A Report on SMC Conferences

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Conferences

Affiliations

Affiliation Places

Affiliation Countries

Authors

Papers

Tables and Charts

France (affiliation country)

Charts
Number of papers per year from France
Number of authors per year with (at least) an affiliation from France
Percentage of authors with (at least) an affiliation from France

Places
Albi
Angoulême
Bordeaux
Bourges
Brest
Caen
Grenoble
Lannion
La Plaine St-Denis
Lyon
Marseille
Montpellier
Mont-Saint-Agnan
Mont-Saint-Aignan
Nice
Orsay
Orsay Cedex
Palaiseau
Paris
Perpignan
Rennes
Rocquencourt
Saint-Denis
Saint-Étienne
St Georges de Didonne
Strasbourg
Talence
Toulouse

Authors from France (affiliation)
Agon, Carlos
Allombert, Antoine
Amiot, Emmanuel
Andreatta, Moreno
Andreopoulou, Areti
Arfib, Daniel
Arom, Simha
Artières, Thierry
Assayag, Gérard
Auvray, Roman
Baltazar, Pascal
Barthélemy, Jérôme
Basaran, Dogac
Bascou, Charles
Belhassen, Raed
Bellec, Guillaume
Beller, Grégory
Bensoam, Joël
Berthaut, Florent
Besada, José Luis
Bevilacqua, Frédéric
Bianco, Tommaso
Bigand, Emmanuel
Bigo, Louis
Bimbot, Frédéric
Bloch, Georges
Bökesoy, Sinan
Bonardi, Alain
Bonda, Eva
Bossis, Bruno
Bouche, Dimitri
Bourotte, Rodolphe
Bresson, Jean
Burred, Juan José
Cabral, Giordano
Cadoz, Claude
Caramiaux, Baptiste
Carpentier, Grégoire
Carpentier, Thibaut
Castet, Julien
Caure, Hélianthe
Celerier, Jean-Michaël
Cella, Carmine-Emanuele
Chemillier, Marc
Chevalier, Fanny
Clozier, Christian
Coduys, Thierry
Coffy, Thomas
Cont, Arshia
Courribet, Benoît
Couturier, Jean-Michel
Crawshaw, Alexis Story
Crayencour, Hélène-Camille
Crestel, Léopold
Criton, Pascale
Daudin, Christophe
Déguernel, Ken
de la Hogue, Théo
Delbé, Charles
Delhaye, Cyrille
Denoux, Sarah
de Paiva Santana, Charles
Desainte-Catherine, Myriam
Dessein, Arnaud
Di Santo, Jean-Louis
Doval, Boris
Dubois, Juliette
Echeveste, José
Emerit, Marc
Esling, Philippe
Féron, François-Xavier
Ferry, Guillaume
Feugère, Lionel
Fierro, David
Florens, Jean-Loup
Fober, Dominique
Foscarin, Francesco
Françoise, Jules
Fuentes, Arturo
Garcia, Jérémie
Gareus, Robin
Genevois, Hugues
Ghisi, Daniele
Ghomi, Émilien
Giavitto, Jean-Louis
Gillot, Valentin
Girin, Laurent
Goto, Suguru
Goudard, Vincent
Gouilloux, Guillaume
Groult, Richard
Guillot, Pierre
Hahn, Henrik
Hanna, Pierre
Henry, Cyrille
Houix, Olivier
Huber, Stefan
Hueber, Thomas
Huot, Stéphane
Jacquemard, Florent
Jacquemin, Christian
Janin, David
Jourdan, Emmanuel
Jouvelot, Pierre
Kanach, Sharon
Kanellos, Ioannis
Katz, Brian F. G.
Kessous, Loïc
Khatchatourov, Armen
Kollias, Phivos-Angelos
Kontogeorgakopoulos, Alexandros
Kurtág, György
Laboissière, Rafael
Lachambre, Hélène
Lähdeoja, Otso
Lallemand, Ianis
Lambert, Jean-Philippe
Lamerand, Quentin
Lanza, Mauro
Larralde, Joseph
Lartillot, Olivier
Le Duc, Jean-Claude
Lefebvre-Albaret, François
Lemaitre, Guillaume
Leonard, James
Le Prado, Cécile
Letz, Stéphane
Le Vaillant, Gwendal
Limier, Samuel
Luciani, Annie
Luizard, Paul
Mackay, Wendy
Malt, Mikhail
Maniatakos, Vassilios-Fivos A.
Mansencal, Boris
Marchand, Sylvain
Marczak, Raphaël
Martin, Vincent P.
Matuszewski, Benjamin
Meier, Robin
Merlier, Bertrand
Meudic, Benoît
Mezzadri, Malik
Mihalic, Alexander
Misdariis, Nicolas
Molina Villota, Daniel Hernán
Mouba, Joan
Moudenc, Thierry
Natkin, Stéphane
Nika, Jérôme
Nouno, Gilbert
Orlarey, Yann
Paris, Elliot
Pecquet, Frank
Piéchaud, Robert
Place, Timothy
Polack, Jean-Dominique
Poncelet, Clément
Pottier, Laurent
Poyer, François
Rabin, Julien
Reynal, Sylvain
Rigaux, Philippe
Risset, Jean-Claude
Rivet, Jean-Michel
Röbel, Axel
Robine, Matthias
Roche, Fanny
Rodet, Xavier
Roebel, Axel
Rouas, Jean-Luc
Rousseaux, Francis
Roze, David
Rueda, Camilo
Saint-James, Emmanuel
Schnell, Norbert
Schwarz, Diemo
Scurto, Hugo
Sèdes, Anne
Sluchin, Benny
Solomos, Makis
Spicher, Antoine
Spiropoulos, Georgia
Sprenger-Ohana, Noémie
Suarez Cifuentes, Marco Antonio
Suciu, Ioana
Susini, Patrick
Tache, Olivier
Tardieu, Damien
Terrat, Richard G.
Tiffon, Vincent
Toro-Bermudez, Mauricio
Trochidis, Konstantinos
Truck, Isis
Valencia, Frank
Veneri, Olivier
Villeneuve, Jérôme
Vincent, Emmanuel
Voisin, Frédéric

Papers by authors from France (affiliation)

SMC Conference 2004
A Pregroup Grammar for Chord Sequences
Richard G. Terrat

SMC Conference 2004
Architecture and Experiments in Networked 3D Audio/Graphic Rendering With Virtual Choreographer
Christian Jacquemin

SMC Conference 2004
Etheraction: Playing a Musical Piece Using Graphical Interfaces
Jean-Michel Couturier

SMC Conference 2004
Gestural Control of Singing Voice, a Musical Instrument
Loïc Kessous

SMC Conference 2004
IanniX Aesthetical/Symbolic Visualisations for Hypermedia Compositions
Thierry Coduys, Guillaume Ferry

SMC Conference 2004
Jack Audio Server: MacOSX Port and Multi-processor Version
Stéphane Letz, Dominique Fober, Yann Orlarey, Paul Davis

SMC Conference 2004
Music Retrieval Algorithms for the Lead Sheet Problem
Raphaël Clifford, Richard Groult, Costas S. Iliopoulos, Donald Byrd

SMC Conference 2004
New Approaches of Theatre and Opera Directly Inspired by Interactive Data-mining
Alain Bonardi, Francis Rousseaux

SMC Conference 2004
Open Source Tools for Music Representation and Notation
Dominique Fober, Stéphane Letz, Yann Orlarey

SMC Conference 2004
Physical Modeling for Pure Data (pmpd) and Real Time Interaction With an Audio Synthesis
Cyrille Henry

SMC Conference 2004
Playing Integrated Music Knowledges With Artifical Neural Networks
Frédéric Voisin, Robin Meier

SMC Conference 2004
Specification of Temporal Relations Between Interactive Events
Myriam Desainte-Catherine, Antoine Allombert

SMC Conference 2004
Three-dimensional Gestural Controller Based on Eyecon Motion Capture System
Bertrand Merlier

SMC Conference 2004
Using Patterns to Generate Rhythmic Accompaniment for Guitar
Marcio Dahia, Hugo Santana Ernesto Trajano, Geber Ramalho, Carlos Sandroni, Giordano Cabral

SMC Conference 2004
Sim - Système Interactif Musical (Cybersongosse 7mi)
Christian Clozier, Jean-Claude Le Duc, Alexander Mihalic

SMC Conference 2004
IMUTUS -- an Interactive Music Tuition System
Dominique Fober, Stéphane Letz, Yann Orlarey

SMC Conference 2005
A Temporal Concurrent Constraint Calculus as an Audio Processing Framework
Camilo Rueda, Frank Valencia

SMC Conference 2005
Digital Audio Effects and Physical Modeling
Alexandros Kontogeorgakopoulos, Claude Cadoz

SMC Conference 2005
GMU, a Flexible Granular Synthesis Environment in Max/MSP
Charles Bascou, Laurent Pottier

SMC Conference 2005
Improvisation Planning and Jam Session Design Using Concepts of Sequence Variation and Flow Experience
Shlomo Dubnov, Gérard Assayag

SMC Conference 2005
Instrumental Gestures and Sonic Textures
Jehan-Julien Filatriau, Daniel Arfib

SMC Conference 2006
A Game Audio Technology Overview
Olivier Veneri, Stéphane Natkin, Cécile Le Prado, Marc Emerit

SMC Conference 2006
Composing Audio-visual Art: The Issue of Time and the Concept of Transduction
Benoît Courribet

SMC Conference 2006
Computer-aided Transformational Analysis With Tone Sieves
Thomas Noll, Moreno Andreatta, Carlos Agon, Emmanuel Amiot

SMC Conference 2006
Concurrent Constraints Models for Specifying Interactive Scores
Antoine Allombert, Gérard Assayag, Myriam Desainte-Catherine, Camilo Rueda

SMC Conference 2006
First Steps Towards a Digital Assistant for Performers and Stage Directors
Alain Bonardi, Isis Truck

SMC Conference 2006
Imitative and Generative Orchestrations Using Pre-analysed Sounds Databases
Grégoire Carpentier, Damien Tardieu, Gérard Assayag, Xavier Rodet, Emmanuel Saint-James

SMC Conference 2006
Interaction and Spatialization: Three Recent Musical Works
Jean-Claude Risset

SMC Conference 2006
OMAX-OFON
Gérard Assayag, Georges Bloch, Marc Chemillier

SMC Conference 2006
Sound and Music Design for Games and Interactive Media
Stéphane Natkin, Cécile Le Prado

SMC Conference 2006
Temporal Control Over Sound Synthesis Processes
Jean Bresson, Carlos Agon

SMC Conference 2006
The Case Study of an Application of the System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics
Suguru Goto

SMC Conference 2006
Vocabulaire de l'Espace et de la Spatialisation des Musiques Électroacoustiques: Présentation, Problématique et Taxinomie De l'Espace
Bertrand Merlier

SMC Conference 2006
A model for graphical interaction applied to gestural control of sound
Jean-Michel Couturier

SMC Conference 2006
Using evolving physical models for musical creation in the Genesis environment
Claude Cadoz, Olivier Tache

SMC Conference 2007
Fifty Years of Digital Sound for Music
Jean-Claude Risset

SMC Conference 2007
Sound Synthesis and Musical Composition by Physical Modelling of Self-sustained Oscillating Structures
François Poyer, Claude Cadoz

SMC Conference 2007
Expressive Text-to-speech Approaches
Ioannis Kanellos, Ioana Suciu, Thierry Moudenc

SMC Conference 2007
LISTEN LISBOA: Scripting Languages for Interactive Musical Installations
Cécile Le Prado, Stéphane Natkin

SMC Conference 2007
An Innovative Method for the Study of African Musical Scales: Cognitive and Technical Aspects
Simha Arom, Nathalie Fernando, Fabrice Marandola

SMC Conference 2007
VEMUS - Feedback and Groupware Technologies for Music Instrument Learning
Dominique Fober, Stéphane Letz, Yann Orlarey

SMC Conference 2007
A Neurocognitive Analysis of Rhythmic Memory Process as a Social Space Phenomenon
Eva Bonda

SMC Conference 2007
Mixing Time Representations in a Programmable Score Editor
Carlos Agon, Jean Bresson

SMC Conference 2007
A System of Interactive Scores Based on Petri Nets
Antoine Allombert, Gérard Assayag, Myriam Desainte-Catherine

SMC Conference 2007
Synthesis of a Macro Sound Structure Within a Self Organizing System
Sinan Bökesoy

SMC Conference 2007
Generation and Representation of Data and Events for the Control of Sound Synthesis
Jean Bresson, Marco Stroppa, Carlos Agon

SMC Conference 2007
Cephalomorphic Interface for Emotion-based Music Synthesis
Vassilios-Fivos A. Maniatakos

SMC Conference 2007
Some Symbolic Possibilities Specific to Electroacoustic Music
Jean-Louis Di Santo

SMC Conference 2007
Authenticity Issue in Performing Arts Using Live Electronics
Mariella Guercio, Jérôme Barthélemy, Alain Bonardi

SMC Conference 2007
Is Knowledge Emerging in the Secrecy of Our Digital Collections?
Francis Rousseaux, Alain Bonardi

SMC Conference 2007
KLAMA: The Voice From Oral Tradition in Death Rituals to a Work for Choir and Live Electronics
Georgia Spiropoulos, Benoît Meudic

SMC Conference 2007
The Breaking-continuity Paradox in Artificial Vocality Aesthetics
Bruno Bossis

SMC Conference 2007
Cordis Anima Physical Modeling and Simulation System Analysis
Alexandros Kontogeorgakopoulos, Claude Cadoz

SMC Conference 2007
Autosimilar Melodies and Their Implementation in OpenMusic
Emmanuel Amiot, Carlos Agon, Moreno Andreatta

SMC Conference 2008
Designing and Synthesizing Delay-based Digital Audio Effects Using the CORDIS ANIMA Physical Modeling Formalism
Alexandros Kontogeorgakopoulos, Claude Cadoz

SMC Conference 2008
Ephemeron: Control Over Self-organised Music
Phivos-Angelos Kollias

SMC Conference 2008
Retrospat: A Perception-based System for Semi-automatic Diffusion of Acousmatic Music
Joan Mouba, Sylvain Marchand, Boris Mansencal, Jean-Michel Rivet

SMC Conference 2008
Sound as Multiplicity: Spaces and Representations in Computer Music Composition
Arturo Fuentes

SMC Conference 2008
Vocabulary of Space Perception in Electroacoustic Musics Composed or Spatialised in Pentaphony
Bertrand Merlier

SMC Conference 2008
Zsa.Descriptors: A Library for Real-time Descriptors Analysis
Mikhail Malt, Emmanuel Jourdan

SMC Conference 2009
A Stratified Approach for Sound Spatialization
Nils Peters, Trond Lossius, Jan C. Schacher, Pascal Baltazar, Charles Bascou, Timothy Place

SMC Conference 2009
Does a "natural" Sonic Feedback Affect Perceived Usability and Emotion in the Context of Use of an ATM?
Patrick Susini, Nicolas Misdariis, Olivier Houix, Guillaume Lemaitre

SMC Conference 2009
Enhancing Expressive and Technical Performance in Musical Video Games
Raphaël Marczak, Matthias Robine, Myriam Desainte-Catherine, Antoine Allombert, Pierre Hanna, György Kurtág

SMC Conference 2009
Free Classification of Vocal Imitations of Everyday Sounds
Arnaud Dessein, Guillaume Lemaitre

SMC Conference 2009
Instrument Augmentation Using Ancillary Gestures for Subtle Sonic Effects
Otso Lähdeoja, Marcelo M. Wanderley, Joseph Malloch

SMC Conference 2009
Making an Orchestra Speak
Gilbert Nouno, Arshia Cont, Grégoire Carpentier, Jonathan Harvey

SMC Conference 2009
Parallelization of Audio Applications With Faust
Yann Orlarey, Dominique Fober, Stéphane Letz

SMC Conference 2009
Prototyping Musical Experiments for Tangisense, a Tangible and Traceable Table
Daniel Arfib, Jehan-Julien Filatriau, Loïc Kessous

SMC Conference 2009
Sound Search by Content-based Navigation in Large Databases
Diemo Schwarz, Norbert Schnell

SMC Conference 2009
The Flops Glass: A Device to Study Emotional Reactions Arising From Sonic Interactions
Guillaume Lemaitre, Olivier Houix, Karmen Franinović, Yon Visell, Patrick Susini

SMC Conference 2009
Three Methods for Pianist Hand Assignment
Aristotelis Hadjakos, François Lefebvre-Albaret

SMC Conference 2010
Dependent Vector Types for Multirate Faust
Pierre Jouvelot, Yann Orlarey

SMC Conference 2010
INTERLUDE - A FRAMEWORK FOR AUGMENTED MUSIC SCORES
Dominique Fober, Christophe Daudin, Yann Orlarey, Stéphane Letz

SMC Conference 2010
Descriptor-Based Sound Texture Sampling
Diemo Schwarz, Norbert Schnell

SMC Conference 2010
Concurrent Constraints Conditional-Branching Timed Interactive Scores
Mauricio Toro-Bermudez, Myriam Desainte-Catherine

SMC Conference 2010
Creation and Exploration of a Perceptual Sonic Textures Space Using a Tangible Interface
Jehan-Julien Filatriau, Daniel Arfib

SMC Conference 2010
On architecture and formalisms for Computer-Assisted Improvisation
Vassilios-Fivos A. Maniatakos, Gérard Assayag, Frédéric Bevilacqua, Carlos Agon

SMC Conference 2010
Analyzing Gesture and Sound Similarities With a HMM-based Divergence Measure
Baptiste Caramiaux, Frédéric Bevilacqua, Norbert Schnell

SMC Conference 2010
Interpretation and Computer Assistance in John Cage's Concert for Piano and Orchestra (1957-58)
Benny Sluchin, Mikhail Malt

SMC Conference 2010
Tonal Signatures
Gilbert Nouno, Malik Mezzadri

SMC Conference 2010
First Steps in Relaxed Real-time Typo-morphological Audio Analysis/Synthesis
Norbert Schnell, Marco Antonio Suarez Cifuentes, Jean-Philippe Lambert

SMC Conference 2010
Mimicry of tone production: results from a pilot experiment
Tommaso Bianco

SMC Conference 2010
ADAPTIVE SPATIALIZATION AND SCRIPTING CAPABILITIES IN THE SPATIAL TRAJECTORY EDITOR HOLO-EDIT
Charles Bascou

SMC Conference 2011
Gestural Control of Real-time Speech Synthesis in Luna Park
Grégory Beller

SMC Conference 2011
Investigation of the relationships between audio features and induced emotions in Contemporary Western music
Konstantinos Trochidis, Charles Delbé, Emmanuel Bigand

SMC Conference 2011
On the Creative use of Score Following and its Impact on Research
Arshia Cont

SMC Conference 2011
Distance Mapping for Corpus-Based Concatenative Synthesis
Diemo Schwarz

SMC Conference 2011
Using Physical Models Is Necessary to Guarantee Stable Analog Haptic Feedback Control for Any User and Haptic Device
Edgar Berdahl, Jean-Loup Florens, Claude Cadoz

SMC Conference 2011
Marco Stroppa's Compositional Process and Scientific Knowledge Between 1980-1991
Vincent Tiffon, Noémie Sprenger-Ohana

SMC Conference 2011
DYNAMIC INTERMEDIATE MODELS FOR AUDIOGRAPHIC SYNTHESIS
Vincent Goudard, Hugues Genevois, Boris Doval, Émilien Ghomi

SMC Conference 2012
An Extension of Interactive Scores for Multimedia Scenarios With Temporal Relations for Micro and Macro Controls
Mauricio Toro-Bermudez, Myriam Desainte-Catherine, Julien Castet

SMC Conference 2012
New Framework for Score Segmentation and Analysis in OpenMusic
Jean Bresson, Carlos Pérez-Sancho

SMC Conference 2012
Content-based retrieval of environmental sounds by multiresolution analysis
Ianis Lallemand, Diemo Schwarz, Thierry Artières

SMC Conference 2012
PAPERTONNETZ: MUSIC COMPOSITION WITH INTERACTIVE PAPER
Louis Bigo, Jérémie Garcia, Antoine Spicher, Wendy Mackay

SMC Conference 2012
A Hierarchical Approach for the Design of Gesture-to-Sound Mappings
Jules Françoise, Baptiste Caramiaux, Frédéric Bevilacqua

SMC Conference 2012
INVERSE PROBLEM IN SOUND SYNTHESIS AND MUSICAL CREATION USING MASS-INTERACTION NETWORKS
Jérôme Villeneuve, Claude Cadoz

SMC Conference 2012
Enhanced Source-Filter Model of Quasi-Harmonic Instruments for Sound Synthesis, Transformation and Interpolation
Henrik Hahn, Axel Roebel

SMC Conference 2012
Virtual Masks in the BACCHAE by Georgia Spiropoulos (ΙRCAM,2010): Exploring Tragic Vocality in Max/Msp Environment
Georgia Spiropoulos, Anastasia Georgaki

SMC Conference 2013
A Computational Method for Exploring Musical Creativity Development
Antonis Alexakis, Armen Khatchatourov, Angeliki Triantafyllaki, Christina Anagnostopoulou

SMC Conference 2013
A Social Network Integrated Game Experiment to Relate Tapping to Speed Perception and Explore Rhythm Reproduction
Guillaume Bellec, Anders Elowsson, Anders Friberg, Daniel Wolff, Tillman Weyde

SMC Conference 2013
Auralization of Coupled Spaces Based on a Diffusion Equation Model
Paul Luizard, Jean-Dominique Polack, Brian F. G. Katz

SMC Conference 2013
Joint f0 and Inharmoncity Estimation Using Second Order Optimization
Henrik Hahn, Axel Röbel

SMC Conference 2013
Modeling and Simulation: The Spectral Canon for Conlon Nancarrow by James Tenney
Charles de Paiva Santana, Jean Bresson, Moreno Andreatta

SMC Conference 2013
Multi-scale Design of Interactive Music Systems: The libTuiles Experiment
David Janin, Florent Berthaut, Myriam Desainte-Catherine

SMC Conference 2013
Programming Interactive Music Scores With INScore
Dominique Fober, Stéphane Letz, Yann Orlarey, Frédéric Bevilacqua

SMC Conference 2013
Solving Interactions Between Nonlinear Resonators
Joël Bensoam, David Roze

SMC Conference 2013
Tale Following: Real-time Speech Recognition Applied to Live Performance
Jean-Luc Rouas, Boris Mansencal, Joseph Larralde

SMC Conference 2013
Towards a Discrete Electronic Transmission Line as a Musical Harmonic Oscillator
Kurijn Buys, Roman Auvray

SMC Conference 2014
Creative Symbolic Interaction
Gérard Assayag

SMC Conference 2014
Sound and Music Computing Meets Philosophy
Jean-Claude Risset

SMC Conference 2014
Xenakis's Philosophy of Technology Through Some Interviews
Makis Solomos

SMC Conference 2014
Real-time Composition of Sound Environments
Georgia Spiropoulos

SMC Conference 2014
Computer, Formalisms, Intuition and Metaphors. Α Xenakian and Post-Xenakian Approach
José Luis Besada

SMC Conference 2014
Could the Endless Progressions in James Tenney's Music Be Viewed as Sonic Koans?
François-Xavier Féron

SMC Conference 2014
From Automatic Sound Analysis of Gameplay Footage [Echos] to the Understanding of Player Experience [Ethos]: An Interdisciplinary Approach to Feedback-based Gameplay Metrics
Raphaël Marczak, Pierre Hanna, Jean-Luc Rouas, Jasper van Vught, Gareth Schott

SMC Conference 2014
Towards Defining the Potential of Electroacoustic Infrasonic Music
Alexis Story Crawshaw

SMC Conference 2014
pOM: Linking Pen Gestures to Computer-aided Composition Processes
Jérémie Garcia, Philippe Leroux, Jean Bresson

SMC Conference 2014
Design Process for Interactive Sound Installations: The Designer, the Interactor and the System
Cécile Le Prado, Stéphane Natkin

SMC Conference 2014
Influence of Expressive Coupling in Ensemble Performance on Musicians' Body Movement
Davi Mota, Maurício Loureiro, Rafael Laboissière

SMC Conference 2014
AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music
Thomas Coffy, Arshia Cont, Jean-Louis Giavitto

SMC Conference 2014
Being There & Being With: The Philosophical and Cognitive Notions of Presence and Embodiment in Virtual Instruments
Annie Luciani

SMC Conference 2014
Multi-touch Interface for Acousmatic Music Spatialization
Gwendal Le Vaillant, Rudi Giot

SMC Conference 2014
Tangibility, Presence, Materiality, Reality in Artistic Creation With Digital Technology
Claude Cadoz, Annie Luciani, Jérôme Villeneuve, Alexandros Kontogeorgakopoulos, Ioannis Zannos

SMC Conference 2014
The HOA Library, Review and Prospects
Anne Sèdes, Pierre Guillot, Elliot Paris

SMC Conference 2014
Alarm/will/sound: Perception, Characterization, Acoustic Modeling, and Design of Modified Car Alarms
Alexander Sigman, Nicolas Misdariis

SMC Conference 2014
Test Methods for Score-Based Interactive Music Systems
Clément Poncelet, Florent Jacquemard

SMC Conference 2014
Fine-tuned Control of Concatenative Synthesis With CataRT Using the Bach Library for Max
Aaron Einbond, Christopher Trapani, Andrea Agostini, Daniele Ghisi, Diemo Schwarz

SMC Conference 2014
Modulus p Rhythmic Tiling Canons and Some Implementations in OpenMusic Visual Programming Language
Hélianthe Caure, Carlos Agon, Moreno Andreatta

SMC Conference 2014
Real Time Tempo Canons With Antescofo
Christopher Trapani, José Echeveste

SMC Conference 2014
Spatial Transformations in Simplicial Chord Spaces
Louis Bigo, Daniele Ghisi, Antoine Spicher, Moreno Andreatta

SMC Conference 2014
The Notion of Ethos in Arabic Music: Computational Modeling of Al-Urmawi's Modes (13th Century) in Csound
Raed Belhassen

SMC Conference 2014
Planning Human-computer Improvisation
Jérôme Nika, José Echeveste, Marc Chemillier, Jean-Louis Giavitto

SMC Conference 2014
A Framework for Music Analysis/Resynthesis Based on Matrix Factorization
Juan José Burred

SMC Conference 2014
Audio Signal Visualisation and Measurement
Robin Gareus, Chris Goddard

SMC Conference 2014
Evaluating HRTF Similarity Through Subjective Assessments: Factors That Can Affect Judgment
Areti Andreopoulou, Agnieszka Roginska

SMC Conference 2014
On the Playing of Monodic Pitch in Digital Music Instrument
Vincent Goudard, Hugues Genevois, Lionel Feugère

SMC Conference 2014
Understanding and Tuning Mass-interaction Networks Through Their Modal Representation
Jérôme Villeneuve, Claude Cadoz

SMC Conference 2014
Audio Rendering/Processing and Control Ubiquity? A Solution Built Using Faust Dynamic Compiler and JACK/NetJack
Stéphane Letz, Sarah Denoux, Yann Orlarey

SMC Conference 2014
Model-view-controller Separation in Max Using Jamoma
Trond Lossius, Théo de la Hogue, Pascal Baltazar, Timothy Place, Nathan Wolek, Julien Rabin

SMC Conference 2014
Programmation and Control of Faust Sound Processing in OpenMusic
Dimitri Bouche, Jean Bresson, Stéphane Letz

SMC Conference 2014
Representation of Musical Computer Processes
Dominique Fober, Yann Orlarey, Stéphane Letz

SMC Conference 2014
Vuza: A Functional Language for Creative Applications
Carmine-Emanuele Cella

SMC Conference 2014
Demo: Using Jamama's MVC Features to Design an Audio Effect Interface
Trond Lossius, Nathan Wolek, Théo de la Hogue, Pascal Baltazar

SMC Conference 2014
Listening Otherwise: Playing With Sound Vibration
Pascale Criton

SMC Conference 2014
i-score, an Interactive Sequencer for the Intermedia Arts
Pascal Baltazar, Théo de la Hogue, Myriam Desainte-Catherine

SMC Conference 2014
The Centre Iannis Xenakis's Establishment at the University of Rouen
Cyrille Delhaye, Rodolphe Bourotte, Sharon Kanach

SMC Conference 2015
Distributing Music Scores to Mobile Platforms and to the Internet using INScore
Dominique Fober, Guillaume Gouilloux, Yann Orlarey, Stéphane Letz

SMC Conference 2015
Voice quality transformation using an extended source-filter speech model
Stefan Huber, Axel Roebel

SMC Conference 2015
TEMPO CURVING AS A FRAMEWORK FOR INTERACTIVE COMPUTER-AIDED COMPOSITION
Jean Bresson, John MacCallum

SMC Conference 2015
Smooth Granular Sound Texture Synthesis by Control of Timbral Similarity
Diemo Schwarz, Sean O'Leary

SMC Conference 2015
Guided improvisation as dynamic calls to an offline model
Jérôme Nika, Dimitri Bouche, Jean Bresson, Marc Chemillier, Gérard Assayag

SMC Conference 2016
Using Multidimensional Sequences For Improvisation In The OMax Paradigm
Ken Déguernel, Emmanuel Vincent, Gérard Assayag

SMC Conference 2016
FACTORSYNTH: A MAX TOOL FOR SOUND ANALYSIS AND RESYNTHESIS BASED ON MATRIX FACTORIZATION
Juan José Burred

SMC Conference 2016
SKETCHING SONIC INTERACTIONS BY IMITATION-DRIVEN SOUND SYNTHESIS
Stefano Baldan, Stefano Delle Monache, Davide Rocchesso, Hélène Lachambre

SMC Conference 2016
Rethinking the audio workstation : tree-based sequencing with i-score and the LibAudioStream
Jean-Michaël Celerier, Myriam Desainte-Catherine, Jean-Michel Couturier

SMC Conference 2017
Systema Naturae: shared practices between physical computing and algorithmic composition
Andrea Valle, Mauro Lanza

SMC Conference 2017
Musical feature and novelty curve characterizations as predictors of segmentation accuracy
Martin Hartmann, Olivier Lartillot, Petri Toiviainen

SMC Conference 2017
Versioning and Annotation Support for Collaborative Mapping Design
Johnty Wang, Joseph Malloch, Stéphane Huot, Fanny Chevalier, Marcelo M. Wanderley

SMC Conference 2017
Generating Equivalent Chord Progressions to Enrich Guided Improvisation: Application to Rhythm Changes
Ken Déguernel, Jérôme Nika, Emmanuel Vincent, Gérard Assayag

SMC Conference 2017
Live Orchestral Piano, a system for real-time orchestral music generation
Léopold Crestel, Philippe Esling

SMC Conference 2018
Concepts and Technologies for Multisensory and Interactive Simulation of Physical Objects - Application to Helios, a musical and visual artwork for the Helicanthe Platform of the ACROE
Claude Cadoz

SMC Conference 2018
Perceiving Agent Collaborative Sonic Exploration in Interactive Reinforcement Learning
Hugo Scurto, Frédéric Bevilacqua, Baptiste Caramiaux

SMC Conference 2018
A new implementation of Spat in Max
Thibaut Carpentier

SMC Conference 2018
Toward a Web of Audio Things
Benjamin Matuszewski, Frédéric Bevilacqua

SMC Conference 2018
A Heuristic Algorithm for DJ Cue Point Estimation
Diemo Schwarz, Daniel Schindler, Severino Spadavecchia

SMC Conference 2018
Design and Interaction of 3D Virtual Music Instruments for STEAM Education Using Web Technologies
Kosmas Kritsis, Aggelos Gkiokas, Quentin Lamerand, Robert Piéchaud, Carlos Acosta, Maximos Kaliakatsos-Papakostas, Vassilis Katsouros

SMC Conference 2018
UPISketch : The Renewal of an Old Idea
Rodolphe Bourotte

SMC Conference 2019
Real Time Audio Digital Signal Processing With Faust and the Teensy
Romain Michon, Yann Orlarey, Stéphane Letz, Dominique Fober

SMC Conference 2019
Comparison and Implementation of Data Transmission Techniques Through Analog Audio Signals in the Context of Augmented Mobile Instruments
Romain Michon, Yann Orlarey, Stéphane Letz, Dominique Fober

SMC Conference 2019
PERFORMING WITH SOUND SAMPLE-CONTROLLED GLOVES AND LIGHT-CONTROLLED ARMS
Frank Pecquet, Fotis Moschos, David Fierro, Justin Pecquet

SMC Conference 2019
Predicting Perceived Dissonance of Piano Chords Using a Chord-Class Invariant CNN and Deep Layered Learning
Juliette Dubois, Anders Elowsson, Anders Friberg

SMC Conference 2019
Belief Propagation algorithm for Automatic Chord Estimation
Vincent P. Martin, Sylvain Reynal, Hélène-Camille Crayencour, Dogac Basaran

SMC Conference 2019
Autoencoders for Music Sound Modeling: a Comparison of Linear, Shallow, Deep, Recurrent and Variantional Models
Fanny Roche, Thomas Hueber, Samuel Limier, Laurent Girin

SMC Conference 2019
Polytopic reconfiguration: a graph-based scheme for the multiscale transformation of music segments and its perceptual assessment
Valentin Gillot, Frédéric Bimbot

SMC Conference 2019
MI-GEN∼: An Efficient and Accessible Mass-Interaction Sound Synthesis Toolbox
James Leonard, Jérôme Villeneuve

SMC Conference 2019
Mass-Interaction Physical Models for Sound and Multi-Sensory Creation: Starting Anew
Jérôme Villeneuve, James Leonard

SMC Conference 2019
Modeling and Learning Rhythm Structure
Francesco Foscarin, Florent Jacquemard, Philippe Rigaux

SMC Conference 2019
OM-AI: A Toolkit to Support AI-Based Computer-Assisted Composition Workflows in OpenMusic
Anders Vinjar, Jean Bresson

SMC Conference 2019
CompoVOX: REAL-TIME SONIFICATION OF VOICE
Daniel Hernán Molina Villota, Antonio Navas, Isabel Barbancho