Charts
Number of papers per year from Austria
Number of authors per year with (at least) an affiliation from Austria
Percentage of authors with (at least) an affiliation from Austria

Places
Graz
Innsbruck
Linz
Salzburg
Sankt Pölten
Vienna

Affiliations
Graz University of Technology (TU Graz); Graz, Austria
Centre for Systematic Musicology, University of Graz; Graz, Austria
Department of Musicology, University of Graz; Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts (KUG); Graz, Austria
University of Music and Performing Arts (KUG); Graz, Austria
University of Music and Performing Arts (KUG); Graz, Austria
University of Music and Performing Arts (KUG); Graz, Austria
University of Music and Performing Arts (KUG); Graz, Austria
University of Music and Performing Arts (KUG); Graz, Austria
University of Music and Performing Arts (KUG); Graz, Austria
University of Innsbruck; Innsbruck, Austria
Department of Computational Perception, Johannes Kepler University Linz; Linz, Austria
Department of Computational Perception, Johannes Kepler University Linz; Linz, Austria
Department of Computational Perception, Johannes Kepler University Linz; Linz, Austria
Department of Computational Perception, Johannes Kepler University Linz; Linz, Austria
Department of Computational Perception, Johannes Kepler University Linz; Linz, Austria
Johannes Kepler University Linz; Linz, Austria
Johannes Kepler University Linz; Linz, Austria
Johannes Kepler University Linz; Linz, Austria
Johannes Kepler University Linz; Linz, Austria
Johannes Kepler University Linz; Linz, Austria
Graduate School of Interface Culture, Kunstuniversität Linz (UFG); Linz, Austria
Interface Culture Lab, Kunstuniversität Linz (UFG); Linz, Austria
Interface Cultures, Kunstuniversität Linz (UFG); Linz, Austria
Composer, Independent; Salzburg, Austria
FH St. Pölten ForschungsGmbH, St. Pölten University of Applied Sciences; Sankt Pölten, Austria
Austrian Research Institute for Artificial Intelligence (OFAI); Vienna, Austria
Austrian Research Institute for Artificial Intelligence (OFAI); Vienna, Austria
Austrian Research Institute for Artificial Intelligence (OFAI); Vienna, Austria
Austrian Research Institute for Artificial Intelligence (OFAI); Vienna, Austria
Austrian Research Institute for Artificial Intelligence (OFAI); Vienna, Austria
Austrian Research Institute for Artificial Intelligence (OFAI); Vienna, Austria
Telecommunications Research Center Vienna (FTW); Vienna, Austria
Department of Music Acoustics, University of Music and Performing Arts (MDW); Vienna, Austria
Institute for Electroacoustics and Music Composition, University of Music and Performing Arts (MDW); Vienna, Austria
Department of Musicology, University of Vienna; Vienna, Austria
Numerical Harmonic Analysis Group (NuHAG), University of Vienna; Vienna, Austria
Numerical Harmonic Analysis Group (NuHAG), University of Vienna; Vienna, Austria
Human-Computer Interaction Group, Vienna University of Technology (TU Wien); Vienna, Austria
Vienna University of Technology (TU Wien); Vienna, Austria

Authors from Austria (affiliation)
Arzt, Andreas
Bisesi, Erica
Böck, Sebastian
Boem, Alberto
Chatziioannou, Vasileios
Ciciliani, Marko
Doppler, Jakob
Dörfler, Monika
Eckel, Gerhard
Evangelista, Gianpaolo
Fickert, Lothar
Fitzpatrick, Geraldine
Flexer, Arthur
Flossmann, Sebastian
Frank, Matthias
Frostel, Harald
Gasser, Martin
Geyer, Clemens Bernhard
Gioti, Artemi-Maria
Goebl, Werner
Goudarzi, Visda
Grachten, Maarten
Grill, Thomas
Gupfinger, Reinhard
Hammer, Florian
Hödl, Oliver
Höldrich, Robert
Holzapfel, André
Hörschläger, Florian
Kaiser, Fabio
Kapeller, Raphael
Kausel, Wilfried
Kayali, Fares
Klien, Volkmar
Knees, Peter
Korzeniowski, Filip
Krebs, Florian
Marentakis, Georgios
Matusiak, Ewa
Mignonneau, Laurent
Misawa, Daichi
Niedermayer, Bernhard
Ogawa, Hideaki
Parncutt, Richard
Peter, Silvan David
Pirrò, David
Raffaseder, Hannes
Reichl, Peter
Reuter, Christoph
Ritsch, Winfried
Rubisch, Julian
Rumori, Martin
Rutz, Hanns Holger
Schauer, Josef
Schedl, Markus
Schnitzer, Dominik
Schörkhuber, Christian
Seyerlehner, Klaus
Sharma, Gerriet Krishna
Siedenburg, Kai
Sofer, Danielle
Sommerer, Christa
Stahl, Benjamin
Strobl, Gerda
Velasco, Gino
Vogl, Richard
Vogt, Katharina
Weger, Marian
Widmer, Gerhard
Winkler, Gerhard E.
Zangerle, Eva
Zmölnig, Iohannes
Zotter, Franz

Papers by authors from Austria (affiliation)

SMC Conference 2004
Composing in the Flesh: Perceptually-informed Harmonic Syntax
Sean Ferguson, Richard Parncutt

SMC Conference 2004
The Realtime-score. A Missing-link in Computer-music Performance
Gerhard E. Winkler

SMC Conference 2005
Conversational Interactivity in Slow-motion: A Comparison of Phone Dialogues and Opera Scenes
Peter Reichl, Florian Hammer, Marena Balinova

SMC Conference 2006
Sound Texture Modeling: A Survey
Gerda Strobl, Gerhard Eckel, Davide Rocchesso

SMC Conference 2009
Album and Artist Effects for Audio Similarity at the Scale of the Web
Arthur Flexer, Dominik Schnitzer

SMC Conference 2009
Computational Investigations Into Between-hand Synchronization in Piano Playing: Magaloff's Complete Chopin
Werner Goebl, Sebastian Flossmann, Gerhard Widmer

SMC Conference 2009
Expressive Performance Rendering: Introducing Performance Context
Sebastian Flossmann, Maarten Grachten, Gerhard Widmer

SMC Conference 2009
FM4 Soundpark Audio-based Music Recommendation in Everyday Use
Martin Gasser, Arthur Flexer

SMC Conference 2009
Interactive Infrasonic Environment: A New Type of Sound Installation for Controlling Infrasound
Reinhard Gupfinger, Hideaki Ogawa, Christa Sommerer, Laurent Mignonneau

SMC Conference 2009
Motion-enabled Live Electronics
Gerhard Eckel, David Pirrò, Gerriet Krishna Sharma

SMC Conference 2009
The Kinematic Rubato Model as a Means of Studying Final Ritards Across Pieces and Pianists
Maarten Grachten, Gerhard Widmer

SMC Conference 2009
Towards Audio to Score Alignment in the Symbolic Domain
Bernhard Niedermayer

SMC Conference 2010
Simple Tempo Models for Real-time Music Tracking
Andreas Arzt, Gerhard Widmer

SMC Conference 2010
Strategies towards the Automatic Annotation of Classical Piano Music
Bernhard Niedermayer, Gerhard Widmer

SMC Conference 2010
On the Traceability of the Compositional Process
Hanns Holger Rutz, Eduardo Reck Miranda, Gerhard Eckel

SMC Conference 2010
Sparse Regression in Time-Frequency Representations of Complex Audio
Monika Dörfler, Arthur Flexer, Gino Velasco, Volkmar Klien

SMC Conference 2010
Automatic Music Tag Classification based on Block-Level Features
Klaus Seyerlehner, Gerhard Widmer, Markus Schedl, Peter Knees

SMC Conference 2010
HUBS AND ORPHANS - AN EXPLORATIVE APPROACH
Martin Gasser, Arthur Flexer, Dominik Schnitzer

SMC Conference 2010
CONSTANT-Q TRANSFORM TOOLBOX FOR MUSIC PROCESSING
Christian Schörkhuber, Anssi Klapuri

SMC Conference 2011
Improving tempo-sensitive and tempo-robust descriptors for rhythmic similarity
André Holzapfel, Arthur Flexer, Gerhard Widmer

SMC Conference 2011
Explaining musical expression as a mixture of basis functions
Maarten Grachten, Gerhard Widmer

SMC Conference 2011
On Computing Morphological Similarity of Audio Signals
Martin Gasser, Arthur Flexer, Thomas Grill

SMC Conference 2011
Version Detection for Historical Musical Automata
Bernhard Niedermayer, Gerhard Widmer, Christoph Reuter

SMC Conference 2011
RaPScoM - A Framework for Rapid Prototyping of Semantically Enhanced Score Music
Julian Rubisch, Jakob Doppler, Hannes Raffaseder

SMC Conference 2011
Robotic piano player making pianos talk
Winfried Ritsch

SMC Conference 2011
The Vowel Worm: Real-time Mapping and Visualisation of Sung Vowels in Music
Harald Frostel, Andreas Arzt, Gerhard Widmer

SMC Conference 2012
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling
Georgios Marentakis, David Pirrò

SMC Conference 2012
Waveguides for Model-based Sonification
Katharina Vogt, Robert Höldrich, David Pirrò

SMC Conference 2012
Constructing high-level perceptual audio descriptors for textural sounds
Thomas Grill

SMC Conference 2012
COMBINING SCORE AND FILTER BASED MODELS TO PREDICT TEMPO FLUCTUATIONS IN EXPRESSIVE MUSIC PERFORMANCES
Florian Krebs, Maarten Grachten

SMC Conference 2012
PERSISTENT EMPIRICAL WIENER ESTIMATION WITH ADAPTIVE THRESHOLD SELECTION FOR AUDIO DENOISING
Kai Siedenburg

SMC Conference 2012
Designing simulacra or the electronic replication of a mechanical instrument
Fabio Kaiser, Marian Weger, Winfried Ritsch

SMC Conference 2012
PHASE VOCODERS WITH ARBITRARY FREQUENCY BAND SELECTION
Gianpaolo Evangelista, Monika Dörfler, Ewa Matusiak

SMC Conference 2013
A Preliminary Computational Model of Immanent Accent Salience in Tonal Music
Richard Parncutt, Erica Bisesi, Anders Friberg

SMC Conference 2013
An Energy Conserving Finite Difference Scheme for Simulation of Collisions
Vasileios Chatziioannou, Maarten van Walstijn

SMC Conference 2013
An Open-source Framework for Time-domain Simulations
Clemens Bernhard Geyer, Wilfried Kausel

SMC Conference 2013
Energy Harvesting Power Flower Bell - a Cybernetic Sound Installation Driven by a Dirt-battery
Josef Schauer, Winfried Ritsch, Lothar Fickert

SMC Conference 2013
PHENICX: Performances as Highly Enriched and Interactive Concert Experiences
Emilia Gómez, Maarten Grachten, Alan Hanjalic, Jordi Janer, Sergi Jordà, Carles F. Julià, Cynthia Liem, Agustin Martorell, Markus Schedl, Gerhard Widmer

SMC Conference 2013
Refined Spectral Template Models for Score Following
Filip Korzeniowski, Gerhard Widmer

SMC Conference 2014
Eroticism and Time in Computer Music: Juliana Hodkinson and Niels Rønsholdt's Fish & Fowl
Danielle Sofer

SMC Conference 2014
Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation
Oliver Hödl, Geraldine Fitzpatrick, Simon Holland

SMC Conference 2014
Towards an Aesthetic of Electronic-music Performance Practice
Marko Ciciliani

SMC Conference 2014
Zwischenräume - A Case Study in the Evaluation of Interactive Sound Installations
Georgios Marentakis, David Pirrò, Raphael Kapeller

SMC Conference 2014
ICE - Towards Distributed Networked Computer Music Ensemble
Winfried Ritsch

SMC Conference 2014
StiffNeck: The Electroacoustic Music Performance Venue in a Box
Gerhard Eckel, Martin Rumori

SMC Conference 2014
SculpTon: A Malleable Tangible Interface for Sound Sculpting
Alberto Boem

SMC Conference 2014
Orchestrating Wall Reflections in Space by Icosahedral Loudspeaker: Findings From First Artistic Research Exploration
Gerriet Krishna Sharma, Franz Zotter, Matthias Frank

SMC Conference 2014
Some Perspectives in the Artistic Rendering of Music Scores
Gianpaolo Evangelista

SMC Conference 2014
Sound Processes: A New Computer Music Framework
Hanns Holger Rutz

SMC Conference 2014
Data Auditorio: Towards Intense Interaction, an Interactive Hyper-Directional Sound for Play and Ubiquity
Daichi Misawa, Kiyomitsu Odai

SMC Conference 2015
Addressing Tempo Estimation Octave Errors in Electronic Music by Incorporating Style Information Extracted from Wikipedia
Florian Hörschläger, Richard Vogl, Sebastian Böck, Peter Knees

SMC Conference 2016
Engagement and Interaction in Participatory Sound Art
Visda Goudarzi, Artemi-Maria Gioti

SMC Conference 2016
Musical sonification in electronic therapy aids for motor-functional treatment - a smartphone approach
Benjamin Stahl, Iohannes Zmölnig

SMC Conference 2017
Evaluation of an Acoustic Interface for Tremor Analysis
Marian Weger, David Pirrò, Robert Höldrich

SMC Conference 2017
Design Implications for Technology-Mediated Audience Participation in Live Music
Oliver Hödl, Fares Kayali, Geraldine Fitzpatrick, Simon Holland

SMC Conference 2017
A Sonification Interface Unifying Real-Time and Offline Processing
Hanns Holger Rutz, Robert Höldrich

SMC Conference 2018
#nowplaying-RS: A New Benchmark Dataset for Building Context-Aware Music Recommender Systems
Asmita Poddar, Eva Zangerle, Yi-Hsuan Yang

SMC Conference 2019
A SEQUENCER WITH DECOUPLED TRACK TIMING
Silvan David Peter, Gerhard Widmer