Charts
Number of papers per year from Montreal, Canada
Number of authors per year with (at least) an affiliation from Montreal, Canada
Percentage of authors with (at least) an affiliation from Montreal, Canada

Country
Canada

Affiliations
Concordia University; Montreal, Canada
Concordia University; Montreal, Canada
fliprl; Montreal, Canada
McGill University, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Input Devices and Music Interaction Lab; Montreal, Canada
McGill University, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT); Montreal, Canada
McGill University, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT); Montreal, Canada
McGill University, Faculty of Music; Montreal, Canada
McGill University, IDMIL / CIRMMT; Montreal, Canada
McGill University, Music Technology Area, Input Devices and Music Interaction Laboratory; Montreal, Canada
McGill University, Schulich School of Music, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT); Montreal, Canada
McGill University, Schulich School of Music, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT); Montreal, Canada
McGill University, Schulich School of Music; Montreal, Canada
McGill University, Schulich School of Music, Music Technology Area, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT); Montreal, Canada
McGill University, Schulich School of Music, Music Technology Area, Input Devices and Music Interaction Laboratory (IDMIL); Montreal, Canada
McGill University, Schulich School of Music, Music Technology Area, Input Devices and Music Interaction Laboratory (IDMIL); Montreal, Canada
McGill University, Schulich School of Music, Music Technology Area, Sound Processing and Control Laboratory (SPCL); Montreal, Canada
McGill University, Schulich School of Music, Music Technology Area; Montreal, Canada
McGill University; Montreal, Canada
McGill University; Montreal, Canada
Université de Montréal, CIRMMT; Montreal, Canada
Université de Montréal, Faculté de musique; Montreal, Canada
Université de Montréal, Faculté de musique; Montreal, Canada
Université de Montréal; Montreal, Canada

Authors from Montreal, Canada (affiliation)
Abtan, Freida
Bel, Sébastien
Bernays, Michel
Birnbaum, David
Brum Medeiros, Carolina
Burns, Anne-Marie
Chon, Song Hui
Cooperstock, Jeremy R.
de Francisco, Martha
Depalle, Philippe
Egloff, Deborah
El-Shimy, Dalia
Ferguson, Sean
Fernando, Nathalie
Foote, Gordon
Franco, Ivan
Giordano, Marcello
Hattwick, Ian
Kell, Thor
Kereliuk, Corey
Ko, Doyuen
Lamontagne, Valerie
Lembke, Sven-Amin
Leroux, Philippe
Levine, Scott
Malloch, Joseph
Marandola, Fabrice
McAdams, Stephen
Olmos, Adriana
Peters, Nils
Rushka, Paul
Salter, Christopher
Schumacher, Marlon M.
Schwartzbach, Kevin
Sha, Xin Wei
Smith, Bennett
Sullivan, John
Traube, Caroline
Van Nort, Doug
Visell, Yon
Wanderley, Marcelo M.
Wang, Johnty
Woszczyk, Wieslaw

Papers by authors from Montreal, Canada (affiliation)

SMC Conference 2004
Composing in the Flesh: Perceptually-informed Harmonic Syntax
Sean Ferguson, Richard Parncutt

SMC Conference 2006
Computer Vision Method for Guitarist Fingering Retrieval
Anne-Marie Burns, Marcelo M. Wanderley

SMC Conference 2006
Exploring the Effect of Mapping Trajectories on Musical Performance
Doug Van Nort, Marcelo M. Wanderley

SMC Conference 2007
An Innovative Method for the Study of African Musical Scales: Cognitive and Technical Aspects
Simha Arom, Nathalie Fernando, Fabrice Marandola

SMC Conference 2007
Mapping and Dimensionality of a Cloth-based Sound Instrument
David Birnbaum, Freida Abtan, Xin Wei Sha, Marcelo M. Wanderley

SMC Conference 2009
A Stratified Approach for Sound Spatialization
Nils Peters, Trond Lossius, Jan C. Schacher, Pascal Baltazar, Charles Bascou, Timothy Place

SMC Conference 2009
Instrument Augmentation Using Ancillary Gestures for Subtle Sonic Effects
Otso Lähdeoja, Marcelo M. Wanderley, Joseph Malloch

SMC Conference 2009
The Flops Glass: A Device to Study Emotional Reactions Arising From Sonic Interactions
Guillaume Lemaitre, Olivier Houix, Karmen Franinović, Yon Visell, Patrick Susini

SMC Conference 2009
The Hyper-kalimba: Developing an Augmented Instrument From a Performer's Perspective
Fernando Rocha, Joseph Malloch

SMC Conference 2011
A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation
Marcello Giordano, Marcelo M. Wanderley

SMC Conference 2011
Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument
Carolina Brum Medeiros, Marcelo M. Wanderley

SMC Conference 2011
Where do you want your ears? Comparing performance quality as a function of listening position in a virtual jazz band
Adriana Olmos, Paul Rushka, Doyuen Ko, Gordon Foote, Wieslaw Woszczyk, Jeremy R. Cooperstock

SMC Conference 2013
A Quantitative Review of Mappings in Musical iOS Applications
Thor Kell, Marcelo M. Wanderley

SMC Conference 2013
Audio Interpolation and Morphing via Structured-sparse Linear Regression
Corey Kereliuk, Philippe Depalle, Philippe Pasquier

SMC Conference 2013
Effect of Timbre on Melody Recognition in Three-voice Counterpoint Music
Song Hui Chon, Kevin Schwartzbach, Bennett Smith, Stephen McAdams

SMC Conference 2013
Expressive Production of Piano Timbre: Touch and Playing Techniques for Timbre Control in Piano Performance
Michel Bernays, Caroline Traube

SMC Conference 2013
Measuring the Interaction Between Bassoon and Horn Players in Achieving Timbre Blend
Sven-Amin Lembke, Scott Levine, Martha de Francisco, Stephen McAdams

SMC Conference 2013
Motion Recurrence Analysis in Music Performances
Euler Teixeira, Hani Yehia, Maurício Loureiro, Marcelo M. Wanderley

SMC Conference 2013
Network Music With Medusa: A Comparison of Tempo Alignment in Existing MIDI APIs
Flávio Luiz Schiavoni, Marcelo Queiroz, Marcelo M. Wanderley

SMC Conference 2014
A High-level Review of Mappings in Musical iOS Applications
Thor Kell, Marcelo M. Wanderley

SMC Conference 2014
EmbodiComp: Embodied Interaction for Mixing and Composition
Dalia El-Shimy, Steve Cowan, Jeremy R. Cooperstock

SMC Conference 2014
Physical and Perceptual Characterization of a Tactile Display for a Live-electronics Notification System
Emma Frid, Marcello Giordano, Marlon M. Schumacher, Marcelo M. Wanderley

SMC Conference 2014
pOM: Linking Pen Gestures to Computer-aided Composition Processes
Jérémie Garcia, Philippe Leroux, Jean Bresson

SMC Conference 2015
Design and Implementation of a Whole-body Haptic Suit for "Ilinx", a Multisensory Art Installation
Marcello Giordano, Ian Hattwick, Ivan Franco, Deborah Egloff, Emma Frid, Valerie Lamontagne, Maurizio (Tez) Martinucci, Christopher Salter, Marcelo M. Wanderley

SMC Conference 2015
Follow the Tactile Metronome: Vibrotactile Stimulation for Tempo Synchronization in Music Performance
Marcello Giordano, Marcelo M. Wanderley

SMC Conference 2016
Authoring Spatial Music with SpatDIF Version 0.4
Jan C. Schacher, Nils Peters, Trond Lossius, Chikashi Miyama

SMC Conference 2017
Explorations with Digital Control of MIDI-enabled Pipe Organs
Johnty Wang, Bob Pritchard, Bryn Nixon, Marcelo M. Wanderley

SMC Conference 2017
Learning to play the guitar at the age of interactive and collaborative Web technologies
Anne-Marie Burns, Sébastien Bel, Caroline Traube

SMC Conference 2017
Versioning and Annotation Support for Collaborative Mapping Design
Johnty Wang, Joseph Malloch, Stéphane Huot, Fanny Chevalier, Marcelo M. Wanderley

SMC Conference 2018
A comparative study on filtering and classification of bird songs
Nicolas Figueiredo, Felipe Felix, Carolina Brum Medeiros, Marcelo Queiroz

SMC Conference 2018
Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design
John Sullivan, Marcelo M. Wanderley