A Report on SMC Conferences

Quick access

Conferences

Affiliations

Affiliation Places

Affiliation Countries

Authors

Papers

Tables and Charts

Paris (affiliation place)

Charts
Number of papers per year from Paris, France
Number of authors per year with (at least) an affiliation from Paris, France
Percentage of authors with (at least) an affiliation from Paris, France

Country
France

Authors from Paris, France (affiliation)
Agon, Carlos
Allombert, Antoine
Andreatta, Moreno
Arom, Simha
Assayag, Gérard
Auvray, Roman
Barthélemy, Jérôme
Basaran, Dogac
Belhassen, Raed
Bellec, Guillaume
Beller, Grégory
Bensoam, Joël
Bevilacqua, Frédéric
Bianco, Tommaso
Bökesoy, Sinan
Bonardi, Alain
Bonda, Eva
Bossis, Bruno
Bouche, Dimitri
Bresson, Jean
Burred, Juan José
Cabral, Giordano
Caramiaux, Baptiste
Carpentier, Grégoire
Carpentier, Thibaut
Caure, Hélianthe
Cella, Carmine-Emanuele
Chemillier, Marc
Coduys, Thierry
Coffy, Thomas
Cont, Arshia
Courribet, Benoît
Crawshaw, Alexis Story
Crayencour, Hélène-Camille
Crestel, Léopold
Criton, Pascale
de Paiva Santana, Charles
Dessein, Arnaud
Doval, Boris
Dubois, Juliette
Echeveste, José
Esling, Philippe
Ferry, Guillaume
Feugère, Lionel
Fierro, David
Françoise, Jules
Fuentes, Arturo
Gareus, Robin
Genevois, Hugues
Ghisi, Daniele
Ghomi, Émilien
Giavitto, Jean-Louis
Goto, Suguru
Goudard, Vincent
Guillot, Pierre
Hahn, Henrik
Henry, Cyrille
Houix, Olivier
Huber, Stefan
Jacquemard, Florent
Jourdan, Emmanuel
Jouvelot, Pierre
Katz, Brian F. G.
Kessous, Loïc
Khatchatourov, Armen
Kollias, Phivos-Angelos
Lähdeoja, Otso
Lallemand, Ianis
Lambert, Jean-Philippe
Lamerand, Quentin
Lanza, Mauro
Lemaitre, Guillaume
Le Prado, Cécile
Luizard, Paul
Malt, Mikhail
Maniatakos, Vassilios-Fivos A.
Matuszewski, Benjamin
Meudic, Benoît
Mezzadri, Malik
Misdariis, Nicolas
Natkin, Stéphane
Nika, Jérôme
Nouno, Gilbert
Paris, Elliot
Pecquet, Frank
Piéchaud, Robert
Place, Timothy
Polack, Jean-Dominique
Poncelet, Clément
Röbel, Axel
Rodet, Xavier
Roebel, Axel
Rousseaux, Francis
Roze, David
Rueda, Camilo
Saint-James, Emmanuel
Schnell, Norbert
Schwarz, Diemo
Scurto, Hugo
Sèdes, Anne
Sluchin, Benny
Solomos, Makis
Spicher, Antoine
Spiropoulos, Georgia
Suarez Cifuentes, Marco Antonio
Susini, Patrick
Tardieu, Damien
Terrat, Richard G.
Veneri, Olivier

Papers by authors from Paris, France (affiliation)

SMC Conference 2004
A Pregroup Grammar for Chord Sequences
Richard G. Terrat

SMC Conference 2004
IanniX Aesthetical/Symbolic Visualisations for Hypermedia Compositions
Thierry Coduys, Guillaume Ferry

SMC Conference 2004
New Approaches of Theatre and Opera Directly Inspired by Interactive Data-mining
Alain Bonardi, Francis Rousseaux

SMC Conference 2004
Physical Modeling for Pure Data (pmpd) and Real Time Interaction With an Audio Synthesis
Cyrille Henry

SMC Conference 2004
Using Patterns to Generate Rhythmic Accompaniment for Guitar
Marcio Dahia, Hugo Santana Ernesto Trajano, Geber Ramalho, Carlos Sandroni, Giordano Cabral

SMC Conference 2005
Improvisation Planning and Jam Session Design Using Concepts of Sequence Variation and Flow Experience
Shlomo Dubnov, Gérard Assayag

SMC Conference 2006
A Game Audio Technology Overview
Olivier Veneri, Stéphane Natkin, Cécile Le Prado, Marc Emerit

SMC Conference 2006
Composing Audio-visual Art: The Issue of Time and the Concept of Transduction
Benoît Courribet

SMC Conference 2006
Computer-aided Transformational Analysis With Tone Sieves
Thomas Noll, Moreno Andreatta, Carlos Agon, Emmanuel Amiot

SMC Conference 2006
Concurrent Constraints Models for Specifying Interactive Scores
Antoine Allombert, Gérard Assayag, Myriam Desainte-Catherine, Camilo Rueda

SMC Conference 2006
Imitative and Generative Orchestrations Using Pre-analysed Sounds Databases
Grégoire Carpentier, Damien Tardieu, Gérard Assayag, Xavier Rodet, Emmanuel Saint-James

SMC Conference 2006
OMAX-OFON
Gérard Assayag, Georges Bloch, Marc Chemillier

SMC Conference 2006
Sound and Music Design for Games and Interactive Media
Stéphane Natkin, Cécile Le Prado

SMC Conference 2006
Temporal Control Over Sound Synthesis Processes
Jean Bresson, Carlos Agon

SMC Conference 2006
The Case Study of an Application of the System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics
Suguru Goto

SMC Conference 2007
A Neurocognitive Analysis of Rhythmic Memory Process as a Social Space Phenomenon
Eva Bonda

SMC Conference 2007
An Innovative Method for the Study of African Musical Scales: Cognitive and Technical Aspects
Simha Arom, Nathalie Fernando, Fabrice Marandola

SMC Conference 2007
A System of Interactive Scores Based on Petri Nets
Antoine Allombert, Gérard Assayag, Myriam Desainte-Catherine

SMC Conference 2007
Authenticity Issue in Performing Arts Using Live Electronics
Mariella Guercio, Jérôme Barthélemy, Alain Bonardi

SMC Conference 2007
Autosimilar Melodies and Their Implementation in OpenMusic
Emmanuel Amiot, Carlos Agon, Moreno Andreatta

SMC Conference 2007
Cephalomorphic Interface for Emotion-based Music Synthesis
Vassilios-Fivos A. Maniatakos

SMC Conference 2007
Generation and Representation of Data and Events for the Control of Sound Synthesis
Jean Bresson, Marco Stroppa, Carlos Agon

SMC Conference 2007
Is Knowledge Emerging in the Secrecy of Our Digital Collections?
Francis Rousseaux, Alain Bonardi

SMC Conference 2007
KLAMA: The Voice From Oral Tradition in Death Rituals to a Work for Choir and Live Electronics
Georgia Spiropoulos, Benoît Meudic

SMC Conference 2007
LISTEN LISBOA: Scripting Languages for Interactive Musical Installations
Cécile Le Prado, Stéphane Natkin

SMC Conference 2007
Mixing Time Representations in a Programmable Score Editor
Carlos Agon, Jean Bresson

SMC Conference 2007
Synthesis of a Macro Sound Structure Within a Self Organizing System
Sinan Bökesoy

SMC Conference 2007
The Breaking-continuity Paradox in Artificial Vocality Aesthetics
Bruno Bossis

SMC Conference 2008
Ephemeron: Control Over Self-organised Music
Phivos-Angelos Kollias

SMC Conference 2008
Sound as Multiplicity: Spaces and Representations in Computer Music Composition
Arturo Fuentes

SMC Conference 2008
Zsa.Descriptors: A Library for Real-time Descriptors Analysis
Mikhail Malt, Emmanuel Jourdan

SMC Conference 2009
A Stratified Approach for Sound Spatialization
Nils Peters, Trond Lossius, Jan C. Schacher, Pascal Baltazar, Charles Bascou, Timothy Place

SMC Conference 2009
Does a "natural" Sonic Feedback Affect Perceived Usability and Emotion in the Context of Use of an ATM?
Patrick Susini, Nicolas Misdariis, Olivier Houix, Guillaume Lemaitre

SMC Conference 2009
Free Classification of Vocal Imitations of Everyday Sounds
Arnaud Dessein, Guillaume Lemaitre

SMC Conference 2009
Instrument Augmentation Using Ancillary Gestures for Subtle Sonic Effects
Otso Lähdeoja, Marcelo M. Wanderley, Joseph Malloch

SMC Conference 2009
Making an Orchestra Speak
Gilbert Nouno, Arshia Cont, Grégoire Carpentier, Jonathan Harvey

SMC Conference 2009
Prototyping Musical Experiments for Tangisense, a Tangible and Traceable Table
Daniel Arfib, Jehan-Julien Filatriau, Loïc Kessous

SMC Conference 2009
Sound Search by Content-based Navigation in Large Databases
Diemo Schwarz, Norbert Schnell

SMC Conference 2009
The Flops Glass: A Device to Study Emotional Reactions Arising From Sonic Interactions
Guillaume Lemaitre, Olivier Houix, Karmen Franinović, Yon Visell, Patrick Susini

SMC Conference 2010
Analyzing Gesture and Sound Similarities With a HMM-based Divergence Measure
Baptiste Caramiaux, Frédéric Bevilacqua, Norbert Schnell

SMC Conference 2010
Dependent Vector Types for Multirate Faust
Pierre Jouvelot, Yann Orlarey

SMC Conference 2010
Descriptor-Based Sound Texture Sampling
Diemo Schwarz, Norbert Schnell

SMC Conference 2010
First Steps in Relaxed Real-time Typo-morphological Audio Analysis/Synthesis
Norbert Schnell, Marco Antonio Suarez Cifuentes, Jean-Philippe Lambert

SMC Conference 2010
Interpretation and Computer Assistance in John Cage's Concert for Piano and Orchestra (1957-58)
Benny Sluchin, Mikhail Malt

SMC Conference 2010
Mimicry of tone production: results from a pilot experiment
Tommaso Bianco

SMC Conference 2010
On architecture and formalisms for Computer-Assisted Improvisation
Vassilios-Fivos A. Maniatakos, Gérard Assayag, Frédéric Bevilacqua, Carlos Agon

SMC Conference 2010
Tonal Signatures
Gilbert Nouno, Malik Mezzadri

SMC Conference 2011
Distance Mapping for Corpus-Based Concatenative Synthesis
Diemo Schwarz

SMC Conference 2011
DYNAMIC INTERMEDIATE MODELS FOR AUDIOGRAPHIC SYNTHESIS
Vincent Goudard, Hugues Genevois, Boris Doval, Émilien Ghomi

SMC Conference 2011
Gestural Control of Real-time Speech Synthesis in Luna Park
Grégory Beller

SMC Conference 2011
On the Creative use of Score Following and its Impact on Research
Arshia Cont

SMC Conference 2012
A Hierarchical Approach for the Design of Gesture-to-Sound Mappings
Jules Françoise, Baptiste Caramiaux, Frédéric Bevilacqua

SMC Conference 2012
Content-based retrieval of environmental sounds by multiresolution analysis
Ianis Lallemand, Diemo Schwarz, Thierry Artières

SMC Conference 2012
Enhanced Source-Filter Model of Quasi-Harmonic Instruments for Sound Synthesis, Transformation and Interpolation
Henrik Hahn, Axel Roebel

SMC Conference 2012
New Framework for Score Segmentation and Analysis in OpenMusic
Jean Bresson, Carlos Pérez-Sancho

SMC Conference 2012
Virtual Masks in the BACCHAE by Georgia Spiropoulos (ΙRCAM,2010): Exploring Tragic Vocality in Max/Msp Environment
Georgia Spiropoulos, Anastasia Georgaki

SMC Conference 2013
A Computational Method for Exploring Musical Creativity Development
Antonis Alexakis, Armen Khatchatourov, Angeliki Triantafyllaki, Christina Anagnostopoulou

SMC Conference 2013
A Social Network Integrated Game Experiment to Relate Tapping to Speed Perception and Explore Rhythm Reproduction
Guillaume Bellec, Anders Elowsson, Anders Friberg, Daniel Wolff, Tillman Weyde

SMC Conference 2013
Auralization of Coupled Spaces Based on a Diffusion Equation Model
Paul Luizard, Jean-Dominique Polack, Brian F. G. Katz

SMC Conference 2013
Joint f0 and Inharmoncity Estimation Using Second Order Optimization
Henrik Hahn, Axel Röbel

SMC Conference 2013
Modeling and Simulation: The Spectral Canon for Conlon Nancarrow by James Tenney
Charles de Paiva Santana, Jean Bresson, Moreno Andreatta

SMC Conference 2013
Programming Interactive Music Scores With INScore
Dominique Fober, Stéphane Letz, Yann Orlarey, Frédéric Bevilacqua

SMC Conference 2013
Solving Interactions Between Nonlinear Resonators
Joël Bensoam, David Roze

SMC Conference 2013
Towards a Discrete Electronic Transmission Line as a Musical Harmonic Oscillator
Kurijn Buys, Roman Auvray

SMC Conference 2014
A Framework for Music Analysis/Resynthesis Based on Matrix Factorization
Juan José Burred

SMC Conference 2014
Alarm/will/sound: Perception, Characterization, Acoustic Modeling, and Design of Modified Car Alarms
Alexander Sigman, Nicolas Misdariis

SMC Conference 2014
AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music
Thomas Coffy, Arshia Cont, Jean-Louis Giavitto

SMC Conference 2014
Audio Signal Visualisation and Measurement
Robin Gareus, Chris Goddard

SMC Conference 2014
Creative Symbolic Interaction
Gérard Assayag

SMC Conference 2014
Design Process for Interactive Sound Installations: The Designer, the Interactor and the System
Cécile Le Prado, Stéphane Natkin

SMC Conference 2014
Fine-tuned Control of Concatenative Synthesis With CataRT Using the Bach Library for Max
Aaron Einbond, Christopher Trapani, Andrea Agostini, Daniele Ghisi, Diemo Schwarz

SMC Conference 2014
Listening Otherwise: Playing With Sound Vibration
Pascale Criton

SMC Conference 2014
Modulus p Rhythmic Tiling Canons and Some Implementations in OpenMusic Visual Programming Language
Hélianthe Caure, Carlos Agon, Moreno Andreatta

SMC Conference 2014
On the Playing of Monodic Pitch in Digital Music Instrument
Vincent Goudard, Hugues Genevois, Lionel Feugère

SMC Conference 2014
Planning Human-computer Improvisation
Jérôme Nika, José Echeveste, Marc Chemillier, Jean-Louis Giavitto

SMC Conference 2014
pOM: Linking Pen Gestures to Computer-aided Composition Processes
Jérémie Garcia, Philippe Leroux, Jean Bresson

SMC Conference 2014
Programmation and Control of Faust Sound Processing in OpenMusic
Dimitri Bouche, Jean Bresson, Stéphane Letz

SMC Conference 2014
Real-time Composition of Sound Environments
Georgia Spiropoulos

SMC Conference 2014
Spatial Transformations in Simplicial Chord Spaces
Louis Bigo, Daniele Ghisi, Antoine Spicher, Moreno Andreatta

SMC Conference 2014
Test Methods for Score-Based Interactive Music Systems
Clément Poncelet, Florent Jacquemard

SMC Conference 2014
The HOA Library, Review and Prospects
Anne Sèdes, Pierre Guillot, Elliot Paris

SMC Conference 2014
The Notion of Ethos in Arabic Music: Computational Modeling of Al-Urmawi's Modes (13th Century) in Csound
Raed Belhassen

SMC Conference 2014
Towards Defining the Potential of Electroacoustic Infrasonic Music
Alexis Story Crawshaw

SMC Conference 2014
Vuza: A Functional Language for Creative Applications
Carmine-Emanuele Cella

SMC Conference 2014
Xenakis's Philosophy of Technology Through Some Interviews
Makis Solomos

SMC Conference 2015
Guided improvisation as dynamic calls to an offline model
Jérôme Nika, Dimitri Bouche, Jean Bresson, Marc Chemillier, Gérard Assayag

SMC Conference 2015
Smooth Granular Sound Texture Synthesis by Control of Timbral Similarity
Diemo Schwarz, Sean O'Leary

SMC Conference 2015
TEMPO CURVING AS A FRAMEWORK FOR INTERACTIVE COMPUTER-AIDED COMPOSITION
Jean Bresson, John MacCallum

SMC Conference 2015
Voice quality transformation using an extended source-filter speech model
Stefan Huber, Axel Roebel

SMC Conference 2016
Using Multidimensional Sequences For Improvisation In The OMax Paradigm
Ken Déguernel, Emmanuel Vincent, Gérard Assayag

SMC Conference 2017
Generating Equivalent Chord Progressions to Enrich Guided Improvisation: Application to Rhythm Changes
Ken Déguernel, Jérôme Nika, Emmanuel Vincent, Gérard Assayag

SMC Conference 2017
Live Orchestral Piano, a system for real-time orchestral music generation
Léopold Crestel, Philippe Esling

SMC Conference 2017
Systema Naturae: shared practices between physical computing and algorithmic composition
Andrea Valle, Mauro Lanza

SMC Conference 2018
A Heuristic Algorithm for DJ Cue Point Estimation
Diemo Schwarz, Daniel Schindler, Severino Spadavecchia

SMC Conference 2018
A new implementation of Spat in Max
Thibaut Carpentier

SMC Conference 2018
Design and Interaction of 3D Virtual Music Instruments for STEAM Education Using Web Technologies
Kosmas Kritsis, Aggelos Gkiokas, Quentin Lamerand, Robert Piéchaud, Carlos Acosta, Maximos Kaliakatsos-Papakostas, Vassilis Katsouros

SMC Conference 2018
Perceiving Agent Collaborative Sonic Exploration in Interactive Reinforcement Learning
Hugo Scurto, Frédéric Bevilacqua, Baptiste Caramiaux

SMC Conference 2018
Toward a Web of Audio Things
Benjamin Matuszewski, Frédéric Bevilacqua

SMC Conference 2019
Belief Propagation algorithm for Automatic Chord Estimation
Vincent P. Martin, Sylvain Reynal, Hélène-Camille Crayencour, Dogac Basaran

SMC Conference 2019
OM-AI: A Toolkit to Support AI-Based Computer-Assisted Composition Workflows in OpenMusic
Anders Vinjar, Jean Bresson

SMC Conference 2019
PERFORMING WITH SOUND SAMPLE-CONTROLLED GLOVES AND LIGHT-CONTROLLED ARMS
Frank Pecquet, Fotis Moschos, David Fierro, Justin Pecquet

SMC Conference 2019
Predicting Perceived Dissonance of Piano Chords Using a Chord-Class Invariant CNN and Deep Layered Learning
Juliette Dubois, Anders Elowsson, Anders Friberg