Charts
Number of papers per year from Germany
Number of authors per year with (at least) an affiliation from Germany
Percentage of authors with (at least) an affiliation from Germany

Places
Berlin
Bielefeld
Bremen
Cologne
Darmstadt
Detmold
Erlangen
Fulda
Garching
Hamburg
Hannover
Ilmenau
Karlsruhe
Magdeburg
Mainz
Minden
Oldenburg
Paderborn
Potsdam
Regensburg
Stuttgart
Weimar
Weissenburg
Würzburg

Affiliations
Jazz Institute of Berlin (JIB), Berlin University of the Arts (UdK); Berlin, Germany
Berlin University of the Arts (UdK); Berlin, Germany
Conservatory of Berlin; Berlin, Germany
Deutsche Telekom Laboratories; Berlin, Germany
Institute of Music and Media Studies, Humboldt-Universität zu Berlin; Berlin, Germany
Medienwissenschaft, Humboldt-Universität zu Berlin; Berlin, Germany
Native Instruments GmbH; Berlin, Germany
Audiokommunikation, Technische Universität Berlin (TU Berlin); Berlin, Germany
Neural Information Processing Group, Technische Universität Berlin (TU Berlin); Berlin, Germany
Electronic Music Studio, Technische Universität Berlin (TU Berlin); Berlin, Germany
Technische Universität Berlin (TU Berlin); Berlin, Germany
Technische Universität Berlin (TU Berlin); Berlin, Germany
Technische Universität Berlin (TU Berlin); Berlin, Germany
Ambient Intelligence Group, Center of Excellence in Cognitive Interaction Technology, Bielefeld University; Bielefeld, Germany
University of Arts Bremen (HFK); Bremen, Germany
Studio for Electronic Music, Hochschule für Musik und Tanz Köln (HfMT Köln); Cologne, Germany
Institute of Musicology, University of Cologne; Cologne, Germany
Institute of Musicology, University of Cologne; Cologne, Germany
Technische Universität Darmstadt (TU Darmstadt); Darmstadt, Germany
Technische Universität Darmstadt (TU Darmstadt); Darmstadt, Germany
Center of Music and Film Informatics, Detmold University of Music; Detmold, Germany
Center of Music and Film Informatics, Detmold University of Music; Detmold, Germany
Detmold University of Music; Detmold, Germany
Earquake, Hochschule für Musik Detmold (HfM Detmold); Detmold, Germany
Center of Music and Film Informatics (CeMFI), Hochschule für Musik Detmold (HfM Detmold) / Technische Hochschule Ostwestfalen-Lippe (TH OWL); Detmold, Germany
Fraunhofer; Erlangen, Germany
International Audio Laboratories Erlangen (AudioLabs); Erlangen, Germany
International Audio Laboratories Erlangen (AudioLabs); Erlangen, Germany
International Audio Laboratories Erlangen (AudioLabs); Erlangen, Germany
Digital Media Working Group, CS Department, Fulda University of Applied Sciences (Hochschule Fulda); Fulda, Germany
Fulda University of Applied Sciences (Hochschule Fulda); Fulda, Germany
Fulda University of Applied Sciences (Hochschule Fulda); Fulda, Germany
Musikschule Fulda; Fulda, Germany
Technische Universität München (TUM); Garching, Germany
Hamburg University of Applied Sciences (HAW); Hamburg, Germany
Hamburg University of Applied Sciences (HAW); Hamburg, Germany
Hamburg University of Applied Sciences (HAW); Hamburg, Germany
Hamburg University of Technology (TUHH); Hamburg, Germany
Hochschule für Musik und Theater Hamburg; Hamburg, Germany
Hochschule für Musik und Theater Hamburg; Hamburg, Germany
Hochschule für Musik und Theater Hamburg; Hamburg, Germany
Hochschule für Musik und Theater Hamburg; Hamburg, Germany
Universität Hamburg; Hamburg, Germany
Hanover University of Music, Drama and Media (HMTM); Hannover, Germany
Semantic Music Technologies, Fraunhofer Institute of Digital Media Technology (IDMT); Ilmenau, Germany
Semantic Music Technologies Group, Fraunhofer Institute of Digital Media Technology (IDMT); Ilmenau, Germany
Fraunhofer Institute of Digital Media Technology (IDMT); Ilmenau, Germany
Fraunhofer Institute of Digital Media Technology (IDMT); Ilmenau, Germany
Institute for Music and Acoustics, Center for Art and Media Karlsruhe (ZKM); Karlsruhe, Germany
Institute for Musics and Acoustics (IMA), Center for Art and Media Karlsruhe (ZKM); Karlsruhe, Germany
Center for Art and Media Karlsruhe (ZKM); Karlsruhe, Germany
FZI Research Center for Information Technology; Karlsruhe, Germany
IMWI Institute for Musicology and Music Informatics, Hochschule für Musik Karlsruhe; Karlsruhe, Germany
Hochschule für Musik Karlsruhe; Karlsruhe, Germany
Department of Media Art / Sound, Karlsruhe University of Arts and Design (HfG); Karlsruhe, Germany
Karlsruhe University of Arts and Design (HfG); Karlsruhe, Germany
Institute for Music and Acoustics, Zentrum für Kunst und Medien (ZKM); Karlsruhe, Germany
Otto von Guericke University Magdeburg; Magdeburg, Germany
Otto von Guericke University Magdeburg; Magdeburg, Germany
Johannes Gutenberg University Mainz; Mainz, Germany
Bielefeld University of Applied Sciences (FH Bielefeld); Minden, Germany
Carl von Ossietzky University Oldenburg; Oldenburg, Germany
Human-Computer Interaction and Software Technology Research Group, Paderborn University; Paderborn, Germany
University of Potsdam; Potsdam, Germany
Center for Neuromodulation, Department of Psychiatry and Psychotherapy, University of Regensburg; Regensburg, Germany
HearDis!; Stuttgart, Germany
State University of Music and the Performing Arts Stuttgart (HMDK); Stuttgart, Germany
Bauhaus-Universität Weimar; Weimar, Germany
Hochschule für Musik Franz Liszt Weimar; Weimar, Germany
The Center for Haptic Audio Interaction Research (CHAIR); Weimar, Germany
doremi art management; Weissenburg, Germany
Studio for Experimental Electronic Music (eem), Hochschule für Musik Würzburg; Würzburg, Germany
Hochschule für Musik Würzburg; Würzburg, Germany
Residuum, Independent; Germany

Authors from Germany (affiliation)
Abeßer, Jakob
Adiloğlu, Kamil
Amengual Garí, Sebastià Vicenç
Anatrini, Alessandro
Anniés, Robert
Baarlink, Johanna Friederike
Balinova, Marena
Baumann, Christian
Baveli, Maria-Dimitra
Becking, Dominic
Berdahl, Edgar
Berndt, Axel
Bierlein, Frank
Bock, Steffen
Bovermann, Till
Brümmer, Ludger
Cano, Estefania
Carey, Benedict
Carlé, Martin
Carlé, Martin
de Campo, Alberto
Delgado, Pablo
Dhandhania, Vedant
Dipper, Götz
Dittmar, Christian
Dominguez, Daniel
Egermann, Hauke
Essl, Georg
Everardo, Flavio
Farchmin, Elmar
Ferreira-Lopes, Paulo
Foerstel, Alexander
Fohl, Wolfgang
Fütterer, Lukas
Gräf, Albert
Groh, Georg
Grollmisch, Sascha
Großhauser, Tobias
Grossman, Holger
Grote, Florian
Hadjakos, Aristotelis
Hagerer, Gerhard
Hajdu, Georg
Hardjowirogo, Sarah-Indriyati
Härpfer, Bernd
Harrop, Todd
Hasselhorn, Johannes
Hermann, Thomas
Herre, Jürgen
Hildebrand Marques Lopes, Dominik
Hinrichsen, Amelie
Hohagen, Jesper
Kerschkewicz, Anja
Kim, Jin Hyun
Klügel, Niklas
Kob, Malte
Kopiez, Reinhard
Krämer, Robert
Kreutz, Gunter
Kruspe, Anna Marie
Lehmann, Andreas
Lévy, Fabien
Lévy, Fabien
Loscher, David
Mayer, Thomas
Mexin, Yevgen
Meyer, Florian
Milde, Jan-Torsten
Miyama, Chikashi
Modler, Paul
Möhrmann, Thorsten
Müller, Meinard
Nadar, Christon-Ragavan
Neff, Patrick
Neupert, Max
Nogalski, Malte
Nuernberger, Andreas
Obermayer, Klaus
Ong, Arvid
Otto, Jochen Arne
Parker, Julian
Pecquet, Justin
Pohl, Henning
Purwins, Hendrik
Pysiewicz, Andreas
Rafinski, Adam
Räpple, René
Rosinski, Stefan
Sabat, Marc
Schindler, Daniel
Schmitt, Jürgen
Schoeffler, Michael
Schultz, Christof Martin
Schwarz, Lorenz
Schwoon, Kilian
Seedorf, Marten
Seelig, Thomas
Seifert, Uwe
Spadavecchia, Severino
Steinmeier, Christine
Stober, Sebastian
Stroppa, Marco
Szwillus, Gerd
Unger, Amos
Vitez, Florian
Wagner, David
Waloschek, Simon
Wawilow, Anastasia
Wegener, Clemens
Weinzierl, Stefan
Weiß, Christof
Wikström, Vincent
Wissmann, Jens
Wöllner, Clemens
Zielke, Markus

Papers by authors from Germany (affiliation)

SMC Conference 2004
Composition and Improvisation on the Net
Georg Hajdu

SMC Conference 2004
Soliloque Sur [X, X, X et X], Musical Commentaries From a Computer About a Concert Misunderstood by It
Fabien Lévy, Thomas Seelig

SMC Conference 2005
Conversational Interactivity in Slow-motion: A Comparison of Phone Dialogues and Opera Scenes
Peter Reichl, Florian Hammer, Marena Balinova

SMC Conference 2005
Mathematical Structure and Sound Synthesis
Georg Essl

SMC Conference 2006
Automatic Composition and Notation in Network Music Environments
Georg Hajdu

SMC Conference 2007
Generation and Representation of Data and Events for the Control of Sound Synthesis
Jean Bresson, Marco Stroppa, Carlos Agon

SMC Conference 2007
Embodiment and Agency: Towards an Aesthetics of Interactive Performativity
Jin Hyun Kim, Uwe Seifert

SMC Conference 2007
Algorithmic Composition - "Gestalt Revolution" - a New Approach to a Unified View on Structuring Diverse Levels of Musical Composition
Jürgen Schmitt

SMC Conference 2007
Image Features Based on Two-dimensional FFT for Gesture Analysis and Recognition
Paul Modler, Tony Myatt

SMC Conference 2007
Haptic Feedback for Improved Positioning of the Hand for Empty Handed Gestural Control
Paul Modler, Tony Myatt

SMC Conference 2008
An Algorithm for Real-time Harmonic Microtuning
Marc Sabat

SMC Conference 2008
Asymmetrical Envelope Shapes in Sound Spatialization
Francesco Canavese, Francesco Giomi, Damiano Meacci, Kilian Schwoon

SMC Conference 2008
Speaker-Herd: A Multi-channel Loudspeaker Project for Miscellaneous Spaces, Loudspeaker Architectures and Compositional Approaches
Frank Bierlein, Elmar Farchmin, Lukas Fütterer, Anja Kerschkewicz, David Loscher, Paul Modler, Thorsten Möhrmann, Tony Myatt, Adam Rafinski, René Räpple, Stefan Rosinski, Lorenz Schwarz, Amos Unger, Markus Zielke

SMC Conference 2008
Towards a Decodification of the Graphical Scores of Anestis Logothetis (1921-1994). The Graphical Space of Odysee(1963)
Maria-Dimitra Baveli, Anastasia Georgaki

SMC Conference 2008
Traditional and Digital Music Instruments: A Relationship Based on a Interactive Model
Paulo Ferreira-Lopes

SMC Conference 2009
Auditory Representations as Landmarks in the Sound Design Space
Carlo Drioli, Pietro Polotti, Davide Rocchesso, Stefano Delle Monache, Kamil Adiloğlu, Robert Anniés, Klaus Obermayer

SMC Conference 2009
New Tendencies in the Digital Music Instrument Design: Progress Report
Paulo Ferreira-Lopes, Florian Vitez, Daniel Dominguez, Vincent Wikström

SMC Conference 2009
Polynomial Extrapolation for Prediction of Surprise Based on Loudness - a Preliminary Study
Hendrik Purwins, Piotr Holonowicz, Perfecto Herrera

SMC Conference 2009
The Sonified Music Stand - an Interactive Sonification System for Musicians
Tobias Großhauser, Thomas Hermann

SMC Conference 2009
Three Methods for Pianist Hand Assignment
Aristotelis Hadjakos, François Lefebvre-Albaret

SMC Conference 2009
Towards a Prosody Model of Attic Tragic Poetry: From Logos to Mousiké
Anastasia Georgaki, Stelios Psaroudakēs, Martin Carlé, Panagiotis Tzevelekos

SMC Conference 2010
DANCE PATTERN RECOGNITION USING DYNAMIC TIME WARPING
Henning Pohl, Aristotelis Hadjakos

SMC Conference 2010
Chord Sequence Patterns in OWL
Jens Wissmann, Tillman Weyde, Darrell Conklin

SMC Conference 2010
MusicGalaxy - an Adaptive User-interface for Exploratory Music Retrieval
Sebastian Stober, Andreas Nuernberger

SMC Conference 2011
PERSONALITY AND COMPUTER MUSIC
Sandra Garrido, Emery Schubert, Gunter Kreutz, Andrea Halpern

SMC Conference 2011
Functional Signal Processing with Pure and Faust using the LLVM Toolkit
Albert Gräf

SMC Conference 2012
AUTOMATIC AND MANUAL ANNOTATION OF TIME-VARYING PERCEPTUAL PROPERTIES IN MOVIE SOUNDTRACKS
Vedant Dhandhania, Jakob Abeßer, Anna Marie Kruspe, Holger Grossman

SMC Conference 2012
Pianist Motion Capture with the Kinect Depth Camera
Aristotelis Hadjakos

SMC Conference 2012
The FireFader Design: Simple, Open-source, and Reconfigurable Haptics for Musicians
Edgar Berdahl, Alexandros Kontogeorgakopoulos

SMC Conference 2013
About the Impact of Audio Quality on Overall Listening Experience
Michael Schoeffler, Jürgen Herre

SMC Conference 2013
Global Key Extraction From Classical Music Audio Recordings Based on the Final Chord
Christof Weiß

SMC Conference 2014
Lose Control, Gain Influence - Concepts for Metacontrol
Alberto de Campo

SMC Conference 2014
A Genetic Algorithm Approach to Collaborative Music Creation on a Multi-touch Table
Niklas Klügel, Andreas Lindström, Georg Groh

SMC Conference 2014
Introducing the Zirkonium MK2 System for Spatial Composition
David Wagner, Ludger Brümmer, Götz Dipper, Jochen Arne Otto

SMC Conference 2014
The SpatDIF Library - Concepts and Practical Applications in Audio Software
Jan C. Schacher, Chikashi Miyama, Trond Lossius

SMC Conference 2014
About the Different Types of Listeners for Rating the Overall Listening Experience
Michael Schoeffler, Jürgen Herre

SMC Conference 2014
Computing Musical Meter - an Approach to an Integrated Formal Description
Bernd Härpfer

SMC Conference 2014
FugueGenerator - Collaborative Melody Composition Based on a Generative Approach for Conveying Emotion in Music
Niklas Klügel, Gerhard Hagerer, Georg Groh

SMC Conference 2014
Modality
Marije Baalman, Till Bovermann, Alberto de Campo, Miguel Cerdeira Marreiros Negrão

SMC Conference 2014
Automatic Competency Assessment of Rhythm Performances of Ninth-grade and Tenth-grade Pupils
Jakob Abeßer, Johannes Hasselhorn, Sascha Grollmisch, Christian Dittmar, Andreas Lehmann

SMC Conference 2014
Timbre-invariant Audio Features for Style Analysis of Classical Music
Christof Weiß, Matthias Mauch, Simon Dixon

SMC Conference 2014
Using Natural Language to Specify Sound Parameters
Jan-Torsten Milde

SMC Conference 2014
3DMIN - Challenges and Interventions in Design, Development and Dissemination of New Musical Instruments
Till Bovermann, Hauke Egermann, Alexander Foerstel, Sarah-Indriyati Hardjowirogo, Amelie Hinrichsen, Dominik Hildebrand Marques Lopes, Andreas Pysiewicz, Stefan Weinzierl, Alberto de Campo

SMC Conference 2014
SYSTab: A Proactive Real-time Expert System for Ancient Greek Music Theory and Notation
Martin Carlé

SMC Conference 2014
CeMFI and Earquake: (Epi-)Centers for Experimental Music, Media and Research
Aristotelis Hadjakos, Steffen Bock, Fabien Lévy

SMC Conference 2015
Acoustically Guided Redirected Walking in a WFS System: Design of an Experiment to Identify Detection Thresholds
Malte Nogalski, Wolfgang Fohl

SMC Conference 2015
Synchronizing Spatially Distributed Musical Ensembles
Aristotelis Hadjakos, Axel Berndt, Simon Waloschek

SMC Conference 2015
Sensors2OSC
Antonio Deusany de Carvalho Junior, Thomas Mayer

SMC Conference 2016
Interfaces for Sound: Representing Material in Pop Music Productions
Florian Grote

SMC Conference 2016
Zirkonium, SpatDIF, and mediaartbase.de; an archiving strategy for spatial music at ZKM
Chikashi Miyama, Götz Dipper, Robert Krämer, Jan C. Schacher

SMC Conference 2016
Authoring Spatial Music with SpatDIF Version 0.4
Jan C. Schacher, Nils Peters, Trond Lossius, Chikashi Miyama

SMC Conference 2016
The Perceptual Similarity of Tone Clusters: An Experimental Approach to the Listening of Avant-garde Music
Arvid Ong, Reinhard Kopiez

SMC Conference 2016
The state of the art on the educational software tools for electroacoustic composition
Alessandro Anatrini

SMC Conference 2016
Detection Thresholds in Audio-Visual Redirected Walking
Florian Meyer, Malte Nogalski, Wolfgang Fohl

SMC Conference 2016
THE LOOP ENSEMBLE - OPEN SOURCE INSTRUMENTS FOR TEACHING ELECTRONIC MUSIC IN THE CLASSROOM
Christof Martin Schultz, Marten Seedorf

SMC Conference 2016
VR 'Space Opera': Mimetic Spectralism in an Immersive Starlight Audification System
Benedict Carey, Burak Ulas

SMC Conference 2016
Movement Sonification of Musical Gestures: Investigating Perceptual Processes Underlying Musical Performance Movements
Jesper Hohagen, Clemens Wöllner

SMC Conference 2016
Modulating or 'Transferring' Between Non-octave Microtonal Scales
Todd Harrop

SMC Conference 2016
Teaching Audio Programming using the Neonlicht Engine
Jan-Torsten Milde

SMC Conference 2017
Tools for Annotating Musical Measures in Digital Music Editions
Yevgen Mexin, Aristotelis Hadjakos, Axel Berndt, Simon Waloschek, Anastasia Wawilow, Gerd Szwillus

SMC Conference 2017
Investigations on stage acoustic preferences of solo trumpet players using virtual acoustics
Sebastià Vicenç Amengual Garí, Malte Kob, Tapio Lokki

SMC Conference 2017
Virtual Analog Model of the Lockhart Wavefolder
Fabián Esqueda, Henri Pöntynen, Julian Parker, Stefan Bilbao

SMC Conference 2017
Towards an Automated Multitrack Mixing Tool using Answer Set Programming
Flavio Everardo

SMC Conference 2018
A system for spacial audio using synchronized mobile devices
Jan-Torsten Milde

SMC Conference 2018
Towards Creating an Augmented Handpan using Leap Motion
Christine Steinmeier, Dominic Becking

SMC Conference 2018
A Heuristic Algorithm for DJ Cue Point Estimation
Diemo Schwarz, Daniel Schindler, Severino Spadavecchia

SMC Conference 2018
An Expressive Multidimensional Physical Modelling Percussion Instrument
Jason Yves Tissieres, Archelaos Vaseileiou, Sohejl Zabetian, Pablo Delgado, Sofia Dahl, Stefania Serafin

SMC Conference 2019
State Dependency - Audiovisual interaction through brain states
Patrick Neff, Jan C. Schacher, Daniel Bisig

SMC Conference 2019
PERFORMING WITH SOUND SAMPLE-CONTROLLED GLOVES AND LIGHT-CONTROLLED ARMS
Frank Pecquet, Fotis Moschos, David Fierro, Justin Pecquet

SMC Conference 2019
Musical Tempo and Key Estimation using Convolutional Neural Networks with Directional Filters
Hendrik Schreiber, Meinard Müller

SMC Conference 2019
Towards CNN-based Acoustic Modeling of Seventh Chords for Automatic Chord Recognition
Christon-Ragavan Nadar, Jakob Abeßer, Sascha Grollmisch

SMC Conference 2019
Adaptive Body Movement Sonification in Music and Therapy
Christian Baumann, Johanna Friederike Baarlink, Jan-Torsten Milde

SMC Conference 2019
Automatic Chord Recognition in Music Education Applications
Sascha Grollmisch, Estefania Cano

SMC Conference 2019
Interacting with digital resonators by acoustic excitation
Max Neupert, Clemens Wegener