Sixteen Years of Sound & Music Computing
A Look Into the History and Trends of the Conference and Community

D.A. Mauro, F. Avanzini, A. Baratè, L.A. Ludovico, S. Ntalampiras, S. Dimitrov, S. Serafin
Card image

Linz (affiliation place)

Charts
Number of papers per year from Linz, Austria
Number of authors per year with (at least) an affiliation from Linz, Austria
Percentage of authors with (at least) an affiliation from Linz, Austria

Country
Austria

Affiliations
Johannes Kepler University Linz, Department of Computational Perception; Linz, Austria
Johannes Kepler University Linz, Department of Computational Perception; Linz, Austria
Johannes Kepler University Linz, Department of Computational Perception; Linz, Austria
Johannes Kepler University Linz, Department of Computational Perception; Linz, Austria
Johannes Kepler University Linz, Department of Computational Perception; Linz, Austria
Johannes Kepler University Linz; Linz, Austria
Johannes Kepler University Linz; Linz, Austria
Johannes Kepler University Linz; Linz, Austria
Johannes Kepler University Linz; Linz, Austria
Johannes Kepler University Linz; Linz, Austria
Kunstuniversität Linz (UFG), Graduate School of Interface Culture; Linz, Austria
Kunstuniversität Linz (UFG), Interface Culture Lab; Linz, Austria
Kunstuniversität Linz (UFG), Interface Cultures; Linz, Austria

Authors from Linz, Austria (affiliation)
Arzt, Andreas
Böck, Sebastian
Boem, Alberto
Flossmann, Sebastian
Frostel, Harald
Goebl, Werner
Grachten, Maarten
Gupfinger, Reinhard
Hörschläger, Florian
Knees, Peter
Korzeniowski, Filip
Krebs, Florian
Mignonneau, Laurent
Misawa, Daichi
Niedermayer, Bernhard
Ogawa, Hideaki
Peter, Silvan David
Schedl, Markus
Schnitzer, Dominik
Seyerlehner, Klaus
Sommerer, Christa
Vogl, Richard
Widmer, Gerhard

Papers by authors from Linz, Austria (affiliation)

SMC Conference 2009
Album and Artist Effects for Audio Similarity at the Scale of the Web
Arthur Flexer, Dominik Schnitzer

SMC Conference 2009
Computational Investigations Into Between-hand Synchronization in Piano Playing: Magaloff's Complete Chopin
Werner Goebl, Sebastian Flossmann, Gerhard Widmer

SMC Conference 2009
Expressive Performance Rendering: Introducing Performance Context
Sebastian Flossmann, Maarten Grachten, Gerhard Widmer

SMC Conference 2009
Interactive Infrasonic Environment: A New Type of Sound Installation for Controlling Infrasound
Reinhard Gupfinger, Hideaki Ogawa, Christa Sommerer, Laurent Mignonneau

SMC Conference 2009
The Kinematic Rubato Model as a Means of Studying Final Ritards Across Pieces and Pianists
Maarten Grachten, Gerhard Widmer

SMC Conference 2009
Towards Audio to Score Alignment in the Symbolic Domain
Bernhard Niedermayer

SMC Conference 2010
Automatic Music Tag Classification based on Block-Level Features
Klaus Seyerlehner, Gerhard Widmer, Markus Schedl, Peter Knees

SMC Conference 2010
Simple Tempo Models for Real-time Music Tracking
Andreas Arzt, Gerhard Widmer

SMC Conference 2010
Strategies towards the Automatic Annotation of Classical Piano Music
Bernhard Niedermayer, Gerhard Widmer

SMC Conference 2011
Explaining musical expression as a mixture of basis functions
Maarten Grachten, Gerhard Widmer

SMC Conference 2011
The Vowel Worm: Real-time Mapping and Visualisation of Sung Vowels in Music
Harald Frostel, Andreas Arzt, Gerhard Widmer

SMC Conference 2011
Version Detection for Historical Musical Automata
Bernhard Niedermayer, Gerhard Widmer, Christoph Reuter

SMC Conference 2012
COMBINING SCORE AND FILTER BASED MODELS TO PREDICT TEMPO FLUCTUATIONS IN EXPRESSIVE MUSIC PERFORMANCES
Florian Krebs, Maarten Grachten

SMC Conference 2013
PHENICX: Performances as Highly Enriched and Interactive Concert Experiences
Emilia Gómez, Maarten Grachten, Alan Hanjalic, Jordi Janer, Sergi Jordà, Carles F. Julià, Cynthia Liem, Agustin Martorell, Markus Schedl, Gerhard Widmer

SMC Conference 2013
Refined Spectral Template Models for Score Following
Filip Korzeniowski, Gerhard Widmer

SMC Conference 2014
Data Auditorio: Towards Intense Interaction, an Interactive Hyper-Directional Sound for Play and Ubiquity
Daichi Misawa, Kiyomitsu Odai

SMC Conference 2014
SculpTon: A Malleable Tangible Interface for Sound Sculpting
Alberto Boem

SMC Conference 2015
Addressing Tempo Estimation Octave Errors in Electronic Music by Incorporating Style Information Extracted from Wikipedia
Florian Hörschläger, Richard Vogl, Sebastian Böck, Peter Knees

SMC Conference 2019
A SEQUENCER WITH DECOUPLED TRACK TIMING
Silvan David Peter, Gerhard Widmer

Search