Charts
Number of papers per year from Canada
Number of authors per year with (at least) an affiliation from Canada
Percentage of authors with (at least) an affiliation from Canada

Places
Burnaby
Calgary
Edmonton
Halifax
Hamilton
Montreal
Ontario
Ottawa
Regina
Saskatoon
Vancouver
Victoria
Windsor

Affiliations
School for the Contemporary Arts, Simon Fraser University; Burnaby, Canada
University of Calgary; Calgary, Canada
University of Calgary; Calgary, Canada
Department of Computing Science, University of Alberta; Edmonton, Canada
Department of Music, University of Alberta; Edmonton, Canada
Dalhousie University; Halifax, Canada
Institute for Music and the Mind, McMaster University; Hamilton, Canada
Ryerson United Church; Hamilton, Canada
Concordia University; Montreal, Canada
Concordia University; Montreal, Canada
fliprl; Montreal, Canada
Input Devices and Music Interaction Lab, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), McGill University; Montreal, Canada
Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), McGill University; Montreal, Canada
Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), McGill University; Montreal, Canada
Faculty of Music, McGill University; Montreal, Canada
IDMIL / CIRMMT, McGill University; Montreal, Canada
Input Devices and Music Interaction Laboratory, Music Technology Area, McGill University; Montreal, Canada
Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Schulich School of Music, McGill University; Montreal, Canada
Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Schulich School of Music, McGill University; Montreal, Canada
Schulich School of Music, McGill University; Montreal, Canada
Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Schulich School of Music, Music Technology Area, McGill University; Montreal, Canada
Input Devices and Music Interaction Laboratory (IDMIL), Schulich School of Music, Music Technology Area, McGill University; Montreal, Canada
Input Devices and Music Interaction Laboratory (IDMIL), Schulich School of Music, Music Technology Area, McGill University; Montreal, Canada
Sound Processing and Control Laboratory (SPCL), Schulich School of Music, Music Technology Area, McGill University; Montreal, Canada
Schulich School of Music, Music Technology Area, McGill University; Montreal, Canada
McGill University; Montreal, Canada
McGill University; Montreal, Canada
CIRMMT, Université de Montréal; Montreal, Canada
Faculté de musique, Université de Montréal; Montreal, Canada
Faculté de musique, Université de Montréal; Montreal, Canada
Université de Montréal; Montreal, Canada
Ontario College of Art and Design (OCAD); Ontario, Canada
Ottawa University; Ottawa, Canada
Computer Science, University of Regina; Regina, Canada
Department of Computer Science, University of Regina; Regina, Canada
Interdisciplinary Studies, University of Regina; Regina, Canada
University of Regina; Regina, Canada
University of Regina; Regina, Canada
University of Saskatchewan; Saskatoon, Canada
School of Computing Science, Simon Fraser University; Vancouver, Canada
School of Computing Science, Simon Fraser University; Vancouver, Canada
School of Interactive Arts and Technology (SIAT), Simon Fraser University; Vancouver, Canada
School of Interactive Arts and Technology (SIAT), Simon Fraser University; Vancouver, Canada
Simon Fraser University; Vancouver, Canada
School of Music, The University of British Columbia (UBC); Vancouver, Canada
The University of British Columbia (UBC); Vancouver, Canada
The University of British Columbia (UBC); Vancouver, Canada
Computer Science, University of Victoria; Victoria, Canada
Department of Computer Science, University of Victoria; Victoria, Canada
Department of Computer Science, University of Victoria; Victoria, Canada
Department of Computer Science, University of Victoria; Victoria, Canada
Electrical Engineering, University of Victoria; Victoria, Canada
University of Victoria; Victoria, Canada
University of Windsor; Windsor, Canada
Professional Guitarist and Composer, Independent; Canada

Authors from Canada (affiliation)
Abtan, Freida
Aska, Alyssa
Bel, Sébastien
Bernays, Michel
Birnbaum, David
Bosse, Naithan
Boyd, Jeffrey Edwin
Brum Medeiros, Carolina
Bulitko, Vadim
Burns, Anne-Marie
Cherla, Srikanth
Chon, Song Hui
Clark, Colin
Collares, Leandro
Cooperstock, Jeremy R.
Cowan, Steve
Cullimore, Jason
Dalton, Brett
Damian, Daniela
de Francisco, Martha
Depalle, Philippe
Driessen, Peter
Eagle, David
Egloff, Deborah
Eigenfeldt, Arne
Elmore, Andrew R.
El-Shimy, Dalia
Fan, Jianyu
Feliciano, Joseph
Ferguson, Sean
Fernando, Nathalie
Foote, Gordon
Franco, Ivan
Frederico, Gustavo
Frishkopf, Michael
Gao, Shelley
Gerhard, David
Gillard, Jessica
Giordano, Marcello
Godlovitch, Daniel
Gooch, Amy
Hamilton, Howard
Hattwick, Ian
Hindle, Abram
Hu, Hanlin
Johnson, David
Kell, Thor
Kereliuk, Corey
Kestian, Adam
Ko, Doyuen
Lamontagne, Valerie
Leben, Jakob
Lee, Brent
Lembke, Sven-Amin
Leroux, Philippe
Levine, Scott
Li, William
Litke, David
Macconnell, Duncan
Macret, Matthieu
Malloch, Joseph
Mandryk, Regan L.
Marandola, Fabrice
Maupin, Steven
Maxwell, James B.
McAdams, Stephen
Nixon, Bryn
Olmos, Adriana
Park, Brett
Pasquier, Philippe
Peters, Nils
Popa, Iulius A.T.
Pritchard, Bob
Ritter, Martin
Rushka, Paul
Salter, Christopher
Schumacher, Marlon M.
Schutz, Michael
Schwartzbach, Kevin
Scott, Frederick
Sethi, Rameel
Sha, Xin Wei
Smith, Bennett
Smyth, Tamara
Sullivan, John
Tatar, Kıvanç
Tavares, Tiago Fernandes
Thomas, Nicolas Gonzalez
Thorogood, Miles
Tindale, Adam
Trail, Shawn
Traube, Caroline
Tung, Fred
Tzanetakis, George
Van Nort, Doug
Visell, Yon
Wanderley, Marcelo M.
Wang, Johnty
Watson, Diane
Weninger, Noah
Woszczyk, Wieslaw

Papers by authors from Canada (affiliation)

SMC Conference 2004
Classification Into Musical Genres Using a Rhythmic Kernel
Gustavo Frederico

SMC Conference 2004
Composing in the Flesh: Perceptually-informed Harmonic Syntax
Sean Ferguson, Richard Parncutt

SMC Conference 2006
Computer Vision Method for Guitarist Fingering Retrieval
Anne-Marie Burns, Marcelo M. Wanderley

SMC Conference 2006
Exploring the Effect of Mapping Trajectories on Musical Performance
Doug Van Nort, Marcelo M. Wanderley

SMC Conference 2006
Kinetic Engine: Toward an Intelligent Improvising Instrument
Arne Eigenfeldt

SMC Conference 2007
An Innovative Method for the Study of African Musical Scales: Cognitive and Technical Aspects
Simha Arom, Nathalie Fernando, Fabrice Marandola

SMC Conference 2007
Fractured Sounds, Fractured Meanings: A Glove-controlled Spectral Instrument
David Litke

SMC Conference 2007
Mapping and Dimensionality of a Cloth-based Sound Instrument
David Birnbaum, Freida Abtan, Xin Wei Sha, Marcelo M. Wanderley

SMC Conference 2009
A Stratified Approach for Sound Spatialization
Nils Peters, Trond Lossius, Jan C. Schacher, Pascal Baltazar, Charles Bascou, Timothy Place

SMC Conference 2009
Explorations in Convolutional Synthesis
Tamara Smyth, Andrew R. Elmore

SMC Conference 2009
Instrument Augmentation Using Ancillary Gestures for Subtle Sonic Effects
Otso Lähdeoja, Marcelo M. Wanderley, Joseph Malloch

SMC Conference 2009
The Flops Glass: A Device to Study Emotional Reactions Arising From Sonic Interactions
Guillaume Lemaitre, Olivier Houix, Karmen Franinović, Yon Visell, Patrick Susini

SMC Conference 2009
The Hyper-kalimba: Developing an Augmented Instrument From a Performer's Perspective
Fernando Rocha, Joseph Malloch

SMC Conference 2010
REAL-TIME ESTIMATION OF THE VOCAL TRACT SHAPE FOR MUSICAL CONTROL
Adam Kestian, Tamara Smyth

SMC Conference 2011
PHYSICAL MODELING MEETS MACHINE LEARNING: TEACHING BOW CONTROL TO A VIRTUAL VIOLINIST
Graham Percival, Nicholas Bailey, George Tzanetakis

SMC Conference 2011
A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation
Marcello Giordano, Marcelo M. Wanderley

SMC Conference 2011
Isomorphic Tessellations for Musical Keyboards
Steven Maupin, David Gerhard, Brett Park

SMC Conference 2011
Parametric Trombone Synthesis by Coupling Dynamic Lip Valve and Instrument Models
Tamara Smyth, Frederick Scott

SMC Conference 2011
Towards a Generative Electronica: Human-Informed Machine Transcription and Analysis in MaxMSP
Arne Eigenfeldt, Philippe Pasquier

SMC Conference 2011
The Closure-based Cueing Model: Cognitively-Inspired Learning and Generation of Musical Sequences
James B. Maxwell, Philippe Pasquier, Arne Eigenfeldt

SMC Conference 2011
Where do you want your ears? Comparing performance quality as a function of listening position in a virtual jazz band
Adriana Olmos, Paul Rushka, Doyuen Ko, Gordon Foote, Wieslaw Woszczyk, Jeremy R. Cooperstock

SMC Conference 2011
Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument
Carolina Brum Medeiros, Marcelo M. Wanderley

SMC Conference 2012
An In-Situ Study of Real Life Listening Context
Diane Watson, Regan L. Mandryk

SMC Conference 2012
Automatic Calibration of Modified FM Synthesis to Harmonic Sounds using Genetic Algorithms
Matthieu Macret, Philippe Pasquier, Tamara Smyth

SMC Conference 2012
Physical Modeling and Hybrid Synthesis for the Gyil African Xylophone
Daniel Godlovitch, Tiago Fernandes Tavares, Shawn Trail, George Tzanetakis

SMC Conference 2012
Creative Agents, Curatorial Agents, and Human-agent Interaction in Coming Together
Arne Eigenfeldt, Philippe Pasquier

SMC Conference 2012
The Saxophone by Model and Measurement
Tamara Smyth, Srikanth Cherla

SMC Conference 2012
MUSICOG: A COGNITIVE ARCHITECTURE FOR MUSIC LEARNING AND GENERATION
James B. Maxwell, Arne Eigenfeldt, Philippe Pasquier, Nicolas Gonzalez Thomas

SMC Conference 2012
Audio Metaphor: Audio Information Retrieval for Soundscape Composition
Miles Thorogood, Philippe Pasquier, Arne Eigenfeldt

SMC Conference 2013
A Quantitative Review of Mappings in Musical iOS Applications
Thor Kell, Marcelo M. Wanderley

SMC Conference 2013
Audio Interpolation and Morphing via Structured-sparse Linear Regression
Corey Kereliuk, Philippe Depalle, Philippe Pasquier

SMC Conference 2013
Automatic Tuning of the OP-1 Synthesizer Using a Multi-objective Genetic Algorithm
Matthieu Macret, Philippe Pasquier

SMC Conference 2013
Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format
Brett Park, David Gerhard

SMC Conference 2013
Effect of Timbre on Melody Recognition in Three-voice Counterpoint Music
Song Hui Chon, Kevin Schwartzbach, Bennett Smith, Stephen McAdams

SMC Conference 2013
Expressive Production of Piano Timbre: Touch and Playing Techniques for Timbre Control in Piano Performance
Michel Bernays, Caroline Traube

SMC Conference 2013
Measuring the Interaction Between Bassoon and Horn Players in Achieving Timbre Blend
Sven-Amin Lembke, Scott Levine, Martha de Francisco, Stephen McAdams

SMC Conference 2013
Motion Recurrence Analysis in Music Performances
Euler Teixeira, Hani Yehia, Maurício Loureiro, Marcelo M. Wanderley

SMC Conference 2013
Network Music With Medusa: A Comparison of Tempo Alignment in Existing MIDI APIs
Flávio Luiz Schiavoni, Marcelo Queiroz, Marcelo M. Wanderley

SMC Conference 2013
Reconfigurable Autonomous Novel Guitar Effects (RANGE)
Duncan Macconnell, Shawn Trail, George Tzanetakis, Peter Driessen, Wyatt Page

SMC Conference 2013
SoundAnchoring: Content-based Exploration of Music Collections With Anchored Self-organized Maps
Leandro Collares, Tiago Fernandes Tavares, Joseph Feliciano, Shelley Gao, George Tzanetakis, Amy Gooch

SMC Conference 2013
The Importance of Amplitude Envelope: Surveying the Temporal Structure of Sounds in Perceptual Research
Jessica Gillard, Michael Schutz

SMC Conference 2014
Computational Ethnomusicology: A Music Information Retrieval Perspective
George Tzanetakis

SMC Conference 2014
Declarative Composition and Reactive Control in Marsyas
Jakob Leben, George Tzanetakis

SMC Conference 2014
Directed Transitional Composition for Gaming and Adaptive Music Using Q-Learning
Jason Cullimore, Howard Hamilton, David Gerhard

SMC Conference 2014
EmbodiComp: Embodied Interaction for Mixing and Composition
Dalia El-Shimy, Steve Cowan, Jeremy R. Cooperstock

SMC Conference 2014
pOM: Linking Pen Gestures to Computer-aided Composition Processes
Jérémie Garcia, Philippe Leroux, Jean Bresson

SMC Conference 2014
The Black Swan: Probable and Improbable Communication Over Local and Geographically Displaced Net-worked Connections as a Musical Performance System
Alyssa Aska

SMC Conference 2014
A High-level Review of Mappings in Musical iOS Applications
Thor Kell, Marcelo M. Wanderley

SMC Conference 2014
Leap Motion as Expressive Gestural Interface
Martin Ritter, Alyssa Aska

SMC Conference 2014
Physical and Perceptual Characterization of a Tactile Display for a Live-electronics Notification System
Emma Frid, Marcello Giordano, Marlon M. Schumacher, Marcelo M. Wanderley

SMC Conference 2014
Flocking: A Framework for Declarative Music-making on the Web
Colin Clark, Adam Tindale

SMC Conference 2015
Follow the Tactile Metronome: Vibrotactile Stimulation for Tempo Synchronization in Music Performance
Marcello Giordano, Marcelo M. Wanderley

SMC Conference 2015
Design and Implementation of a Whole-body Haptic Suit for "Ilinx", a Multisensory Art Installation
Marcello Giordano, Ian Hattwick, Ivan Franco, Deborah Egloff, Emma Frid, Valerie Lamontagne, Maurizio (Tez) Martinucci, Christopher Salter, Marcelo M. Wanderley

SMC Conference 2015
On the Musical Opportunities of Cylindrical Hexagonal Lattices: Mapping Flat Isomorphisms Onto Nanotube Structures
Hanlin Hu, Brett Park, David Gerhard

SMC Conference 2015
The Virtuoso Composer and the Formidable Machine: A Path to Preserving Human Compositional Expression
Jason Cullimore, David Gerhard

SMC Conference 2015
MUSE: a Music-making Sandbox Environment for Real-Time Collaborative Play
Iulius A.T. Popa, Jeffrey Edwin Boyd, David Eagle

SMC Conference 2016
Exploring Moment-form in Generative Music
Arne Eigenfeldt

SMC Conference 2016
Authoring Spatial Music with SpatDIF Version 0.4
Jan C. Schacher, Nils Peters, Trond Lossius, Chikashi Miyama

SMC Conference 2016
SoundScavenger: An Interactive Soundwalk
Naithan Bosse

SMC Conference 2016
IMPROVISATION AND GESTURE AS FORM DETERMINANTS IN WORKS WITH ELECTRONICS
Alyssa Aska

SMC Conference 2016
This is an important message for Julie Wade: Emergent Performance Events in an Interactive Installation
Brent Lee

SMC Conference 2017
Versioning and Annotation Support for Collaborative Mapping Design
Johnty Wang, Joseph Malloch, Stéphane Huot, Fanny Chevalier, Marcelo M. Wanderley

SMC Conference 2017
Explorations with Digital Control of MIDI-enabled Pipe Organs
Johnty Wang, Bob Pritchard, Bryn Nixon, Marcelo M. Wanderley

SMC Conference 2017
Learning to play the guitar at the age of interactive and collaborative Web technologies
Anne-Marie Burns, Sébastien Bel, Caroline Traube

SMC Conference 2018
Training Deep Convolutional Networks with Unlimited Synthesis of Musical Examples for Multiple Instrument Recognition
Rameel Sethi, Noah Weninger, Abram Hindle, Vadim Bulitko, Michael Frishkopf

SMC Conference 2018
Soundscape Emotion Recognition via Deep Learning
Jianyu Fan, Fred Tung, William Li, Philippe Pasquier

SMC Conference 2018
Quantitative Analysis of the Impact of Mixing on Perceived Emotion of Soundscape Recordings
Jianyu Fan, Miles Thorogood, Kıvanç Tatar, Philippe Pasquier

SMC Conference 2018
Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design
John Sullivan, Marcelo M. Wanderley

SMC Conference 2018
A comparative study on filtering and classification of bird songs
Nicolas Figueiredo, Felipe Felix, Carolina Brum Medeiros, Marcelo Queiroz

SMC Conference 2019
DAW-Integrated Beat Tracking for Music Production
Brett Dalton, David Johnson, George Tzanetakis

SMC Conference 2019
OSC-XR: A Toolkit for Extended Reality Immersive Music Interfaces
David Johnson, Daniela Damian, George Tzanetakis

SMC Conference 2019
Interacting with Musebots (that don’t really listen)
Arne Eigenfeldt