Sixteen Years of Sound & Music Computing
A Look Into the History and Trends of the Conference and Community

D.A. Mauro, F. Avanzini, A. Baratè, L.A. Ludovico, S. Ntalampiras, S. Dimitrov, S. Serafin
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Australia (affiliation country)

Charts
Number of papers per year from Australia
Number of authors per year with (at least) an affiliation from Australia
Percentage of authors with (at least) an affiliation from Australia

Places
Clayton
Melbourne
Perth
Sydney

Affiliations
Centre for Electronic Media Art, Monash University; Clayton, Australia
Royal Melbourne Institute of Technology (RMIT); Melbourne, Australia
The Bionic Ear Institute; Melbourne, Australia
The University of Melbourne; Melbourne, Australia
School of Contemporary Music, The University of Melbourne; Melbourne, Australia
Edith Cowan University; Perth, Australia
Australian Institute of Music (AIM); Sydney, Australia
Macquarie University; Sydney, Australia
Macquarie University; Sydney, Australia
The University of New South Wales (UNSW); Sydney, Australia
The University of New South Wales (UNSW); Sydney, Australia
The University of New South Wales (UNSW); Sydney, Australia
The University of New South Wales (UNSW); Sydney, Australia
The University of Queensland; Sydney, Australia
Key Centre of Design Computing and Cognition, The University of Sydney; Sydney, Australia
Sydney Conservatorium of Music, The University of Sydney; Sydney, Australia
The University of Sydney; Sydney, Australia
University of Technology Sydney; Sydney, Australia
University of Technology Sydney; Sydney, Australia
Western Sydney University; Sydney, Australia

Authors from Australia (affiliation)
Bednarz, Tomasz
Beilharz, Kirsty
Bown, Oliver
Burkitt, Anthony Neville
Carey, Benjamin
Gabriel, Jamie
Garrido, Sandra
Grayden, David B.
Ham, Jeremy
Havryliv, Mark
Hirst, David
Ilsar, Alon
Innes-Brown, Hamish
Jin, Craig
Johnston, Andrew
Kuchelmeister, Volker
Macritchie, Jennifer
Marozeau, Jeremy
Martin, Aengus
Mesker, Alex
Milne, Andrew
Noad, Michael
Prohasky, Daniel
Schubert, Emery
Stuart, James
Vickery, Lindsay
Zavada, Ivan

Papers by authors from Australia (affiliation)

SMC Conference 2004
Interactively Determined Generative Sound Design for Sensate Environments
Kirsty Beilharz

SMC Conference 2009
A Framework for Ecosystem-based Generative Music
Oliver Bown

SMC Conference 2009
Musical Applications and Design Techniques for the Gametrak Tethered Spatial Position Controller
Adrian Freed, Devin McCutchen, Andy Schmeder, Anne-Marie Skriver Hansen, Daniel Overholt, Winslow Burleson, Camilla Nørgaard Jensen, Alex Mesker

SMC Conference 2009
The Effect of Visual Cues on Melody Segregation
Anthony Neville Burkitt, David B. Grayden, Hamish Innes-Brown, Jeremy Marozeau

SMC Conference 2011
PERSONALITY AND COMPUTER MUSIC
Sandra Garrido, Emery Schubert, Gunter Kreutz, Andrea Halpern

SMC Conference 2012
Surface as Structure: The multi-touch controller as map of musical state space
Oliver Bown, Daniel Jones, Sam Britton

SMC Conference 2012
Creative Experiments Using a System for Learning High-Level Performance Structure in Ableton Live
Aengus Martin, Craig Jin, Benjamin Carey, Oliver Bown

SMC Conference 2013
Large Data Sets & Recommender Systems: A Feasible Approach to Learning Music?
Jamie Gabriel

SMC Conference 2013
The AirSticks: A New Interface for Electronic Percussionists
Alon Ilsar, Mark Havryliv, Andrew Johnston

SMC Conference 2014
Chronotope: The Mutual Dependency of Time and Space in Visual Music
Ivan Zavada

SMC Conference 2014
Exploring a Visual/Sonic Representational Continuum
Lindsay Vickery

SMC Conference 2014
Music Systemisers and Music Empathisers - Do They Rate Expressiveness of Computer Generated Performances the Same?
Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza

SMC Conference 2014
The Use of Rhythmograms in the Analysis of Electroacoustic Music, With Application to Normandeau's Onomatopoeias Cycle
David Hirst

SMC Conference 2014
Sound Shapes and Spatial Texture: Frequency-space Morphology
James Stuart

SMC Conference 2015
Mozart is still blue: a comparison of sensory and verbal scales to describe qualities in music
Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Emery Schubert, Sergio Canazza, Giovanni De Poli

SMC Conference 2016
DEVELOPING A PARAMETRIC SPATIAL DESIGN FRAMEWORK FOR DIGITAL DRUMMING
Jeremy Ham, Daniel Prohasky

SMC Conference 2016
Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition
Michael Mcloughlin, Luca Lamoni, Ellen Garland, Simon Ingram, Alexis Kirke, Michael Noad, Luke Rendell, Eduardo Reck Miranda

SMC Conference 2017
Evaluation of the Learnability and Playability of Pitch Layouts in New Musical Instruments
Jennifer Macritchie, Andrew Milne

SMC Conference 2019
Teach Me Drums: Learning Rhythms through the Embodiment of a Drumming Teacher in Virtual Reality
Stefania Serafin, Mie Moth-Poulsen, Tomasz Bednarz, Volker Kuchelmeister

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