordinates
Rui Penha

SMC Conference 2008
Modeling Affective Content of Music: A Knowledge Base Approach
António Pedro Oliveira, Amílcar Cardoso

SMC Conference 2008
Traditional and Digital Music Instruments: A Relationship Based on a Interactive Model
Paulo Ferreira-Lopes

SMC Conference 2009
Automatic Manipulation of Music to Express Desired Emotions
António Pedro Oliveira, Amílcar Cardoso

SMC Conference 2009
Musical Groove Is Correlated With Properties of the Audio Signal as Revealed by Computational Modelling, Depending on Musical Style
Guy Madison, Fabien Gouyon, Fredrik Ullén

SMC Conference 2009
New Tendencies in the Digital Music Instrument Design: Progress Report
Paulo Ferreira-Lopes, Florian Vitez, Daniel Dominguez, Vincent Wikström

SMC Conference 2010
Õdaiko: A Real Time Score Generator Based on Rhythm
Filipe Cunha Monteiro Lopes

SMC Conference 2010
STYLE EMULATION OF DRUM PATTERNS BY MEANS OF EVOLUTIONARY METHODS AND STATISTICAL ANALYSIS
Gilberto Bernardes, Carlos Guedes, Bruce Pennycook

SMC Conference 2010
Additional Evidence That Common Low-level Features of Individual Audio Frames Are Not Representative of Music Genre
Gonçalo Marques, Miguel Lopes, Mohamed Sordo, Thibault Langlois, Fabien Gouyon

SMC Conference 2011
Automatic Creation of Mood Playlists in the Thayer Plane: A Methodology and a Comparative Study
Renato Panda, Rui Pedro Paiva

SMC Conference 2012
From the Shepard Tone to the Perpetual Melody Auditory Illusion
Pedro Patrício

SMC Conference 2012
Statistical Synthesis of Transient and Pitch-changing Signals
Sofia Cavaco

SMC Conference 2013
A Contour-based Jazz Walking Bass Generator
Rui Dias, Carlos Guedes

SMC Conference 2013
Beat-station: A Real-time Rhythm Annotation Software
Marius Miron, Fabien Gouyon, Matthew E. P. Davies, André Holzapfel

SMC Conference 2013
Improving the Real-time Performance of a Causal Audio Drum Transcription System
Marius Miron, Matthew E. P. Davies, Fabien Gouyon

SMC Conference 2013
Spatium, Tools for Sound Spatialization
Rui Penha, João Pedro Oliveira

SMC Conference 2013
Urb: Urban Sound Analysis and Storage Project
José Alberto Gomes, Diogo Tudela

SMC Conference 2014
Considering Roughness to Describe and Generate Vertical Musical Structure in Content-based Algorithmic-assisted Audio Composition
Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes, Bruce Pennycook

SMC Conference 2014
Modelling the Live-electronics in Electroacoustic Music Using Particle Systems
André V. Perrotta, Flo Menezes, Luis Gustavo Martins

SMC Conference 2014
Symmetrical and Geometrical Cycles in Twelve-tone Composition: Developments Toward a New Model
Telmo Marques, Paulo Ferreira-Lopes

SMC Conference 2014
Real-time Manipulation of Syncopation in Audio Loops
Diogo Cocharro, George Sioros, Marcelo Caetano, Matthew E. P. Davies

SMC Conference 2014
A Computer-mediated Interface for Jazz Piano Comping
Rui Dias, Carlos Guedes, Telmo Marques

SMC Conference 2014
POLISphone: Creating and Performing With a Flexible Soundmap
Filipe Cunha Monteiro Lopes, Paulo Rodriguez

SMC Conference 2016
SEED: Resynthesizing Environmental Sounds from Examples
Gilberto Bernardes, Luis Aly, Matthew E. P. Davies

SMC Conference 2016
Beatings: a web application to foster the renaissance of the art of musical temperaments
Rui Penha, Gilberto Bernardes

SMC Conference 2017
QUALIA: A Software for Guided Meta-Improvisation Performance
Manuel Brásio, Filipe Cunha Monteiro Lopes, Gilberto Bernardes, Rui Penha

SMC Conference 2017
WALLACE: COMPOSING MUSIC FOR VARIABLE REVERBERATION
Filipe Cunha Monteiro Lopes

SMC Conference 2019
Combining Texture-Derived Vibrotactile Feedback, Concatenative Synthesis and Photogrammetry for Virtual Reality Rendering
Eduardo Magalhaes, Gilberto Bernardes, Emil Høeg, Jon Pedersen, Stefania Serafin, Rolf Nordahl