Charts
Number of papers per year from Italy
Number of authors per year with (at least) an affiliation from Italy
Percentage of authors with (at least) an affiliation from Italy
Places
Arcavacata di Rende
Bari
Bologna
Brescia
Como
Firenze
Genova
L'Aquila
Latina
Milano
Napoli
Padova
Parma
Pisa
Roma
Salerno
Torino
Trento
Udine
Urbino
Venezia
Verona
Affiliations
Department of Linguistics, Università della Calabria; Arcavacata di Rende, Italy
Università di Bari; Bari, Italy
Università di Bologna; Bologna, Italy
Conservatorio Statale di musica “Luca Marenzio” di Brescia; Brescia, Italy
Conservatorio Statale di musica “Luca Marenzio” di Brescia; Brescia, Italy
Università di Brescia; Brescia, Italy
Conservatorio di musica “Giuseppe Verdi” di Como; Como, Italy
Conservatorio di musica “Giuseppe Verdi” di Como; Como, Italy
Conservatorio di musica “Giuseppe Verdi” di Como; Como, Italy
Media Innovation Unit, Firenze Tecnologia; Firenze, Italy
Tempo Reale; Firenze, Italy
Department of Animal and Genetic Biology, Università di Firenze; Firenze, Italy
Istituto Italiano di Tecnologia (IIT); Genova, Italy
InfoMus Lab, Università di Genova; Genova, Italy
Università di Genova; Genova, Italy
Università di Genova; Genova, Italy
Department of Electroacoustic Music, Conservatorio Statale di Musica "Alfredo Casella" di L'Aquila; L'Aquila, Italy
Conservatorio Statale di Musica "Alfredo Casella" di L'Aquila; L'Aquila, Italy
Conservatorio Statale di Musica “O. Respighi” di Latina; Latina, Italy
Conservatorio Statale di Musica “O. Respighi” di Latina; Latina, Italy
Archivio di Fonologia - RAI; Milano, Italy
Politecnico di Milano; Milano, Italy
Laboratorio di Informatica Musicale (LIM), Dipartimento di Informatica (DI), Università degli Studi di Milano; Milano, Italy
Laboratorio di Informatica Musicale (LIM), Dipartimento di Informatica (DI), Università degli Studi di Milano; Milano, Italy
Laboratorio di Informatica Musicale (LIM), Dipartimento di Informatica (DI), Università degli Studi di Milano; Milano, Italy
Laboratorio di Informatica Musicale (LIM), Dipartimento di Informatica (DI), Università degli Studi di Milano; Milano, Italy
Laboratorio di Informatica Musicale (LIM), Dipartimento di Informatica (DI), Università degli Studi di Milano; Milano, Italy
Laboratorio di Informatica Musicale (LIM), Dipartimento di Informatica (DI), Università degli Studi di Milano; Milano, Italy
Laboratorio di Informatica Musicale (LIM), Dipartimento di Informatica (DI), Università degli Studi di Milano; Milano, Italy
Dipartimento di Informatica (DI), Università degli Studi di Milano; Milano, Italy
Laboratorio di Informatica Musicale (LIM), Dipartimento di Informatica e Comunicazione (DICo), Università degli Studi di Milano; Milano, Italy
Laboratorio di Informatica Musicale (LIM), Dipartimento di Informatica e Comunicazione (DICo), Università degli Studi di Milano; Milano, Italy
Laboratorio di Informatica Musicale (LIM), Dipartimento di Informatica e Comunicazione (DICo), Università degli Studi di Milano; Milano, Italy
Università degli Studi di Milano; Milano, Italy
School of Electronic Music, Conservatorio di Musica San Pietro a Majella; Napoli, Italy
Università degli Studi di Napoli Federico II; Napoli, Italy
Conservatorio di musica “Cesare Pollini” di Padova; Padova, Italy
Conservatorio di musica “Cesare Pollini” di Padova; Padova, Italy
Conservatorio di musica “Cesare Pollini” di Padova; Padova, Italy
Conservatorio di musica “Cesare Pollini” di Padova; Padova, Italy
Conservatorio di musica “Cesare Pollini” di Padova; Padova, Italy
Conservatorio di musica “Cesare Pollini” di Padova; Padova, Italy
Conservatorio di musica "Giuseppe Tartini" di Trieste; Padova, Italy
Istituto di Scienze e Tecnologie della Cognizione (ISTC); Padova, Italy
Università di Padova; Padova, Italy
Centro di Sonologia Computazionale, Università di Padova; Padova, Italy
CSC, Department of Information Engineering, Università di Padova; Padova, Italy
CSC, Department of Information Engineering, Università di Padova; Padova, Italy
Department of Information Engineering, Università di Padova; Padova, Italy
Department of Information Engineering, Università di Padova; Padova, Italy
Department of Information Engineering, Università di Padova; Padova, Italy
Department of Information Engineering, Università di Padova; Padova, Italy
Department of Visual Arts, Università di Padova; Padova, Italy
Department of Visual Arts and Music, Università di Padova; Padova, Italy
Dipartimento di Storia delle Arti Visive e della Musica, Università di Padova; Padova, Italy
Università di Padova; Padova, Italy
Università di Padova; Padova, Italy
Università di Padova; Padova, Italy
Department of Industrial Engineering, Università di Parma; Parma, Italy
CNR, Istituto di Scienza e Tecnologie dell’Informazione "A. Faedo" (ISTI); Pisa, Italy
Conservatorio “S.Cecilia”; Roma, Italy
Mozartstudios Association; Salerno, Italy
Department of Mathematics and Computer Science, Università degli Studi di Salerno; Salerno, Italy
Department of Physics, Università di Salerno; Salerno, Italy
CELI srl; Torino, Italy
CIRMA, Università di Torino; Torino, Italy
CIRMA/StudiUm, Università di Torino; Torino, Italy
Interdipartimental Center for Research on Multimedia and Audiovideo (CIRMA), Dipartimento di Studi Umanistici, Università di Torino; Torino, Italy
Interdipartimental Center for Research on Multimedia and Audiovideo (CIRMA), Dipartimento di Studi Umanistici, Università di Torino; Torino, Italy
Interdipartimental Center for Research on Multimedia and Audiovideo (CIRMA), Dipartimento di Studi Umanistici, Università di Torino; Torino, Italy
Conservatorio F. A. Bonporti; Trento, Italy
TasLab, Informatica Trentina; Trento, Italy
Università di Trento; Trento, Italy
Università di Trento; Trento, Italy
Department of Mathematical, Informatic, and Physical Sciences, Università di Udine; Udine, Italy
Department of Mathematics and Computer Science, Università di Udine; Udine, Italy
Department of Mathematics and Computer Science, Università di Udine; Udine, Italy
Dipartimento di Informatica, Università di Udine; Udine, Italy
EdgyLab, Università di Udine; Udine, Italy
MIRAGE Lab, Università di Udine; Udine, Italy
MIRAGE Lab, Università di Udine; Udine, Italy
Università di Udine; Udine, Italy
Università di Udine; Udine, Italy
Università degli Studi di Urbino "Carlo Bo"; Urbino, Italy
Conservatorio Statale di Musica "Benedetto Marcello" di Venezia; Venezia, Italy
Department of Architecture and Arts, IUAV University of Venice; Venezia, Italy
IUAV University of Venice; Venezia, Italy
IUAV University of Venice; Venezia, Italy
IUAV University of Venice; Venezia, Italy
IUAV University of Venice; Venezia, Italy
IUAV University of Venice; Venezia, Italy
IUAV University of Venice; Venezia, Italy
IUAV University of Venice; Venezia, Italy
IUAV University of Venice; Venezia, Italy
Università Ca' Foscari; Venezia, Italy
Department of Computer Science, Università di Verona; Verona, Italy
Department of Computer Science, Università di Verona; Verona, Italy
Department of Neurological & Movement Sciences, Università di Verona; Verona, Italy
Università di Verona; Verona, Italy
Freelance Sound Designer - Zero dB, Independent; Italy
Independent research, Independent; Italy
Authors from Italy (affiliation)
Addessi, Anna Rita
Adhitya, Sara
Alessandretti, Stefano
Amendola, Alberto
Angelini, Ivana
Armao, Paolo
Avanzini, Federico
Baldan, Stefano
Baldovino, Guido
Baratè, Adriano
Bernardi, Mattia
Bernardini, Nicola
Betancourt, Nathaly
Bettineschi, Cinzia
Bianco, Devid
Brogni, Andrea
Cabras, Giuseppe
Caldwell, Darwin
Camurri, Antonio
Canavese, Francesco
Canazza, Sergio
Canepa, Corrado
Casu, Matteo
Cavaliere, Sergio
Cenceschi, Sonia
Ceolin, Elena
Cesari, Paola
Cirotteau, Damien
Civolani, Marco
Coco, Remigio
Coletta, Paolo
Conci, Andrea
Core, Cristina
Da Pos, Osvaldo
D'Auria, Umberto
De Angeli, Antonella
De Carolis, Berardina
De Götzen, Amalia
De Lauro, Enza
Del Bello, Valentina
Delle Monache, Stefano
Del Piccolo, Alan
De Martino, Salvatore
Demurtas, Mirko
Deotto, Giulia
De Poli, Giovanni
De Pra, Yuri
De Sena, Antonio
Di Scipio, Agostino
Dorigatti, Enrico
Drioli, Carlo
Ekanayaka, Free
Evangelista, Gianpaolo
Falanga, Mariarosaria
Fantin, Jacopo
Fantozzi, Carlo
Faresin, Emanuela
Fenza, Diego
Ferilli, Stefano
Fierro, Leonardo
Fontana, Federico
Foresti, Gian Luca
Franceschini, Andrea
Gasparotto, Silvia
Geronazzo, Michele
Giomi, Francesco
Glorioso, Andrea
Guercio, Mariella
Haus, Goffredo
Klauer, Giorgio
Koutsomichalis, Marinos
Lombardo, Vincenzo
Ludovico, Luca Andrea
Malavolta, Lorenzo
Mandanici, Marcella
Marinoni, Marco
Massari, Alberto
Masu, Raul
Mauro, Davide Andrea
Mazzanti, Dario
Mazzarino, Barbara
Meacci, Damiano
Menegazzi, Alessandra
Micheloni, Edoardo
Mion, Luca
Molin, Gianmario
Montessoro, Pier Luca
Morreale, Fabio
Murari, Maddalena
Novati, Maddalena
Nucibella, Francesca
Orio, Nicola
Oscari, Fabio
Papetti, Stefano
Pappalardo, Simone
Passalenti, Andrea
Peri, Massimiliano
Peserico, Enoch
Pietrogrande, Luca
Pinto, Alberto
Pisano, Silvia
Pizzamiglio, Dario
Polotti, Pietro
Porcelluzzi, Savino
Presti, Giorgio
Pretto, Niccolò
Ricci, Andrea
Rinaldo, Roberto
Rizzuti, Constantino
Rocchesso, Davide
Rodà, Antonio
Romano, Filippo
Rosati, Giulio
Russo, Elisa
Ruzzenente, Marco
Sagoleo, Roberto
Salemi, Giuseppe
Salvati, Daniele
Samory, Mattia
Sandri, Marta
Santucci, Enrica
Sapir, Sylviane
Sarno, Giuseppe
Scamarcio, Massimo
Scappin, Debora
Scattolin, Francesco
Schirosa, Mattia
Simonetti, Marzia
Sorato, Giacomo
Spagnol, Simone
Sparano, Giovanni
Tagliolato, Paolo
Tarabella, Leonello
Taroppi, Andrea
Tisato, Graziano
Toppano, Alessandro
Toppano, Elio
Trento, Stefano
Valle, Andrea
Vallicella, Matteo
Varni, Giovanna
Vercellesi, Giancarlo
Vicinanza, Domenico
Vidolin, Alvise
Volpe, Gualtiero
Voto, Daniela
Zanini, Francesco
Zanini, Valerio
Zanolla, Serena
Zanovello, Paola
Zappi, Victor
Zattra, Laura
Papers by authors from Italy (affiliation)
SMC Conference 2004
Expressive Gestural Control of Sound and Visual Output in Multimodal Interactive Systems
Antonio Camurri, Barbara Mazzarino, Gualtiero Volpe
SMC Conference 2004
Expressiveness Detection of Music Performances in the Kinematics Energy Space
Luca Mion, Giovanni De Poli
SMC Conference 2004
Improvising Computer Music: An Approach
Leonello Tarabella
SMC Conference 2004
Physical Modeling of Impacts: Theory and Experiments on Contact Time and Spectral Centroid
Federico Avanzini, Davide Rocchesso
SMC Conference 2004
The AGNULA/DeMuDi Distribution: GNU/linux and Free Software for the Pro Audio and Sound Research Domain
Nicola Bernardini, Damien Cirotteau, Free Ekanayaka, Andrea Glorioso
SMC Conference 2005
A Study on Using the Mellin Transform for Vowel Recognition
Antonio De Sena, Davide Rocchesso
SMC Conference 2005
Analysis and Analyses of Electroacoustic Music
Laura Zattra
SMC Conference 2005
Audio Feedback in Predictive HCI Methods
Amalia De Götzen, Davide Rocchesso
SMC Conference 2005
Computer Music Analysis via a Multidisciplinary Approach
Francesca Nucibella, Savino Porcelluzzi, Laura Zattra
SMC Conference 2005
Constrains on the Model for Self-sustained Sounds Generated by Organ Pipe Inferred by Independent Component Analysis
Enza De Lauro, Salvatore De Martino, Mariarosaria Falanga, Giuseppe Sarno
SMC Conference 2005
Event Synchronous Music Thumbnails: Experiments
Gianpaolo Evangelista, Sergio Cavaliere
SMC Conference 2005
Multimodal and Cross-modal Processing in Interactive Systems Based on Tangible Acoustic Interfaces
Antonio Camurri, Corrado Canepa, Carlo Drioli, Alberto Massari, Barbara Mazzarino, Gualtiero Volpe
SMC Conference 2005
Multisensory Interactive Installation
Daniela Voto, Manuel Viñas Limonchi, Umberto D'Auria
SMC Conference 2005
MX Structural Metadata as MIR Tools
Goffredo Haus, Alberto Pinto
SMC Conference 2005
Physical Movement and Musical Gestures: A Multilevel Mapping Strategy
Diego Fenza, Luca Mion, Sergio Canazza, Antonio Rodà
SMC Conference 2005
State of the Art and New Results in Direct Manipulation of MPEG Audio Codes
Goffredo Haus, Giancarlo Vercellesi
SMC Conference 2005
Sustainable Live Electro-acoustic Music
Nicola Bernardini, Alvise Vidolin
SMC Conference 2005
The Croaker: Design and Evaluation of a New Multimodal Interface
Stefania Serafin, Amalia De Götzen
SMC Conference 2006
A Java Framework for Data Sonification and 3D Graphic Rendering
Domenico Vicinanza
SMC Conference 2006
An XML-based Format for Advanced Music Fruition
Adriano Baratè, Goffredo Haus, Luca Andrea Ludovico
SMC Conference 2006
Minimalism and Process Music: A PureData Realization of Pendulum Music
Remigio Coco
SMC Conference 2006
Music Structure Representation: A Formal Model
Paolo Tagliolato
SMC Conference 2006
Sound Texture Modeling: A Survey
Gerda Strobl, Gerhard Eckel, Davide Rocchesso
SMC Conference 2007
Mapping Chaotic Dynamical Systems Into Timbre Evolution
Constantino Rizzuti
SMC Conference 2007
Prolegomena to Sonic Toys
Amalia De Götzen, Stefania Serafin
SMC Conference 2007
Authenticity Issue in Performing Arts Using Live Electronics
Mariella Guercio, Jérôme Barthélemy, Alain Bonardi
SMC Conference 2007
From Music Symbolic Information to Sound Synthesis: An XML-based Approach
Goffredo Haus, Luca Andrea Ludovico, Elisa Russo
SMC Conference 2007
A Platform for Real-Time Multimodal Processing
Antonio Camurri, Paolo Coletta, Mirko Demurtas, Massimiliano Peri, Andrea Ricci, Roberto Sagoleo, Marzia Simonetti, Giovanna Varni, Gualtiero Volpe
SMC Conference 2008
Asymmetrical Envelope Shapes in Sound Spatialization
Francesco Canavese, Francesco Giomi, Damiano Meacci, Kilian Schwoon
SMC Conference 2008
Echi tra le Volte, a Sound Design Project for Churches
Andrea Taroppi
SMC Conference 2008
Space as an Evolution Strategy. Sketch of a Generative Ecosystemic Structure of Sound
Massimo Scamarcio
SMC Conference 2009
A Dynamic Analogy Between Integro-differential Operators and Musical Expressiveness
Giovanni De Poli, Antonio Rodà, Luca Mion
SMC Conference 2009
A Framework for Soundscape Analysis and Re-synthesis
Andrea Valle, Mattia Schirosa, Vincenzo Lombardo
SMC Conference 2009
Auditory Representations as Landmarks in the Sound Design Space
Carlo Drioli, Pietro Polotti, Davide Rocchesso, Stefano Delle Monache, Kamil Adiloğlu, Robert Anniés, Klaus Obermayer
SMC Conference 2009
Real-time Binaural Audio Rendering in the Near Field
Simone Spagnol, Federico Avanzini
SMC Conference 2009
Sound and the City: Multi-layer Representation and Navigation of Audio Scenarios
Luca Andrea Ludovico, Davide Andrea Mauro
SMC Conference 2010
Restoration of audio documents with low SNR: a NMF parameter estimation and perceptually motivated Bayesian suppression rule
Giuseppe Cabras, Sergio Canazza, Pier Luca Montessoro, Roberto Rinaldo
SMC Conference 2010
Head in Space: A Head-tracking based Binaural Spatialization System
Luca Andrea Ludovico, Davide Andrea Mauro, Dario Pizzamiglio
SMC Conference 2010
Structural Modeling of Pinna-Related Transfer Functions
Simone Spagnol, Michele Geronazzo, Federico Avanzini
SMC Conference 2010
Towards a practical approach to Music Theory on the Reactable
Andrea Franceschini
SMC Conference 2010
In a concrete space. Reconstructing the spatialization of Iannis Xenakis' Concret PH on a multichannel setup
Andrea Valle, Kees Tazelaar, Vincenzo Lombardo
SMC Conference 2010
The 'Stanza Logo-motoria': An Interactive Environment for Learning and Communication
Antonio Camurri, Sergio Canazza, Corrado Canepa, Antonio Rodà, Gualtiero Volpe, Serena Zanolla, Gian Luca Foresti
SMC Conference 2011
Audio Physical Computing
Andrea Valle
SMC Conference 2011
Humanities, Art and Science in the Context of Interactive Sonic Systems - Some Considerations on a Cumbersome Relationship
Pietro Polotti
SMC Conference 2011
Spatio-temporal unfolding of sound sequences
Davide Rocchesso, Stefano Delle Monache
SMC Conference 2011
AN EXPLORATION ON THE INFLUENCE OF VIBROTACTILE CUES DURING DIGITAL PIANO PLAYING
Federico Fontana, Stefano Papetti, Valentina Del Bello, Marco Civolani, Balázs Bank
SMC Conference 2011
SOUND SPATIALIZATION CONTROL BY MEANS OF ACOUSTIC SOURCE LOCALIZATION SYSTEM
Daniele Salvati, Sergio Canazza, Antonio Rodà
SMC Conference 2011
Demetrio Stratos Rethinks Voice Techniques: A Historical Investigation at ISTC in Padova
Elena Ceolin, Graziano Tisato, Laura Zattra
SMC Conference 2011
Emotional response to major mode musical pieces: score-dependent perceptual and acoustic analysis
Sergio Canazza, Giovanni De Poli, Antonio Rodà
SMC Conference 2011
Active Preservation of Electrophone Musical Instruments. The Case of the "Liettizzatore" of "Studio Di Fonologia Musicale" (Rai, Milano)
Sergio Canazza, Antonio Rodà, Maddalena Novati, Federico Avanzini
SMC Conference 2011
Foley sounds vs real sounds
Stefano Trento, Amalia De Götzen
SMC Conference 2011
When sound teaches
Serena Zanolla, Sergio Canazza, Antonio Rodà, Filippo Romano, Francesco Scattolin, Gian Luca Foresti
SMC Conference 2011
Analysis of Social Interaction in Music Performance with Score-Independent Audio Features
Gualtiero Volpe, Giovanna Varni, Barbara Mazzarino, Silvia Pisano, Antonio Camurri
SMC Conference 2012
"MUSICA SULL'ACQUA": A MOTION TRACKING BASED SONIFICATION OF AN AQUARIUM IN REAL TIME
Stefano Baldan, Luca Andrea Ludovico, Davide Andrea Mauro
SMC Conference 2012
EFFECTS OF AUDIO-TACTILE FLOOR AUGMENTATION ON PERCEPTION AND ACTION DURING WALKING: PRELIMINARY RESULTS
Stefano Papetti, Federico Fontana
SMC Conference 2012
DISEMBODIED VOICES: A KINECT VIRTUAL CHOIR CONDUCTOR
Marcella Mandanici, Sylviane Sapir
SMC Conference 2012
COMPOSING GRAPHIC SCORES AND SONIFYING VISUAL MUSIC WITH THE SUM TOOL
Sara Adhitya, Mika Kuuskankare
SMC Conference 2012
EMPLOYING SPATIAL SONIFICATION OF TARGET MOTION IN TRACKING EXERCISES
Simone Spagnol, Michele Geronazzo, Federico Avanzini, Fabio Oscari, Giulio Rosati
SMC Conference 2012
Concatenative Synthesis Unit Navigation and Dynamic Rearrangement in vrGrains
Victor Zappi, Dario Mazzanti, Andrea Brogni, Darwin Caldwell
SMC Conference 2013
Child / Machine Interaction in Reflexive Environment. The Miror Platform
Anna Rita Addessi
SMC Conference 2013
How Do People Assess Computer Generated Expressive Music Performances?
Sergio Canazza, Giovanni De Poli, Antonio Rodà
SMC Conference 2013
Melody Bounce: Mobile Rhythmic Interaction for Children
Stefano Baldan, Stefania Serafin, Amalia De Götzen
SMC Conference 2013
Robin: An Algorithmic Composer for Interactive Scenarios
Fabio Morreale, Raul Masu, Antonella De Angeli
SMC Conference 2013
Sensitivity to Loudspeaker Permutations During an Eight-channel Array Reproduction of Piano Notes
Federico Fontana, Yuri De Pra, Alberto Amendola
SMC Conference 2013
Visions of Sound: The Centro Di Sonologia Computazionale, From Computer Music to Sound and Music Computing
Sergio Canazza, Giovanni De Poli, Alvise Vidolin
SMC Conference 2014
The Place and Meaning of Computing in a Sound Relationship of Man, Machines, and Environment
Agostino Di Scipio
SMC Conference 2014
How Blue Is Mozart? Non Verbal Sensory Scales for Describing Music Qualities
Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri
SMC Conference 2014
Music Systemisers and Music Empathisers - Do They Rate Expressiveness of Computer Generated Performances the Same?
Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza
SMC Conference 2014
Musical Perspectives on Composition, Sonification and Performance
Amalia De Götzen, Nicola Bernardini, Alvise Vidolin
SMC Conference 2014
NEYMA, Interactive Soundscape Composition Based on a Low Budget Motion Capture System
Stefano Alessandretti, Giovanni Sparano
SMC Conference 2014
Real-time Music Composition Through P-timed Petri Nets
Adriano Baratè, Goffredo Haus, Luca Andrea Ludovico
SMC Conference 2014
Infrared vs. Ultrasonic Finger Detection on a Virtual Piano Keyboard
Yuri De Pra, Federico Fontana, Linmi Tao
SMC Conference 2014
The Feature Extraction Based Hypersampler in Il Grifo nelle perle nere: A Bridge Between Player and Instrument Paradigm
Marco Marinoni
SMC Conference 2014
Human Perception of the Soundscape in a Metropolis Through the Phenomenology of Neural Networks
Enrica Santucci, Luca Andrea Ludovico
SMC Conference 2014
Perception of Interactive Vibrotactilecues on the Acoustic Grand and Upright Piano
Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Francesco Zanini, Valerio Zanini
SMC Conference 2014
Study of the Perceptual and Semantic Divergence of Digital Audio Processed by Restoration Algorithms
Sonia Cenceschi, Giorgio Klauer
SMC Conference 2014
The Counterpoint Game: Rules Constraints and Computational Spaces
Mattia Samory, Marcella Mandanici, Sergio Canazza, Enoch Peserico
SMC Conference 2014
Visualization and Manipulation of Stereophonic Audio Signals by Means of IID and IPD
Giorgio Presti, Davide Andrea Mauro, Goffredo Haus
SMC Conference 2014
SoDA: A Sound Design Accelerator for the Automatic Generation of Soundscapes From an Ontologically Annotated Sound Library
Andrea Valle, Paolo Armao, Matteo Casu, Marinos Koutsomichalis
SMC Conference 2014
A Design Exploration on the Effectiveness of Vocal Imitations
Stefano Delle Monache, Stefano Baldan, Davide Andrea Mauro, Davide Rocchesso
SMC Conference 2014
Ethos in Sound Design for Brand Advertisement
Elio Toppano, Alessandro Toppano
SMC Conference 2014
The "Harmonic Walk": An Interactive Educational Environment to Discover Musical Chords
Marcella Mandanici, Antonio Rodà, Sergio Canazza
SMC Conference 2014
Recommending Music to Groups in Fitness Classes
Berardina De Carolis, Stefano Ferilli, Nicola Orio
SMC Conference 2015
Rendering and Subjective Evaluation of Real vs. Synthetic Vibrotactile Cues on a Digital Piano Keyboard
Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Giorgio Klauer, Lorenzo Malavolta
SMC Conference 2015
The "Harmonic Walk" and Enactive Knowledge: An Assessment Report
Marcella Mandanici, Antonio Rodà, Sergio Canazza
SMC Conference 2015
To "Sketch-a-Scratch"
Alan Del Piccolo, Stefano Delle Monache, Davide Rocchesso, Stefano Papetti, Davide Andrea Mauro
SMC Conference 2015
Generalizing Messiaen’s Modes of Limited Transposition to a n-tone Equal Temperament
Luca Andrea Ludovico, Adriano Baratè
SMC Conference 2015
Archaeology and Virtual Acoustics. A Pan Flute From Ancient Egypt
Federico Avanzini, Sergio Canazza, Giovanni De Poli, Carlo Fantozzi, Niccolò Pretto, Antonio Rodà, Ivana Angelini, Cinzia Bettineschi, Giulia Deotto, Emanuela Faresin, Alessandra Menegazzi, Gianmario Molin, Giuseppe Salemi, Paola Zanovello
SMC Conference 2015
TRAP: TRAnsient Presence detection exploiting Continuous Brightness Estimation (CoBE)
Giorgio Presti, Davide Andrea Mauro, Goffredo Haus
SMC Conference 2015
Mozart is still blue: a comparison of sensory and verbal scales to describe qualities in music
Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Emery Schubert, Sergio Canazza, Giovanni De Poli
SMC Conference 2016
AN EXPLORATION ON WHOLE-BODY AND FOOT-BASED VIBROTACTILE SENSITIVITY TO MELODIC CONSONANCE
Federico Fontana, Ivan Camponogara, Matteo Vallicella, Marco Ruzzenente, Paola Cesari
SMC Conference 2016
VIRTUAL RECONSTRUCTION OF AN ANCIENT GREEK PAN FLUTE
Federico Avanzini, Sergio Canazza, Giovanni De Poli, Carlo Fantozzi, Edoardo Micheloni, Niccolò Pretto, Antonio Rodà, Silvia Gasparotto, Giuseppe Salemi
SMC Conference 2016
SKETCHING SONIC INTERACTIONS BY IMITATION-DRIVEN SOUND SYNTHESIS
Stefano Baldan, Stefano Delle Monache, Davide Rocchesso, Hélène Lachambre
SMC Conference 2016
The SelfEar Project: A Mobile Application for Low-cost Pinna-related Transfer Function Acquisition
Michele Geronazzo, Jacopo Fantin, Giacomo Sorato, Guido Baldovino, Federico Avanzini
SMC Conference 2017
Systema Naturae: shared practices between physical computing and algorithmic composition
Andrea Valle, Mauro Lanza
SMC Conference 2017
Electric grammars. Algorithmic design and construction of experimental music circuits
Andrea Valle, Simone Pappalardo
SMC Conference 2017
AUDITORY, VISUAL AND SOMATOSENSORY LOCALIZATION OF PIANO TONES: A PRELIMINARY STUDY
Federico Fontana, Debora Scappin, Federico Avanzini, Mattia Bernardi, Devid Bianco, Giorgio Klauer
SMC Conference 2017
Environment-Mediated Coupling of Autonomous Sound-Generating Systems in Live Performance: An Overview of the Machine Milieu Project
Dario Sanfilippo, Agostino Di Scipio
SMC Conference 2017
INTERACTIVE PAINTING SONIFICATION USING A SENSOR-EQUIPPED RUNWAY
Edoardo Micheloni, Marcella Mandanici, Antonio Rodà, Sergio Canazza
SMC Conference 2017
Interactive Soundscapes: Developing a Physical Space Augmented through Dynamic Sound Rendering and Granular Synthesis
Matteo Lionello, Marcella Mandanici, Sergio Canazza, Edoardo Micheloni
SMC Conference 2017
Robinflock: a polyphonic algorithmic composer for interactive scenarios with children
Raul Masu, Andrea Conci, Cristina Core, Antonella De Angeli, Fabio Morreale
SMC Conference 2018
Evidence of Lateralization Cues in Grand and Upright Piano Sounds
Federico Fontana, Federico Avanzini, Stefano Papetti
SMC Conference 2018
Virtual Reality Exploration with Different Head-Related Transfer Functions
Erik Sikström, Michele Geronazzo, Jari Kleimola, Federico Avanzini, Amalia De Götzen, Stefania Serafin
SMC Conference 2018
Interactive Exploration of Musical Space with Parametric t-SNE
Matteo Lionello, Hendrik Purwins, Luca Pietrogrande, Mohamed Abou-Zleikha
SMC Conference 2018
Formalizing Schoenberg’s Fundamentals of Musical Composition through Petri Nets
Adriano Baratè, Davide Andrea Mauro, Goffredo Haus, Luca Andrea Ludovico
SMC Conference 2018
Nawba Recognition for Arab-andalusian Music Using Templates From Music Scores
Niccolò Pretto, Barıs Bozkurt, Rafael Caro Repetto, Xavier Serra
SMC Conference 2018
Haptic Interaction with Guitar and Bass Virtual Strings
Andrea Passalenti, Federico Fontana
SMC Conference 2019
NO STRINGS ATTACHED: FORCE AND VIBROTACTILE FEEDBACK IN A GUITAR SIMULATION
Stefania Serafin, Niels Christian Nilsson, Razvan Paisa, Federico Fontana, Rolf Nordahl, Andrea Passalenti
SMC Conference 2019
Adaptive Loudness Compensation in Music Listening
Leonardo Fierro, Jussi Rämö, Vesa Välimäki
SMC Conference 2019
Metrics for the Automatic Assessment of Music Harmony Awareness in Children
Federico Avanzini, Adriano Baratè, Luca Andrea Ludovico, Marcella Mandanici
SMC Conference 2019
Virtual Reality Music Intervention to Reduce Social Anxiety in Adolescents Diagnosed with Autism Spectrum Disorder
Ali Adjorlu, Nathaly Betancourt, Stefania Serafin
SMC Conference 2019
SonaGraph. A cartoonified spectral model for music composition
Andrea Valle
SMC Conference 2019
URALi: a proposal of approach to real-time audio synthesis in Unity
Enrico Dorigatti