Sixteen Years of Sound & Music Computing
A Look Into the History and Trends of the Conference and Community

D.A. Mauro, F. Avanzini, A. Baratè, L.A. Ludovico, S. Ntalampiras, S. Dimitrov, S. Serafin
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Vancouver (affiliation place)

Charts
Number of papers per year from Vancouver, Canada
Number of authors per year with (at least) an affiliation from Vancouver, Canada
Percentage of authors with (at least) an affiliation from Vancouver, Canada

Country
Canada

Affiliations
Simon Fraser University, School of Computing Science; Vancouver, Canada
Simon Fraser University, School of Computing Science; Vancouver, Canada
Simon Fraser University, School of Interactive Arts and Technology (SIAT); Vancouver, Canada
Simon Fraser University, School of Interactive Arts and Technology (SIAT); Vancouver, Canada
Simon Fraser University; Vancouver, Canada
The University of British Columbia (UBC), School of Music; Vancouver, Canada
The University of British Columbia (UBC); Vancouver, Canada
The University of British Columbia (UBC); Vancouver, Canada

Authors from Vancouver, Canada (affiliation)
Cherla, Srikanth
Eigenfeldt, Arne
Elmore, Andrew R.
Fan, Jianyu
Kestian, Adam
Li, William
Litke, David
Macret, Matthieu
Maxwell, James B.
Pasquier, Philippe
Pritchard, Bob
Ritter, Martin
Scott, Frederick
Smyth, Tamara
Tatar, Kıvanç
Thomas, Nicolas Gonzalez
Thorogood, Miles
Tung, Fred

Papers by authors from Vancouver, Canada (affiliation)

SMC Conference 2007
Fractured Sounds, Fractured Meanings: A Glove-controlled Spectral Instrument
David Litke

SMC Conference 2009
Explorations in Convolutional Synthesis
Tamara Smyth, Andrew R. Elmore

SMC Conference 2010
REAL-TIME ESTIMATION OF THE VOCAL TRACT SHAPE FOR MUSICAL CONTROL
Adam Kestian, Tamara Smyth

SMC Conference 2011
Parametric Trombone Synthesis by Coupling Dynamic Lip Valve and Instrument Models
Tamara Smyth, Frederick Scott

SMC Conference 2011
The Closure-based Cueing Model: Cognitively-Inspired Learning and Generation of Musical Sequences
James B. Maxwell, Philippe Pasquier, Arne Eigenfeldt

SMC Conference 2011
Towards a Generative Electronica: Human-Informed Machine Transcription and Analysis in MaxMSP
Arne Eigenfeldt, Philippe Pasquier

SMC Conference 2012
Audio Metaphor: Audio Information Retrieval for Soundscape Composition
Miles Thorogood, Philippe Pasquier, Arne Eigenfeldt

SMC Conference 2012
Automatic Calibration of Modified FM Synthesis to Harmonic Sounds using Genetic Algorithms
Matthieu Macret, Philippe Pasquier, Tamara Smyth

SMC Conference 2012
Creative Agents, Curatorial Agents, and Human-agent Interaction in Coming Together
Arne Eigenfeldt, Philippe Pasquier

SMC Conference 2012
MUSICOG: A COGNITIVE ARCHITECTURE FOR MUSIC LEARNING AND GENERATION
James B. Maxwell, Arne Eigenfeldt, Philippe Pasquier, Nicolas Gonzalez Thomas

SMC Conference 2012
The Saxophone by Model and Measurement
Tamara Smyth, Srikanth Cherla

SMC Conference 2013
Audio Interpolation and Morphing via Structured-sparse Linear Regression
Corey Kereliuk, Philippe Depalle, Philippe Pasquier

SMC Conference 2013
Automatic Tuning of the OP-1 Synthesizer Using a Multi-objective Genetic Algorithm
Matthieu Macret, Philippe Pasquier

SMC Conference 2014
Leap Motion as Expressive Gestural Interface
Martin Ritter, Alyssa Aska

SMC Conference 2016
Exploring Moment-form in Generative Music
Arne Eigenfeldt

SMC Conference 2017
Explorations with Digital Control of MIDI-enabled Pipe Organs
Johnty Wang, Bob Pritchard, Bryn Nixon, Marcelo M. Wanderley

SMC Conference 2018
Quantitative Analysis of the Impact of Mixing on Perceived Emotion of Soundscape Recordings
Jianyu Fan, Miles Thorogood, Kıvanç Tatar, Philippe Pasquier

SMC Conference 2018
Soundscape Emotion Recognition via Deep Learning
Jianyu Fan, Fred Tung, William Li, Philippe Pasquier

SMC Conference 2019
Interacting with Musebots (that don’t really listen)
Arne Eigenfeldt

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