Charts
Number of papers per year from United States
Number of authors per year with (at least) an affiliation from United States
Percentage of authors with (at least) an affiliation from United States

Places
Amherst
Ann Arbor
Atlanta
Austin
Baton Rouge
Berkeley
Bethlehem
Blacksburg
Bloomington
Boston
Buffalo
Cambridge
Champaign County
Charleston
Charlottesville
Cheney
Chicago
Claremont
College Station
Columbus
DeLand
Denton
East Lansing
Ewing
Hanover
Harrisonburg
Huntington
Indianapolis
Iowa City
Irvine
Ithaca
Kansas City
Lewisburg
Los Angeles
Manhattan
Middletown
Milwaukee
Minneapolis
Missoula
Moorpark
Moscow
Mount Pleasant
New Brunswick
New Haven
New London
New York
Northfield
Omaha
Orlando
Philadelphia
Pittsburgh
Polson
Portland
Princeton
Providence
Raleigh
Rochester
San Diego
San Francisco
Santa Barbara
Santa Clarita
Seattle
Stanford
Swarthmore
Tempe
Troy
Tucson
Winona

Affiliations
SageFox Consulting; Amherst, United States
School of Music, Theater, and Dance, University of Michigan; Ann Arbor, United States
University of Michigan; Ann Arbor, United States
University of Michigan; Ann Arbor, United States
Center for Music Technology, Georgia Institute of Technology; Atlanta, United States
Sonification Lab, Georgia Institute of Technology; Atlanta, United States
Georgia Institute of Technology; Atlanta, United States
The University of Texas at Austin; Austin, United States
UT Austin; Austin, United States
226 School of Music, Louisiana State University (LSU); Baton Rouge, United States
Center for Computation and Technology, Louisiana State University (LSU); Baton Rouge, United States
Center for New Music and Audio Technologies (CNMAT), University of California, Berkeley; Berkeley, United States
Center for New Music and Audio Technologies (CNMAT), University of California, Berkeley; Berkeley, United States
Center for New Music and Audio Technologies (CNMAT), University of California, Berkeley; Berkeley, United States
CNMAT, University of California, Berkeley; Berkeley, United States
CNMAT, University of California, Berkeley; Berkeley, United States
Center for New Music and Audio Technologies, Department of Music, University of California, Berkeley; Berkeley, United States
EECS Department, University of California, Berkeley; Berkeley, United States
International Computer Science Institute (ICSI) / Center for New Music and Audio Technologies (CNMAT), University of California, Berkeley; Berkeley, United States
Music Department and CNMAT, University of California, Berkeley; Berkeley, United States
Department of Psychology, Lehigh University; Bethlehem, United States
Computer Science, Virginia Tech; Blacksburg, United States
ICAT, School of Performing Arts, Virginia Tech; Blacksburg, United States
Institute for Creativity, Arts, and Technology, School of Performing Arts, Virginia Tech; Blacksburg, United States
School of Performing Arts, Virginia Tech; Blacksburg, United States
School of Informatics, Indiana University Bloomington; Bloomington, United States
School of Music, Indiana University Bloomington; Bloomington, United States
Indiana University Bloomington; Bloomington, United States
Indiana University Bloomington; Bloomington, United States
Indiana University Bloomington; Bloomington, United States
Massachusetts Institute of Technology (MIT); Boston, United States
State University of New York (SUNY), Buffalo State College; Buffalo, United States
Kitefish Labs; Buffalo, United States
Hiller Computer Music Studios, University of Buffalo; Buffalo, United States
HUSEAC, Harvard University; Cambridge, United States
University of Illinois at Urbana-Champaign; Champaign County, United States
Departments of Computer Science and Music, College of Charleston; Charleston, United States
Department of Music, University of Virginia; Charlottesville, United States
Virginia Center for Computer Music, McIntire Department of Music, University of Virginia; Charlottesville, United States
Eastern Washington University; Cheney, United States
School of Music, DePaul University; Chicago, United States
Harvey Mudd College; Claremont, United States
Texas A&M University; College Station, United States
The Ohio State University; Columbus, United States
Stetson University; DeLand, United States
University of North Texas; Denton, United States
School of Music, Michigan State University; East Lansing, United States
The College of New Jersey; Ewing, United States
Computer Science, Dartmouth College; Hanover, United States
Dartmouth College; Hanover, United States
Dartmouth College; Hanover, United States
College of Education, James Madison University; Harrisonburg, United States
Department of Computer and Information Technology, Marshall University; Huntington, United States
Department of Music and Arts Technology, Purdue University Indianapolis; Indianapolis, United States
Department of Computer Science, The University of Iowa; Iowa City, United States
Department of Music, University of California, Irvine; Irvine, United States
Cornell University; Ithaca, United States
74objects LLC; Kansas City, United States
Bucknell University; Lewisburg, United States
City of Los Angeles Department of Cultural Affairs, ACLS Public Fellow; Los Angeles, United States
Scholarship Technology, Occidental College; Los Angeles, United States
Spectrum Press; Los Angeles, United States
Integrated Media Systems Center, Viterbi School of Engineering, University of Southern California; Los Angeles, United States
Integrated Media Systems Center, Viterbi School of Engineering, University of Southern California; Los Angeles, United States
CMC, Columbia University; Manhattan, United States
Columbia University; Manhattan, United States
Columbia University; Manhattan, United States
Wesleyan University; Middletown, United States
Department of Music, Peck School of the Arts, University of Wisconsin-Milwaukee; Milwaukee, United States
School of Music, University of Minnesota; Minneapolis, United States
College of Visual and Performing Arts, University of Montana; Missoula, United States
School of Dance, University of Montana; Missoula, United States
Moorpark College; Moorpark, United States
University of Idaho; Moscow, United States
Iowa Wesleyan University; Mount Pleasant, United States
Mason Gross School of the Arts, Department of Music, Rutgers, The State University of New Jersey; New Brunswick, United States
Department of Music, Yale University; New Haven, United States
Ammerman Center for Arts and Technology, Connecticut College; New London, United States
Thomas J. Watson Research Center, IBM; New York, United States
Independent Artist, Independent; New York, United States
Mobile Sound; New York, United States
Center for Urban Science and Progress (CUSP), New York University (NYU); New York, United States
Music and Audio Research Lab (MARL), Department of Music and Performing Arts Professions, New York University (NYU); New York, United States
Music and Audio Research Lab, New York University (NYU); New York, United States
Music and Audio Research Lab (MARL), The Steinhardt School, New York University (NYU); New York, United States
MARL (Music and Audio Research Lab), New York University (NYU); New York, United States
Music and Audio Research Lab (MARL), New York University (NYU); New York, United States
New York University (NYU); New York, United States
New York University (NYU); New York, United States
Northwestern University; New York, United States
The City University of New York (CUNY); New York, United States
Carleton College; Northfield, United States
University of Nebraska Omaha; Omaha, United States
University of Central Florida; Orlando, United States
Drexel University; Philadelphia, United States
Carnegie Mellon University; Pittsburgh, United States
Carnegie Mellon University; Pittsburgh, United States
Carnegie Mellon University; Pittsburgh, United States
Carnegie Speech Corp.; Pittsburgh, United States
Flathead Lake Biological Station, University of Montana; Polson, United States
Catlin Gabel School; Portland, United States
Department of Computer Science, Princeton University; Princeton, United States
Department of Music, Princeton University; Princeton, United States
Department of Music Composition, Princeton University; Princeton, United States
Princeton University; Princeton, United States
Brown University; Providence, United States
tagtraum industries incorporated; Raleigh, United States
University of Rochester; Rochester, United States
Center for Research in Computing and the Arts (CRCA), University California, San Diego (UCSD); San Diego, United States
Department of Music, University California, San Diego (UCSD); San Diego, United States
Department of Music, University California, San Diego (UCSD); San Diego, United States
Department of Music, University California, San Diego (UCSD); San Diego, United States
University California, San Diego (UCSD); San Diego, United States
University California, San Diego (UCSD); San Diego, United States
University California, San Diego (UCSD); San Diego, United States
San Francisco State University; San Francisco, United States
Media Arts and Technology, Music University of California; Santa Barbara, United States
Department of Electrical and Computer Engineering, University of California, Santa Barbara (UCSB); Santa Barbara, United States
Media Arts and Technology, University of California, Santa Barbara (UCSB); Santa Barbara, United States
Media Arts and Technology, University of California, Santa Barbara (UCSB); Santa Barbara, United States
Media Arts and Technology Program, University of California, Santa Barbara (UCSB); Santa Barbara, United States
Media Arts and Technology Program, University of California, Santa Barbara (UCSB); Santa Barbara, United States
Media Arts and Technology Program, University of California, Santa Barbara (UCSB); Santa Barbara, United States
Media Arts and Technology Program, University of California, Santa Barbara (UCSB); Santa Barbara, United States
Media Arts & Technology Program, University of California, Santa Barbara (UCSB); Santa Barbara, United States
University of California, Santa Barbara (UCSB); Santa Barbara, United States
California Institute of the Arts (CalArts); Santa Clarita, United States
California Institute of the Arts (CalArts); Santa Clarita, United States
DXARTS, University of Washington; Seattle, United States
ACROE, INPG and CCRMA, Stanford University ACROE, National Polytechnic Institute of Grenoble (INPG) Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Stanford, United States
GRAME-CNCM, Lyon // CCRMA, Stanford University GRAME (Générateur de Ressources et d’Activités Musicales Exploratoires), CNCM (Centre national de création musicale), in Lyon Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Stanford, United States
CCRMA, Stanford University; Stanford, United States
Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Stanford, United States
Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Stanford, United States
Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Stanford, United States
Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Stanford, United States
Center for Design Research, Stanford University; Stanford, United States
Stanford University; Stanford, United States
Swarthmore College; Swarthmore, United States
Arizona State University; Tempe, United States
Arizona State University; Tempe, United States
Arizona State University; Tempe, United States
Rensselaer Polytechnic Institute (RPI); Troy, United States
School of Information, Science, Technology & Arts, University of Arizona; Tucson, United States
Winona State University; Winona, United States
Electrotap; United States
Independent research, Independent; United States
spinphony.com, Independent; United States
Linux Audio Systems; United States

Authors from United States (affiliation)
Abel, Jonathan S.
Agina, Laurence
Ainger, Marc
Akkaya, Ilge
Alessandrini, Patricia
Anderson, Joseph
Andreopoulou, Areti
Arar, Raphael
Arthur, Claire
Baguyos, Jeremy C.
Barlow, Clarence
Bello, Juan Pablo
Berdahl, Edgar
Bonezzi, Cesar
Bowen, Nathan
Braasch, Jonas
Bradley Browning, Nicole
Brown, Jonathan
Bukvic, Ivica Ico
Burleson, Winslow
Bushnell, Amber
Byrd, Donald
Cabrera, Andrés
Cáceres, Juan-Pablo
Cahoon, Cody
Callery, Eoin
Çamcı, Anıl
Campana, Ellen
Camponogara, Ivan
Canfield-Dafilou, Elliot Kermit
Cantrell, Joe
Capasso, Ariadna
Cartledge, David
Cartwright, Mark
Casey, Michael
Cavdir, Doga Buse
Ceccato, Drew
Chafe, Chris
Chen, Liang
Chew, Elaine
Cho, Taemin
Chowning, John
Clark, Beach
Collins, Tom
Cowden, Tracy
Crawshaw, Alexis Story
Dannenberg, Roger B.
Das, Orchisama
da Silva, Patricio
Davis, Paul
Deal, W. Scott
DeFilippo, David
Dobrian, Christopher
Dolhansky, Brian
Dominguez, Carlos
Donzé, Alexandre
Dredger, Katie
Duan, Zhiyao
Dubnov, Shlomo
DuBois, Luke
Dupuis, Alexander
Edwards, Doug
Einbond, Aaron
Essl, Georg
Fan, Yuan-Yi
Farbood, Morwaread
Forbes, Angus Graeme
Freed, Adrian
Freeman, Jason
Gaffney, Brendan Bernhardt
Gang, Nick
Gibbons, Mark
Gillick, Jon
Goodman, Janel
Gottfried, Rama
Gowda, Nikhil
Granzow, John
Greene, John
Gu, Yupeng
Guedes, Carlos
Halpern, Andrea
Hamilton, Robert
Hansen, Brian
Hantrakul, Lamtharn
Haron, Anis
Hegg, Jens
Henriques, Tomas
Henson, Jared
Holmes, Danny
Hoover, Amy K.
Hsu, Jennifer
Hsu, Timothy
Hsu, Wendy F. Umi
Hsu, William
Huq, Arefin
Ingalls, Todd
Iyengar, Sudharsan
İzmirli, Özgür
Jette, Christopher
Jiang, Yucong
Jiang, Zheng
Jin, Zeyu
Johns, Mishel
Johnson, David
Ju, Wendy
Kaczmarek, Konrad
Kaneshiro, Blair
Kapur, Ajay
Keller, Robert M.
Kemper, Steven
Kim, Youngmoo
Klaric, Andrija
Kleinberger, Rebecca
Kojš, Juraj
Kokoras, Panayiotis
Lee, Jun Hee
Lem, Nolan
Li, Bochen
Libkind, Sophie
Lim, Kyung Ae
Lippe, Cort
London, Justin
Lopez-lezcano, Fernando
Lorang, Mark
Lubow, Jeff
Lyon, Eric
MacCallum, John
Maestre, Esteban
Magerko, Brian
Maguire, Ryan
Mailman, Joshua
Manaris, Bill
Marinescu, Maria Cristina
Mauro, Davide Andrea
McCoy, Eamon
McCutchen, Devin
McLeran, Aaron
McPherson, Andrew P.
Michon, Romain
Middleton, Jonathan
Migicovsky, Alex
Miller, Morgan
Moore, Roxanne
Morris, Jeffrey
Morrison, David R.
Musick, Michael
Mydlarz, Charlie
Nakra, Teresa Marrin
Narveson, Jascha
Neuendorffer, Tom
Neuman, Israel
Nichols, Charles
Nilsen, Mark Robert
Nørgaard Jensen, Camilla
Okpala, Charles
Oliveros, Pauline
Olsen, Michael
O'Modhrain, Sile
Pardo, Bryan
Parent, Richard
Park, Tae Hong
Pennycook, Bruce
Peters, Nils
Pinder, James
Place, Timothy
Prockup, Matthew
Raphael, Christopher
Razo, Derek
Reeder, David
Roads, Curtis
Robertson, Ben
Roginska, Agnieszka
Ryan, Fiona
Salamon, Justin
Salazar, Spencer
Salgian, Andrea
Sargent, Carey
Sarroff, Andy M.
Sarwate, Avneesh
Sawchuk, Alexander
Scheinerman, Jonah
Schlei, Kevin
Schmeder, Andy
Schmidt, Erik
Schreiber, Hendrik
Schroeder, Benjamin
Scott, Jeffrey
Seshia, Sanjit A.
Shafiei, Sepideh
Shiv, Vighnesh Leonardo
Shynk, John J.
Sirkin, David
Smith, Benjamin Day
Smith, Julius Orion III
Smyth, Tamara
Snyder, Jeff
Sosnick, Marc
Stanley, Kenneth O.
Stoll, Thomas
Stoudenmier, Seth
Sturm, Bob Luis
Suda, Nicholas K.
Surges, Greg
Szerlip, Paul A.
Tang, Kevin
Tanoue, Carley
Taylor, Josef
Teeter, Matthew
Thomas, Kelland
Tipei, Sever
Trapani, Christopher
Trochidis, Konstantinos
Trueman, Dan
Turner, John
Valle, Rafael
Vallis, Owen S.
VanHandel, Leigh
Van Nort, Doug
Vasquez Hadjilyra, Oswaldo Emiddio
Vassilakis, Pantelis N.
Vassilandonakis, Yiorgos
Villegas, Javier
Walker, Bruce N.
Wallis, Isaac
Wang, Ge
Wan Rosli, Muhammad Hafiz
Wei, Linda
Weiss, Ron
Werner, Kurt James
Wessel, David
Westergaard, Brandon
Wolek, Nathan
Wright, Matthew James
Wu, Ho-Hsiang
Wyatt, Ariana
Xambó, Anna
Xia, Guangyu
Xu, Chenliang
You, Jaeseong
Zahler, Noel
Zimmermann, Roger
Zyskowski, Colin

Papers by authors from United States (affiliation)

SMC Conference 2004
Jack Audio Server: MacOSX Port and Multi-processor Version
Stéphane Letz, Dominique Fober, Yann Orlarey, Paul Davis

SMC Conference 2004
Music Retrieval Algorithms for the Lead Sheet Problem
Raphaël Clifford, Richard Groult, Costas S. Iliopoulos, Donald Byrd

SMC Conference 2004
Pattern Anchoring, Identity and Signatures in Sound, Time and Space
Özgür İzmirli, Noel Zahler

SMC Conference 2004
Regards on Two Regards by Messiaen: Automatic Segmentation Using the Spiral Array
Elaine Chew

SMC Conference 2004
Strategies for Continuous Pitch and Amplitude Tracking in Realtime Interactive Improvisation Software
Christopher Dobrian

SMC Conference 2005
Improvisation Planning and Jam Session Design Using Concepts of Sequence Variation and Flow Experience
Shlomo Dubnov, Gérard Assayag

SMC Conference 2005
Music Transformation in Cellular Spaces Triggered by Walsh Functions
Patricio da Silva, Adolfo Maia Jr.

SMC Conference 2005
Segmental Tempo Analysis of Performances in User-centered Experiments in the Distributed Immersive Performance Project
Elaine Chew, Alexander Sawchuk, Carley Tanoue, Roger Zimmermann

SMC Conference 2006
A Computer-assisted Analysis of Rhythmic Periodicity Applied to Two Metric Versions of Luciano Berio's Sequenza VII
Patricia Alessandrini

SMC Conference 2006
Generating Chants Using Mnemonic Capabilities
Sudharsan Iyengar

SMC Conference 2006
Trends In/Over Time: Rhythm in Speech and Musical Melody in 19th-century Art Song
Leigh VanHandel

SMC Conference 2007
Wirelessly Interfacing With the Yamaha Disklavier Mark IV
Matthew Teeter, Christopher Dobrian

SMC Conference 2007
SRA: A Web-based Research Tool for Spectral and Roughness Analysis of Sound Signals
Pantelis N. Vassilakis

SMC Conference 2007
A Grammatical Approach to Automatic Improvisation
Robert M. Keller, David R. Morrison

SMC Conference 2007
Digitally Augmented Everyday Objects in Music Composition
Juraj Kojš, Stefania Serafin

SMC Conference 2008
A Dynamic Spatial Locator Ugen for Clm
Fernando Lopez-lezcano

SMC Conference 2008
Expressive Performance in the Human Tenor Voice
Maria Cristina Marinescu, Rafael Ramirez

SMC Conference 2008
Granular Sound Spatialization Using Dictionary-based Methods
Aaron McLeran, Curtis Roads, Bob Luis Sturm, John J. Shynk

SMC Conference 2009
A System for Musical Improvisation Combining Sonic Gesture Recognition and Genetic Algorithms
Doug Van Nort, Jonas Braasch, Pauline Oliveros

SMC Conference 2009
Current Directions With Musical Plus One
Christopher Raphael

SMC Conference 2009
InTune: A Musician's Intonation Visualization System
Kyung Ae Lim, Christopher Raphael

SMC Conference 2009
JackТrip/SoundWIRE Meets Server Farm
Juan-Pablo Cáceres, Chris Chafe

SMC Conference 2009
Learning Jazz Grammars
Jon Gillick, Kevin Tang, Robert M. Keller

SMC Conference 2009
Musical Applications and Design Techniques for the Gametrak Tethered Spatial Position Controller
Adrian Freed, Devin McCutchen, Andy Schmeder, Anne-Marie Skriver Hansen, Daniel Overholt, Winslow Burleson, Camilla Nørgaard Jensen, Alex Mesker

SMC Conference 2009
Predicting the Perceived Spaciousness of Stereophonic Music Recordings
Andy M. Sarroff, Juan Pablo Bello

SMC Conference 2010
CROWDSOURCING A REAL-WORLD ON-LINE QUERY BY HUMMING SYSTEM
Arefin Huq, Mark Cartwright, Bryan Pardo

SMC Conference 2010
EFFICIENT FINITE DIFFERENCE-BASED SOUND SYNTHESIS USING GPUS
Marc Sosnick, William Hsu

SMC Conference 2010
AUDIO-BASED MUSIC VISUALIZATION FOR MUSIC STRUCTURE ANALYSIS
Ho-Hsiang Wu, Juan Pablo Bello

SMC Conference 2010
An Audiovisual Workspace for Physical Models
Benjamin Schroeder, Marc Ainger, Richard Parent

SMC Conference 2010
STYLE EMULATION OF DRUM PATTERNS BY MEANS OF EVOLUTIONARY METHODS AND STATISTICAL ANALYSIS
Gilberto Bernardes, Carlos Guedes, Bruce Pennycook

SMC Conference 2010
Short Term Pitch Memory in Western vs. Other Equal Temperament Tuning Systems
Areti Andreopoulou, Morwaread Farbood

SMC Conference 2010
EXPLORING COMMON VARIATIONS IN STATE OF THE ART CHORD RECOGNITION SYSTEMS
Taemin Cho, Ron Weiss, Juan Pablo Bello

SMC Conference 2011
Designing an Expressive Virtual Percussive Instrument
Brian Dolhansky, Andrew P. McPherson, Youngmoo Kim

SMC Conference 2011
Design and Applications of a Multi-Touch Musical Keyboard
Andrew P. McPherson, Youngmoo Kim

SMC Conference 2011
Improved Frequency Estimation in Sinusoidal Models through Iterative Linear Programming Schemes
Vighnesh Leonardo Shiv

SMC Conference 2011
Automatic Multi-track Mixing Using Linear Dynamical Systems
Jeffrey Scott, Matthew Prockup, Erik Schmidt, Youngmoo Kim

SMC Conference 2011
PERSONALITY AND COMPUTER MUSIC
Sandra Garrido, Emery Schubert, Gunter Kreutz, Andrea Halpern

SMC Conference 2011
A Rule-Based Generative Music System Controlled by Desired Valence and Arousal
Isaac Wallis, Todd Ingalls, Ellen Campana, Janel Goodman

SMC Conference 2011
Using Physical Models Is Necessary to Guarantee Stable Analog Haptic Feedback Control for Any User and Haptic Device
Edgar Berdahl, Jean-Loup Florens, Claude Cadoz

SMC Conference 2011
Generating Musical Accompaniment through Functional Scaffolding
Amy K. Hoover, Paul A. Szerlip, Kenneth O. Stanley

SMC Conference 2011
SONIK SPRING
Tomas Henriques

SMC Conference 2012
Building a Music Search Database Using Human Computation
Mark Cartwright, Bryan Pardo

SMC Conference 2012
SpatDIF: Principles, Specification, and Examples
Nils Peters, Trond Lossius, Jan C. Schacher

SMC Conference 2012
An Automated Testing Suite for Computer Music Environments
Nils Peters, Trond Lossius, Timothy Place

SMC Conference 2012
MODELING AND PREDICTING SONG ADJACENCIES IN COMMERCIAL ALBUMS
Andy M. Sarroff, Michael Casey

SMC Conference 2012
The Fluxations Stochastic Interactive Algorithmic Music Engine (SIAME) and iPhone App
Joshua Mailman

SMC Conference 2013
A History of Sequencers: Interfaces for Organizing Pattern-based Music
Raphael Arar, Ajay Kapur

SMC Conference 2013
Acoustics-like Dynamics in Signal-based Synthesis Through Parameter Mapping
Brendan Bernhardt Gaffney, Tamara Smyth

SMC Conference 2013
Creating Expressive Piano Performance Using a Low-dimensional Performance Model
Yupeng Gu, Christopher Raphael

SMC Conference 2013
Human-computer Music Performance: From Synchronized Accompaniment to Musical Partner
Roger B. Dannenberg, Zeyu Jin, Nicolas E. Gold, Octav-Emilian Sandu, Praneeth N. Palliyaguru, Andrew Robertson, Adam Stark, Rebecca Kleinberger

SMC Conference 2013
LANdini: A Networking Utility for Wireless Lan-based Laptop Ensembles
Jascha Narveson, Dan Trueman

SMC Conference 2013
Multichannel Control of Spatial Extent Through Sinusoidal Partial Modulation (SPM)
Andrés Cabrera, Gary Kendall

SMC Conference 2013
Sonification and Auditory Displays in Electronic Devices
Bruce N. Walker

SMC Conference 2013
Spectral Distortion Using Second-order Allpass Filters
Greg Surges, Tamara Smyth

SMC Conference 2014
Mathews' Diagram and Euclid's Line - Fifty Years Ago
John Chowning

SMC Conference 2014
Rhythmic Processes in Electronic Music
Curtis Roads

SMC Conference 2014
Chorale Synthesis by the Multidimensional Scaling of Pitches
Clarence Barlow

SMC Conference 2014
Musings on the Status of Electronic Music Today
Cort Lippe

SMC Conference 2014
Auditory Fusion and Holophonic Musical Texture in Xenakis's Pithoprakta
Panayiotis Kokoras

SMC Conference 2014
Contemporary Practices in the Performance and Sustainability of Computer Music Repertoire
Jeremy C. Baguyos

SMC Conference 2014
Digitally Extending the Optical Soundtrack
Alexander Dupuis, Carlos Dominguez

SMC Conference 2014
Examining the Analysis of Dynamical Sonic Ecosystems: In Light of a Criterion for Evaluating Theories
Michael Musick

SMC Conference 2014
OPERAcraft: Blurring the Lines Between Real and Virtual
Ivica Ico Bukvic, Cody Cahoon, Ariana Wyatt, Tracy Cowden, Katie Dredger

SMC Conference 2014
The Ghost in the MP3
Ryan Maguire

SMC Conference 2014
Timbral Hauntings: An Interactive System Re-interpreting the Present in Echoes of the Past
Michael Musick, Tae Hong Park

SMC Conference 2014
Towards Defining the Potential of Electroacoustic Infrasonic Music
Alexis Story Crawshaw

SMC Conference 2014
Considering Roughness to Describe and Generate Vertical Musical Structure in Content-based Algorithmic-assisted Audio Composition
Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes, Bruce Pennycook

SMC Conference 2014
Kuatro: A Motion-based Framework for Interactive Music Installations
David Johnson, Bill Manaris, Yiorgos Vassilandonakis, Seth Stoudenmier

SMC Conference 2014
Principles of Visual Design for Computer Music
Ge Wang

SMC Conference 2014
Sense: An Electroacoustic Composition for Surround Sound and Tactile Transducers
Panayiotis Kokoras

SMC Conference 2014
Sound of Rivers: Stone Drum: A Multimedia Collaboration, with Sonified Data, Computer-processed Narration, and Electric Violin
Charles Nichols, Mark Lorang, Mark Gibbons, Nicole Bradley Browning, Amber Bushnell

SMC Conference 2014
The Procedural Sounds and Music of ECHO::Canyon
Robert Hamilton

SMC Conference 2014
Translation as Technique: Collaboratively Creating an Electro-acoustic Composition for Saxophone and Live Video Projection
Christopher Jette, Kelland Thomas, Javier Villegas, Angus Graeme Forbes

SMC Conference 2014
Citygram One: One Year Later ...
Tae Hong Park, Michael Musick, John Turner, Charlie Mydlarz, Jun Hee Lee, Jaeseong You, Luke DuBois

SMC Conference 2014
Mobile Phones as Ubiquitous Instruments: Towards Standardizing Performance Data on the Network
Nathan Bowen, David Reeder

SMC Conference 2014
Movable Party: A Bicycle-powered System for Interactive Musical Performance
Steven Kemper, Wendy F. Umi Hsu, Carey Sargent, Josef Taylor, Linda Wei

SMC Conference 2014
A Hybrid Guitar Physical Model Controller: The BladeAxe
Romain Michon, Julius Orion III Smith

SMC Conference 2014
Implementations of the Leap Motion in Sound Synthesis, Effects Modulation and Assistive Performance Tools
Lamtharn Hantrakul, Konrad Kaczmarek

SMC Conference 2014
Mapping Motion to Timbre: Orientation, FM Synthesis and Spectral Filtering
Israel Neuman, Charles Okpala, Cesar Bonezzi

SMC Conference 2014
miniAudicle for iPad: Touchscreen-based Music Software Programming
Spencer Salazar, Ge Wang

SMC Conference 2014
MoveOSC - Smart Watches in Mobile Music Performance
Alex Migicovsky, Jonah Scheinerman, Georg Essl

SMC Conference 2014
Mutor: Drone Chorus of Metrically Muted Motors
Mo H. Zareei, Dale A. Carnegie, Ajay Kapur, Dugal McKinnon

SMC Conference 2014
Organic Oscillator: Experiments Using Natural Oscillation Sources From Audiences
Yuan-Yi Fan

SMC Conference 2014
Scaling Up Live Internet Performance With the Global Net Orchestra
Roger B. Dannenberg, Tom Neuendorffer

SMC Conference 2014
SkipStep: A Multi-paradigm Touch-screen Instrument
Avneesh Sarwate, Jeff Snyder

SMC Conference 2014
TC-Data: Extending Multi-touch Interfaces for Generalized Relational Control
Kevin Schlei

SMC Conference 2014
The Breath Engine: Challenging Biological and Technological Boundaries Through the Use of NK Complex Adaptive Systems
Joe Cantrell, Colin Zyskowski, Drew Ceccato

SMC Conference 2014
Spatial Utilization of Sensory Dissonance and the Creation of Sonic Sculpture
Brian Hansen

SMC Conference 2014
The Future of Spatial Computer Music
Eric Lyon

SMC Conference 2014
Towards Open 3D Sound Diffusion Systems
Fernando Lopez-lezcano

SMC Conference 2014
Fine-tuned Control of Concatenative Synthesis With CataRT Using the Bach Library for Max
Aaron Einbond, Christopher Trapani, Andrea Agostini, Daniele Ghisi, Diemo Schwarz

SMC Conference 2014
Real Time Tempo Canons With Antescofo
Christopher Trapani, José Echeveste

SMC Conference 2014
Teaching Robots to Conduct: Automatic Extraction of Conducting Information From Sheet Music
Andrea Salgian, Laurence Agina, Teresa Marrin Nakra

SMC Conference 2014
Towards Soundscape Information Retrieval (SIR)
Tae Hong Park, Jun Hee Lee, Jaeseong You, Min-Joon Yoo, John Turner

SMC Conference 2014
Machine Improvisation With Formal Specifications
Alexandre Donzé, Rafael Valle, Ilge Akkaya, Sophie Libkind, Sanjit A. Seshia, David Wessel

SMC Conference 2014
ML.* Machine Learning Library as a Musical Partner in the Computer-acoustic Composition Flight
Benjamin Day Smith, W. Scott Deal

SMC Conference 2014
A Bowed String Physical Model Including Finite-width Thermal Friction and Hair Dynamics
Esteban Maestre, Carlos Spa, Julius Orion III Smith

SMC Conference 2014
ATK Reaper: The Ambisonic Toolkit as JSFX Plugins
Trond Lossius, Joseph Anderson

SMC Conference 2014
Audio-rate Modulation of Physical Model Parameters
Edgar Berdahl

SMC Conference 2014
Evaluating HRTF Similarity Through Subjective Assessments: Factors That Can Affect Judgment
Areti Andreopoulou, Agnieszka Roginska

SMC Conference 2014
Musical Audio Synthesis Using Autoencoding Neural Nets
Andy M. Sarroff, Michael Casey

SMC Conference 2014
The TR-808 Cymbal: A Physically-informed, Circuit-bendable, Digital Model
Kurt James Werner, Jonathan S. Abel, Julius Orion III Smith

SMC Conference 2014
Touchpoint: Dynamically Re-routable Effects Processing as a Multi-touch Tablet Instrument
Nicholas K. Suda, Owen S. Vallis

SMC Conference 2014
Toward Real-time Estimation of Tonehole Configuration
Tamara Smyth

SMC Conference 2014
Towards a Dynamic Model of the Palm Mute Guitar Technique Based on Capturing Pressure Profiles Between the Guitar Strings
Julien Biral, Nicolas d'Alessandro, Adrian Freed

SMC Conference 2014
Extending Aura With Csound Opcodes
Steven Yi, Roger B. Dannenberg, Victor Lazzarini, John Fitch

SMC Conference 2014
Model-view-controller Separation in Max Using Jamoma
Trond Lossius, Théo de la Hogue, Pascal Baltazar, Timothy Place, Nathan Wolek, Julien Rabin

SMC Conference 2014
New Tools for Aspect-oriented Programming in Music and Media Programming Environments
John MacCallum, Adrian Freed, David Wessel

SMC Conference 2014
o.io: A Unified Communications Framework for Music, Intermedia and Cloud Interaction
Adrian Freed, David DeFilippo, Rama Gottfried, John MacCallum, Jeff Lubow, Derek Razo, David Wessel

SMC Conference 2014
Ecologically Grounded Multimodal Design: The Palafito 1.0 Study
Damián Keller, Joseph Timoney, Leandro L. Constalonga, Ariadna Capasso, Patricia Tinajero, Victor Lazzarini, Marcelo Soares Pimenta, Maria Helena de Lima, Marcelo Johann

SMC Conference 2014
SoundScapeTK: A Platform for Mobile Soundscapes
Thomas Stoll

SMC Conference 2014
Mobile Instruments Made Easy: Creating Musical Mobile Apps With LIBPD and iOS, No Experience Necessary
Danny Holmes

SMC Conference 2014
Demo: Using Jamama's MVC Features to Design an Audio Effect Interface
Trond Lossius, Nathan Wolek, Théo de la Hogue, Pascal Baltazar

SMC Conference 2014
Spinphony Demo
Mark Robert Nilsen

SMC Conference 2015
MULTI-CHANNEL SPATIAL SONIFICATION OF CHINOOK SALMON MIGRATION PATTERNS IN THE SNAKE RIVER WATERSHED
Ben Robertson, Jonathan Middleton, Jens Hegg

SMC Conference 2015
Wave Voxel Synthesis
Anis Haron, Matthew James Wright

SMC Conference 2015
Granular Model of Multidimensional Spatial Sonification
Muhammad Hafiz Wan Rosli, Andrés Cabrera, Matthew James Wright

SMC Conference 2015
TEMPO CURVING AS A FRAMEWORK FOR INTERACTIVE COMPUTER-AIDED COMPOSITION
Jean Bresson, John MacCallum

SMC Conference 2015
Analyzing the influence of pitch quantization and note segmentation on singing voice alignment in the context of audio-based Query-by-Humming
Jose J. Valero-Mas, Justin Salamon, Emilia Gómez

SMC Conference 2016
Using EarSketch to Broaden Participation in Computing and Music
Jason Freeman, Brian Magerko, Doug Edwards, Morgan Miller, Roxanne Moore, Anna Xambó

SMC Conference 2016
EXPRESSIVE HUMANOID ROBOT FOR AUTOMATIC ACCOMPANIMENT
Guangyu Xia, Roger B. Dannenberg, Mao Kawai, Kei Matsuki, Atsuo Takanishi

SMC Conference 2016
AN EXPLORATION ON WHOLE-BODY AND FOOT-BASED VIBROTACTILE SENSITIVITY TO MELODIC CONSONANCE
Federico Fontana, Ivan Camponogara, Matteo Vallicella, Marco Ruzzenente, Paola Cesari

SMC Conference 2016
CAMEL: CARNATIC PERCUSSION MUSIC GENERATION USING N-GRAM MODELS
Konstantinos Trochidis, Carlos Guedes, Akshay Anantapadmanabhan, Andrija Klaric

SMC Conference 2016
A Faust Based Driving Simulator Sound Synthesis Engine
Romain Michon, Chris Chafe, Nick Gang, Mishel Johns, Sile O'Modhrain, Matthew James Wright, David Sirkin, Wendy Ju, Nikhil Gowda

SMC Conference 2016
A Hybrid Filter-Wavetable Oscillator Technique for Formant-Wave-Function Synthesis
Michael Olsen, Julius Orion III Smith, Jonathan S. Abel

SMC Conference 2016
Nuance: Adding Multi-Touch Force Detection to the iPad
Romain Michon, Julius Orion III Smith, Chris Chafe, Ge Wang, Matthew James Wright

SMC Conference 2016
Emerging Composition: Being and Becoming
Sever Tipei

SMC Conference 2016
FaucK!! Hybridizing the FAUST and ChucK Audio Programming Languages
Romain Michon, Ge Wang

SMC Conference 2016
A Virtual Acousmonium for Transparent Speaker Systems
Elliot Kermit Canfield-Dafilou

SMC Conference 2016
David Wessel's Slabs: A Case Study in Preventative Digital Musical Instrument Conservation
Adrian Freed

SMC Conference 2017
Validating Attack Phase Descriptors obtained by the Timbre toolbox and MIRtoolbox
Kristian Nymoen, Anne Danielsen, Justin London

SMC Conference 2017
Ferin Martino’s Tour: Lessons from Adapting the Same Algorithmic Art Installation to Different Venues and Platforms
Jeffrey Morris

SMC Conference 2017
Audio-Visual Source Association for String Ensembles through Multi-Modal Vibrato Analysis
Bochen Li, Chenliang Xu, Zhiyao Duan

SMC Conference 2017
Renotation of Optical Music Recognition Data
Liang Chen, Christopher Raphael

SMC Conference 2018
A Portable Impulse Response Measurement System
Elliot Kermit Canfield-Dafilou, Eoin Callery, Christopher Jette

SMC Conference 2018
Simulating the Acoustic Environment of Two Historical Viennese Theaters
Brandon Westergaard, Timothy Hsu

SMC Conference 2018
You Are Here: Sonic Crossings and Time Indeterminacy within the Buffer Zone
Oswaldo Emiddio Vasquez Hadjilyra

SMC Conference 2018
Analyzing and Classifying Guitarists from Rock Guitar Solo Tablature
Orchisama Das, Blair Kaneshiro, Tom Collins

SMC Conference 2018
Formalizing Schoenberg’s Fundamentals of Musical Composition through Petri Nets
Adriano Baratè, Davide Andrea Mauro, Goffredo Haus, Luca Andrea Ludovico

SMC Conference 2018
Blender2faust: from drawn 3d objects to physically based sound models
Smilen Dimitrov, Romain Michon, Stefania Serafin

SMC Conference 2018
Ko2 - Distributed Music Systems With O2 and Kronos
Vesa Norilo, Roger B. Dannenberg

SMC Conference 2018
Mapping Pitch Classes And Sound Objects: A Bridge Between Klumpenhouwer Networks And Schaeffer’s TARTYP
Israel Neuman

SMC Conference 2018
The BodyHarp: Designing the Intersection Between the Instrument and the Body
Doga Buse Cavdir, Romain Michon, Ge Wang

SMC Conference 2018
3D Printing and Physical Modeling of Musical Instruments: Casting the Net
Romain Michon, Chris Chafe, John Granzow

SMC Conference 2019
Digital Manufacturing For Musical Applications: A Survey of Current Status and Future Outlook
Doga Buse Cavdir

SMC Conference 2019
Real Time Audio Digital Signal Processing With Faust and the Teensy
Romain Michon, Yann Orlarey, Stéphane Letz, Dominique Fober

SMC Conference 2019
Comparison and Implementation of Data Transmission Techniques Through Analog Audio Signals in the Context of Augmented Mobile Instruments
Romain Michon, Yann Orlarey, Stéphane Letz, Dominique Fober

SMC Conference 2019
Melody Identification in Standard MIDI Files
Zheng Jiang, Roger B. Dannenberg

SMC Conference 2019
OFFLINE SCORE ALIGNMENT FOR REALISTIC MUSIC PRACTICE
Yucong Jiang, Fiona Ryan, David Cartledge, Christopher Raphael

SMC Conference 2019
PIANO SCORE-FOLLOWING BY TRACKING NOTE EVOLUTION
Yucong Jiang, Christopher Raphael

SMC Conference 2019
Musical Tempo and Key Estimation using Convolutional Neural Networks with Directional Filters
Hendrik Schreiber, Meinard Müller

SMC Conference 2019
Alternative Measures: A Musicologist Workbench for Popular Music
Beach Clark, Claire Arthur

SMC Conference 2019
Analysis of Vocal Ornamentation in Iranian Classical Music
Sepideh Shafiei

SMC Conference 2019
Representations of Self-Coupled Modal Oscillators with Time-Varying Frequency
Tamara Smyth, Jennifer Hsu

SMC Conference 2019
Exploring the Effects of Diegetic and Non-diegetic Audiovisual Cues on Decision-making in Virtual Reality
Anıl Çamcı

SMC Conference 2019
Sound in Multiples: Synchrony and Interaction Design using Coupled-Oscillator Networks
Nolan Lem

SMC Conference 2019
Percussion synthesis using loopback frequency modulation oscillators
Jennifer Hsu, Tamara Smyth

SMC Conference 2019
The Chordinator: an Interactive Music Learning Device
Eamon McCoy, John Greene, Jared Henson, James Pinder, Jonathan Brown, Claire Arthur